Taylor Carman

The terminological boxes into which we press the history of philosophy often obscure deep and important differences among major figures supposedly belonging to a single school of thought. One such disparity within the phenomenological movement, often overlooked but by no means invisible, separates Merleau-Pontys Phenomenology of Perception from the Husserlian program that initially inspired it. For Merleau-Pontys phenomenology amounts to a radical, if discreet, departure not only from Husserls theory of intentionality generally, but more specifically from his account of the intentional constitution of the body and its role in perceptual experience

Edmund Husserl, the founder of modern phenomenology, always insisted that philosophy is not just a scholarly discipline, but can and must aspire to the status of a ‘strict’ or ‘rigorous science’ (strenge Wissenschaft). Heidegger, by contrast, began his winter lectures in 1929 by dismissing what he called the ‘delusion’ that philosophy was or could be either a discipline or a science as the most disastrous debasement of its innermost essence. To understand what Husserl had in mind, it is important to begin by remembering that the word Wissenschaft has a wider extension than the word ‘science’. German distinguishes the Naturwissenschaften from the Geisteswissenschaften, or human sciences, which Husserl and Heidegger both believed could be perfectly ‘rigorous’ in their own way. Speakers of English, by contrast, tend to draw a threefold distinction among the natural sciences, the social sciences, and the humanities.

Calvin Schrag’s Self after Postmodernity is a trim but ambitious book. In it Schrag sets out to correct, or at least to temper—sometimes seemingly to appease—what he regards as the excesses and distortions arising from contemporary assaults on the concepts of selfhood and subjectivity, arising particularly from recent French philosophy. In so doing, he tries to articulate a response to the problem of modernity as framed by Weber and Habermas, that is, in terms of the increasing mutual alienation of the cultural spheres of science, morality, and art. To these three Schrag adds a fourth, religion, and doing so affords him repeated—though not always fruitful—digressions into Kierkegaard’s account of the aesthetic, ethical, and religious stages of existence.

After Modernity is a collection of fifteen short essays, ten of them previously published elsewhere, centering around interpretations of Husserl and applications of his phenomenology to large philosophical problems concerning time and the self. The volume is held together loosely by the author’s answer to the crisis of modernity, a crisis consisting in the apparent hopelessness of grounding norms in superworldly Platonic forms or the rational subject posited by Descartes and Kant. Mensch advocates returning to an Aristotelian position according to which “time is dependent on being” and “the subject is constituted by the world”. For Mensch, “it is precisely modernity’s attempt to understand temporalization as a subjective process which is the crucial error”. Far from abandoning the modern preoccupation with subjectivity, then, Mensch simply wants to deny that the subject dictates the terms of its own relation to the world. His response to the crisis of modernity therefore consists in a conception of what in the final chapter he calls “post-normative subjectivity.” The book also includes discussions of Plato, St. Augustine, Aquinas, Descartes, radical evil, Sartre’s conception of the self, John Searle and artificial intelligence, Nietzsche and Darwin, and finally multiple personality disorder.