Christopher Peacocke

The principal thesis of A Study of Concepts is that a concept is individuated by its possession condition. Concepts are here understood to be sliced as finely as epistemic possibility. So now and 6 o’clock are different concepts, even if, in context, they pick out the same time; likewise for the observational concept circular and the complex concept locus of coplanar points equidistant from a given point. In the simplest cases, a possession condition is stated by giving a true, individuating statement of the form.

Only computational explanations of a content‐involving sort can answer certain ‘how’‐questions; can support content‐involving counterfactuals; and have the generality characteristic of psychological explanations. Purely formal characteriza‐tions of computations have none of these properties, and do not determine content. These points apply not only to psychological explanation, but to Turing machines themselves. Computational explanations which involve content are not opposed to naturalism. They are also required if we are to explain the content‐involving properties of mental states.

This paper has five theses, which are intended to address the claims in Jerry Fodor's paper. (1) The question arises of the relation between the philosophical theory of concepts and epistemology. Neither is explanatorily prior to the other. Rather, each relies implicitly on distinctions drawn from the other. To explain what makes something knowledge, we need distinctions drawn from the theory of concepts. To explain the attitudes mentioned in a theory of concepts, we need to use the notion of knowledge. (2) Concepts can have a normative dimension without their nature being interpretation‐dependent, and without their nature being mind‐dependent. The normative dimension traces back instead to the role of truth as a constitutive aim of judgement. (3) Conceptual combination is to be explained at the level of reference and semantic value. When we respect this fact, there is no difficulty in explaining compositionality for epistemically‐constrained concepts. (4) Epistemically‐constrained theories of concepts are committed to the applicability of the notion of the a priori. They are not committed to the applicability of the notion of analyticity, where this is construed as truth purely in virtue of meaning or the identity of concepts. (5) Possession of a concept has causal‐explanatory powers, whether given by a possession condition in the form presented in A Study of Concepts, or by possession of an implicit conception. A possession‐condition theory of concepts need not be a form of dispositionalism.

What is involved in the consciousness of a conscious, "occurrent" propositional attitude, such as a thought, a sudden conjecture or a conscious decision? And what is the relation of such consciousness to attention? I hope the intrinsic interest of these questions provides sufficient motivation to allow me to start by addressing them. We will not have a full understanding either of consciousness in general, nor of attention in general, until we have answers to these questions. I think there are constitutive features of these states which can be identified by broadly philosophical investigation, and in the early part of this paper I will try to do some of that identification. Beyond the intrinsic interest of the topic, the nature of such conscious attitudes is highly pertinent to a philosophical account of psychological self-knowledge. So I will also say something about the significance of the constitutive features of these conscious attitudes for a philosophical account of how it can be that a thinker has a distinctive kind of knowledge of some of his mental states. The general challenge in this area is to find anything intermediate between the unexceptionable but uninformative, on the one hand, and the absolutely unbelievable on the other.

Representing one thing metaphorically-as something else is something that can occur in thought, imagination or perception. When a piece of music is heard as expressing some property F, some feature of the music is heard metaphorically-as F. The metaphor is exploited in the perception, rather than being represented. This account is developed and deployed to address some classical issues about music, including Wagner's point that the emotions expressed need not be those of a particular person on a particular occasion, and the widely accepted point that what is significant in a piece of music cannot be translated into any other medium.