Christopher Peacocke

where F is a contradiction (I use his numbering). Tim says about these equivalences: (1) “modulo the implicit recognition of this equivalence, the epistemology of metaphysically modal thinking is a special case of the epistemology of counterfactual thinking. Whoever has what it takes to understand the counterfactual conditional and the elementary logical auxiliaries ~ and F has what it takes to understand possibility and necessity operators.” (158) (2) The idea that we evaluate metaphysically modal claims “by some quite different means [from those we use to evaluate counterfactuals – CP] is highly fanciful, since it indicates a bizarre lack of cognitive economy and has no plausible explanation of where the alternative cognitive resources might come from” (162) (3) “the capacity to handle metaphysical modality is an “accidental” byproduct of the cognitive mechanisms that provide our capacity to handle counterfactual conditionals” (162). The biconditional corresponding to a proposed definition of a concept C may be necessary and a priori. But that leaves open these questions: (1) Does the definition contribute to an explanation of why what are in fact truths containing C are true? (The Explanation Question) (2) Does the definition contribute to an explanation of our knowledge of certain contents containing C? (Epistemic Question) (3) Does the definition contribute to an explanation of our understanding or grasp of contents containing C? (Understanding Question) I argue that applied to (17) and (18), considered as definitions, the answers to these three..

Representing one thing metaphorically-as something else is something that can occur in thought, imagination or perception. When a piece of music is heard as expressing some property F, some feature of the music is heard metaphorically-as F. The metaphor is exploited in the perception, rather than being represented. This account is developed and deployed to address some classical issues about music, including Wagner's point that the emotions expressed need not be those of a particular person on a particular occasion, and the widely accepted point that what is significant in a piece of music cannot be translated into any other medium.

There are issues in the theory of concepts about which A Study of Concepts could have said more. There are also some issues about which it would have done well to say something different. The commentators in this symposium have successfully identified a series of issues of one or other of these two kinds, and I am very grateful for their thought and detailed attention. I have learned from reflection on their comments, and I take this opportunity to try to carry the discussion forward by addressing a range issues underdeveloped in A Study of Concepts. Georges Rey raises global questions about the project of SoC. Answerability, Quinean challenges and the relations between my approach and covariation or ‘locking’ theories are amongst the problems he raises. The comments of David Papineau are at an intermediate level of generality. He poses questions about the subject-matter of a theory of concepts, and rejects my critique of teleological theories of content. He is also dissatisfied with my account of the relations between actual thought and the normative properties of concepts. I will consider that issue at some length. Jane Heal considers my elaboration of the approach for a specific concept, that of belief. I will take the topics in that order.

It seems to be an obvious truth that There could be something that doesn't actually exist.That is, it seems to be obiously true that ◊∃×).It is sufficient for the truth of that there could be more people, or trees, or cars, than there actually are. It is also sufficient for the truth of that there could be some pepole, or trees, or cars that are distinct from all those that actually exist. Do and suchlike statements involve a commitment to possibilia, to things that possibly exist, but do not actually exist? If not, why not? And if so, what is the nature of the possibilia to which and its ilk commit us? These simple little questions are at the tip of an iceberg.

This note aims to clarify which arguments do, and which arguments do not, tell against Conceptualism, the thesis that the representational content of experience is exclusively conceptual. Contrary to Sean Kelly’s position, conceptualism has no difficulty accommodating the phenomena of color constancy and of situation-dependence. Acknowledgment of nonconceptual content is also consistent with holding that experiences have nonrepresentational subjective features. The crucial arguments against conceptualism stem from animal perception, and from a distinction, elaborated in the final section of the paper, between content which is objective and content which is also conceived of by its subject as objective

Among the unpublished writings of Kazimierz Twardowski so far there is an essay in which Twardowski tries to embed the concept of an intentional object' within a theory that comprises at the same time psychological, logical and grammatical aspects. This theory of actions' and products' is presented here and several applications of the theory are discussed. The central question thereby is whether the distinction between actions and products enables Twardowski to counter the objection of psychologism raised against him. Having explained Twardowski's position we describe from an editorial point of view the text in which his theory is transmitted. The text itself is published according to the given editorial principles after this introduction

The subjective properties of an experience are those which specify what having the experience is like for its subject. The sensational properties of an experience are those of its subjective properties that it does not possess in virtue of features of the way the experience represents the world as being (its representational content). Perhaps no topic in the philosophy of mind has been more vigorously debated in the past quarter-century than whether there are any sensational properties, so conceived. The existence or otherwise of sensational properties is pivotal in assessing functionalism, representationalism, and many other conceptions of mental states and the nature of our ability to think about them. Instead of engaging in extended sentence- by-sentence dissection of these many discussions, I hope that the theses I formulate will, taken together, comprise a positive conception of sensational properties that can be drawn upon in assessing those debates. My main aim is to articulate that conception.

Drawing upon a conception of the metaphysics of conscious states and of first-person content, we can argue that Descartes's transition ‘Cogito ergo sum’ is both sound and one he is entitled to make. We can nevertheless formulate a version of Lichtenberg's objection that can still be raised after Bernard Williams's discussion. I argue that this form of Lichtenberg's revenge can also be undermined. In doing so it helps to compare the metaphysics of subjects, worlds and times. The arguments also apply to Descartes's ‘second Cogito’, that it is one and the same subject that thinks, wills, imagines