Christopher Peacocke

where F is a contradiction (I use his numbering). Tim says about these equivalences: (1) “modulo the implicit recognition of this equivalence, the epistemology of metaphysically modal thinking is a special case of the epistemology of counterfactual thinking. Whoever has what it takes to understand the counterfactual conditional and the elementary logical auxiliaries ~ and F has what it takes to understand possibility and necessity operators.” (158) (2) The idea that we evaluate metaphysically modal claims “by some quite different means [from those we use to evaluate counterfactuals – CP] is highly fanciful, since it indicates a bizarre lack of cognitive economy and has no plausible explanation of where the alternative cognitive resources might come from” (162) (3) “the capacity to handle metaphysical modality is an “accidental” byproduct of the cognitive mechanisms that provide our capacity to handle counterfactual conditionals” (162). The biconditional corresponding to a proposed definition of a concept C may be necessary and a priori. But that leaves open these questions: (1) Does the definition contribute to an explanation of why what are in fact truths containing C are true? (The Explanation Question) (2) Does the definition contribute to an explanation of our knowledge of certain contents containing C? (Epistemic Question) (3) Does the definition contribute to an explanation of our understanding or grasp of contents containing C? (Understanding Question) I argue that applied to (17) and (18), considered as definitions, the answers to these three..

The subjective properties of an experience are those which specify what having the experience is like for its subject. The sensational properties of an experience are those of its subjective properties that it does not possess in virtue of features of the way the experience represents the world as being (its representational content). Perhaps no topic in the philosophy of mind has been more vigorously debated in the past quarter-century than whether there are any sensational properties, so conceived. The existence or otherwise of sensational properties is pivotal in assessing functionalism, representationalism, and many other conceptions of mental states and the nature of our ability to think about them. Instead of engaging in extended sentence- by-sentence dissection of these many discussions, I hope that the theses I formulate will, taken together, comprise a positive conception of sensational properties that can be drawn upon in assessing those debates. My main aim is to articulate that conception.

Résumé Je distingue deux variétés de conscience de soi. J ’ appelle la première “ conscience de soi perspective ”. Je rends compte de sa nature et j ’ analyse sa relation aux éléments suivants: le test du miroir de Gallup; l ’ immunité à l ’ erreur d ’ identification selon Shoemaker; la possession par le sujet conscient de l ’ idée d ’ une pluralité d ’ esprits; et quelques-unes des idées de Sartre sur ce que c ’ est que se concevoir soi-même comme objet. J ’ appelle “ conscience de soi réflexive ” une deuxième variété de la conscience de soi. Je rends compte de sa nature et de sa signification épistémologique, et je considère les manières dont la coopération de la conscience de soi perspective et de la conscience de soi réflexive est une condition nécessaire à la réalisation par le sujet pensant de certains objectifs épistémiques. Je conclus par quelques réflexions sur l ’ importance de la conception métaphysique des sujets de la conscience et de leurs propriétés pour l ’ explication de phénomènes épistémiques et conceptuels.

We can experience music as sad, as exuberant, as sombre. We can experience it as expressing immensity, identification with the rest of humanity, or gratitude. The foundational question of what it is for music to express these or anything else is easily asked; and it has proved extraordinarily difficult to answer satisfactorily. The question of what it is for emotion or other states to be heard in music is not the causal or computational question of how it comes to be heard. It is not the question of the social influences on how we hear music. Nor is it the question of the evolutionary explanation, if such there be, of the existence of such perceptions. It is the constitutive question, the ‘what-is-it?’ question, that is my concern here. It is a question unaddressed by purely syntactic analyses of music. A correct answer to this constitutive question constrains all those other, equally challenging, empirical questions about music. I am going to propose an answer to the constitutive question, drawing on the resources of our current philosophy of perception and cognition within contemporary philosophy of mind. In the very tight space available to me, I will not survey the extant competing proposals, but simply offer my own suggestion straight out, while noting some points of contrast with other approaches. My account is built from three components, or more strictly, from two components together with a certain conception of the way they are related to each other in the perception of music. My plan is to expound these components; to formulate the account built from them; to give some examples of what the account can explain; and to discuss very briefly its bearing on some classical issues about the perception of music.

In their searching contributions to this Symposium, Gideon Rosen, Timothy Williamson and Crispin Wright identify a set of issues crucial for assessing the principle-based treatment of modality I presented in Chapter Four of Being Known. I thank them for such focused and thoughtful discussions. This response is organized as a series of questions and proposed answers that aim to address the issues they raise. I hope their contributions will be as helpful to the reader as they have been to me in understanding what is, and what is not, involved in the principle-based conception. My response will not consist only in defense and elaboration. On some issues, I will argue that the position formulated in Being Known needs supplementation. On others, especially those concerned with actualism and possibilia, it needs revision and a new positive theory.

What is it to be capable of thoughts about an objective world? What is involved in the unity of consciousness? How is the ability to attribute attitudes to other persons to be understood? The three symposia in this volume develop new approaches to these central questions in the philosophy of mind. The contributors include leading philosophers of the middle and younger generation working in Britain. All the issues discussed have an interdisciplinary dimension, and each symposium contains a contribution from a noted psychologist working in the same field. The volume will be of interest not only to philosophers of mind, but also to those concerned with metaphysics, epistemology, developmental pscychology, animal psychology, and the nature of consciousness.