Christopher Peacocke

We can experience music as sad, as exuberant, as sombre. We can experience it as expressing immensity, identification with the rest of humanity, or gratitude. The foundational question of what it is for music to express these or anything else is easily asked; and it has proved extraordinarily difficult to answer satisfactorily. The question of what it is for emotion or other states to be heard in music is not the causal or computational question of how it comes to be heard. It is not the question of the social influences on how we hear music. Nor is it the question of the evolutionary explanation, if such there be, of the existence of such perceptions. It is the constitutive question, the ‘what-is-it?’ question, that is my concern here. It is a question unaddressed by purely syntactic analyses of music. A correct answer to this constitutive question constrains all those other, equally challenging, empirical questions about music. I am going to propose an answer to the constitutive question, drawing on the resources of our current philosophy of perception and cognition within contemporary philosophy of mind. In the very tight space available to me, I will not survey the extant competing proposals, but simply offer my own suggestion straight out, while noting some points of contrast with other approaches. My account is built from three components, or more strictly, from two components together with a certain conception of the way they are related to each other in the perception of music. My plan is to expound these components; to formulate the account built from them; to give some examples of what the account can explain; and to discuss very briefly its bearing on some classical issues about the perception of music.

Résumé Je distingue deux variétés de conscience de soi. J ’ appelle la première “ conscience de soi perspective ”. Je rends compte de sa nature et j ’ analyse sa relation aux éléments suivants: le test du miroir de Gallup; l ’ immunité à l ’ erreur d ’ identification selon Shoemaker; la possession par le sujet conscient de l ’ idée d ’ une pluralité d ’ esprits; et quelques-unes des idées de Sartre sur ce que c ’ est que se concevoir soi-même comme objet. J ’ appelle “ conscience de soi réflexive ” une deuxième variété de la conscience de soi. Je rends compte de sa nature et de sa signification épistémologique, et je considère les manières dont la coopération de la conscience de soi perspective et de la conscience de soi réflexive est une condition nécessaire à la réalisation par le sujet pensant de certains objectifs épistémiques. Je conclus par quelques réflexions sur l ’ importance de la conception métaphysique des sujets de la conscience et de leurs propriétés pour l ’ explication de phénomènes épistémiques et conceptuels.

In their searching contributions to this Symposium, Gideon Rosen, Timothy Williamson and Crispin Wright identify a set of issues crucial for assessing the principle-based treatment of modality I presented in Chapter Four of Being Known. I thank them for such focused and thoughtful discussions. This response is organized as a series of questions and proposed answers that aim to address the issues they raise. I hope their contributions will be as helpful to the reader as they have been to me in understanding what is, and what is not, involved in the principle-based conception. My response will not consist only in defense and elaboration. On some issues, I will argue that the position formulated in Being Known needs supplementation. On others, especially those concerned with actualism and possibilia, it needs revision and a new positive theory.