Michelle Kosch

I argue that Fichte (rather than Kant or Hegel or some amalgam of the two) was the primary historical model for the ethical standpoint described in Kierkegaard's Either/Or II. I then explain how looking at Kierkegaard's texts with Fichte in mind helps in interpreting the criticism of the ethical standpoint in works like The Sickness unto Death and Concluding Unscientific Postscript, as well as the significance of the discussion of secular ethics in Fear and Trembling. I conclude with a brief look at the relevance for contemporary Kantian ethics of Kierkegaard's characterization and his criticism.

: The category of despair plays a central role in Kierkegaard's pseudonymous corpus, but its meaning is controversial. This paper offers an interpretation of its use in Either/Or (in particular, in the claim the aesthetic life is despair and the ethical life freedom from despair). After examining and rejecting two recent alternatives, I argue that despair is the conscious or unconscious assumption of a passive or fatalistic attitude toward one's existence, which attitude is informed by a misconstrual of the nature of human agency.

The dissertation traces the approach to the problem of free will---in particular, the question of whether moral evil can be freely chosen---from Kant through Schelling to Kierkegaard. The goal is to clarify the historical transition from German idealism to the first version of existential philosophy, by showing the philosophical concerns of the latter to be implicit in unresolved problems in the former. I begin by examining Kant's attempt to reconcile what is essentially an incompatibilist notion of free will with the claims of theoretical objectivity, and show that the only argument for the reality of human freedom this reconciliation allows him to give is one that connects freedom altogether too strongly with practical reason, threatening to render moral evil not simply irrational, but actually impossible. I then trace the development of Schelling's account of freedom, showing that the transformation in his view marked by the Freedom Essay of 1809 is motivated primarily by the goal of overcoming this difficulty in Kant's account. In his later work, I argue, Schelling's aim is to articulate a theory of knowledge consistent with this account of freedom. I then interpret Kierkegaard's critique of what he calls the "esthetic" and the "immanent ethical" standpoints and his account of the meta-ethical status of Christianity in light of this development. I argue that the standard interpretations of these aspects of Kierkegaard's position are mistaken, and that Kierkegaard's philosophical debt to Schelling has been seriously underestimated. His account of human agency as it is presented in The Concept of Anxiety and The Sickness unto Death is founded upon the account presented by Schelling in the Freedom Essay, and his critique of idealist epistemology is based upon the position laid out in Schelling's late work. Finally, I contrast Schelling's and Kierkegaard's positive accounts of theoretical and moral objectivity, and point to some difficulties in Kierkegaard's view