Victor Ausina Mota

n/a

Ratio Satis III.

Ratio Satis II.

Ratio Satis, vol. I.

Back to the days on childhood, to a regular café on a small village where time goes by.

Like "The Straight Story" and "Lost Highway" from David Lynch, we don't now how to come over the stressed days of our civilization.

An essay depicted from an ancient statue and sometimes from the atual flesh of the subject.

An opus to the one who founded christianity.

an extended letter to a friend who is not there.

After a trip to France, we return to imaginary open spaces of a clear process of becoming national.

No reservations, no conditions to live a life of fiction

happyness porsued by a robot, realization of futuristic and transcendent dreams of man

childhood and guilt, redemption and regret about a traumatic event

political world in Iberia

one way to love, the highway

wine and wisdom, a path to self realization and fulfillment

astonishment by the news

suicidal tendencies about faith and spiritual deliverance

just stupid people (in portuguese)

Science fiction and futuristic reality beyond the Self

Return to the Divan

Going South

Portuguese Discoveries and Erasure's theme "Ship of Fouls", navigating in an age of loneliness and excelera

goin to the south, of the mind, of the southern of Europe, not Algarve, but to a place in my mind

Writing for a better world, for better persons, on the street, the neighbourhood, the academy and the church

To some academics

Prison, porsuing the work of Erwing Goffman, and Paul Valéry, au-delá of Victor Turner

fear of God, spiritual subsistence, consciousness , conscious and uncounscious

World. An Interrogation and somehow definitive philosophical conclusion, between pai and exuberation