Julien Deonna

In this article, I provide a detailed characterization of being moved, which I claim is a distinct emotion. Being moved is the experience of being struck by the goodness of some specific positive value being exemplified. I start by expounding this account. Next, I discuss three issues that have emerged in the literature regarding it. These concern respectively the valence of being moved, the scope of the values that may constitute its particular objects, and the cognitive sophistication required for experiencing it. My main contention is that when we understand that the presence of the specific positive value must be apprehended as finally, importantly, and impersonally good to trigger being moved, these issues do not arise.

Simulation, if used as a way of becoming aware of other people’s mental states, is the joint exercise of imagination and attribution. If A simulates B, then (i) A attributes to B the mental state in which A finds herself at the end of a process in which (ii) A has imagined being in B’s situation. Although necessary, imagination and attribution are not sufficient for simulation: the latter occurs only if (iii) the imagination process grounds or justifies the attribution. Depending on the notion of justification we use to make sense of the idea that an episode of imagining serves as a reason for attributing a mental state, the shape of the debate and the options it offers look very different. Reconfiguring the discussion in this way, we claim, shifts the focus of the simulation vs. theory-theory debate to a question located in epistemology.

Why do thoughts involving harm and damage trigger guilt in certain individuals and not in others? The significance of this question comes into view when considering the medical and psychological literature on patients with obsessive-compulsive disorder (OCD). Patients with OCD feel guilt in response to having certain recurring, negative thoughts whose content evoke scenarios of harm and damage. This, however—at least in most readings of what those thoughts consist of—is puzzling. The transition from having a thought about being the source of harm popping up in one’s mind to feeling guilty is not straightforward, and it calls for explanation. Indeed, OCD appears to challenge a traditional picture of what guilt is all about...

The emotions are at the centre of our lives and, for better or worse, imbue them with much of their significance. The philosophical problems stirred up by the existence of the emotions, over which many great philosophers of the past have laboured, revolve around attempts to understand what this significance amounts to. Are emotions feelings, thoughts, or experiences? If they are experiences, what are they experiences of? Are emotions rational? In what sense do emotions give meaning to what surrounds us? The Emotions: A Philosophical Introduction introduces and explores these questions in a clear and accessible way. The authors discuss the following key topics: the diversity and unity of the emotions the relations between emotion, belief and desire the nature of values the relations between emotions and perceptions emotions viewed as evaluative attitudes the link between emotions and evaluative knowledge the nature of moods, sentiments, and character traits. Including chapter summaries and guides to further reading, The Emotions: A Philosophical Introduction is an ideal starting point for any philosopher or student studying the emotions. It will also be of interest to those in related disciplines such as psychology and the social sciences.

In this paper, we argue that, barring a few important exceptions, the phenomenon we refer to using the expression “being moved” is a distinct type of emotion. In this paper’s first section, we motivate this hypothesis by reflecting on our linguistic use of this expression. In section two, pursuing a methodology that is both conceptual and empirical, we try to show that the phenomenon satisfies the five most commonly used criteria in philosophy and psychology for thinking that some affective episode is a distinct emotion. Indeed, being moved, we claim, is the experience of a positive core value (particular object) perceived by the moved subject as standing out (formal object) in the circumstances triggering the emotion. Drawing on numerous examples, we describe the distinctively rich phenomenology characteristic of the experience as well as the far-reaching action-tendencies and functions associated with it. Having thus shown that the candidate emotion seem to satisfy the five criteria, we go on, in section three, to compare it with sadness and joy, arguing that it should not be confused with either. Finally, in section four, we illustrate the explanatory power of our account of “being moved” by showing how it can shed light on, and maybe even justify, the widespread distrust we feel towards the exhibition of ‘sentimentality’. On the whole and if we are right, we have uncovered an emotion which, though never or rarely talked about, is of great interest and no small importance.

Desires matter. What are desires? Many believe that desire is a motivational state: desiring is being disposed to act. This conception aligns with the functionalist approach to desire and the standard account of desire's role in explaining action. According to a second influential approach, however, desire is first and foremost an evaluation: desiring is representing something as good. After all, we seem to desire things under the guise of the good. Which understanding of desire is more accurate? Is the guise of the good even right to assume? Should we adopt an alternative picture that emphasizes desire's deontic nature? What do neuroscientific studies suggest? Essays in the first section of the volume are devoted to these questions, and to the puzzle of desire's essence. In the second part of the volume, essays investigate some implications that the various conceptions of desire have on a number of fundamental issues. For example, why are inconsistent desires problematic? What is desire's role in practical deliberation? How do we know what we want? This volume will contribute to the emergence of a fruitful debate on a neglected, albeit crucial, dimension of the mind.

Fabrice Teroni,Julien Deonna | : Selon l’analyse FA des concepts évaluatifs, notre conception d’un objet comme ayant une valeur donnée est la conception d’une certaine attitude évaluative appropriée à son endroit. Cet article examine deux défis que doit relever cette analyse. Le défi psychologique exige de l’analyse qu’elle fasse appel à des attitudes qui soient à même d’éclairer nos concepts évaluatifs, tout en ne présupposant pas la maîtrise de ces mêmes concepts. Le défi normatif réclame quant à lui que la compréhension du caractère approprié des attitudes pertinentes s’articule autour d’une forme de normativité intimement liée à la nature de ces attitudes, sans pour autant dépendre de la maîtrise des concepts évaluatifs analysés. Afin d’établir si l’analyse FA peut relever ces défis, nous commençons par clarifier la nature des attitudes auxquelles il convient de faire appel. Dans la première section, nous considérons des attitudes génériques comme les désirs et présentons des raisons de privilégier des attitudes plus spécifiques, à savoir les émotions. La suite de la discussion évalue la plausibilité d’une analyse FA souscrivant à l’une ou l’autre des approches contemporaines en théorie des émotions. La deuxième section souligne qu’il est difficile d’associer l’analyse FA aux théories en termes de contenu évaluatif et la troisième présente les atouts d’une théorie en termes d’attitudes évaluatives. Dans la dernière section, nous revenons au défi normatif et esquissons une manière de le relever. | : According to the FA analysis of evaluative concepts, our conception of an object as having a given value is the conception of a given evaluative attitude towards it as being appropriate. In this paper, we explore two challenges that this analysis has to take up. The psychological challenge requires that the analysis appeal to attitudes that are apt to shed light on our evaluative concepts while not presupposing the mastery of these same concepts. The normative challenge requires that we understand the appropriateness of the relevant attitudes in terms of a kind of normativity intimately related to these attitudes, again without this presupposing the mastery of the relevant evaluative concepts. To determine whether the FA analysis can meet these challenges, we start by clarifying the sort of attitudes the analysis should appeal to. In section 1, we consider generic attitudes like desires and give some reasons to favor more specific attitudes, namely emotions. The ensuing discussion assesses the prospects of an FA analysis in light of contemporary accounts of emotions. In section 2, we argue that the FA analysis should not be combined with accounts according to which emotions have evaluative contents and then offer, in section 3, some reasons for combining the FA with an account in terms of evaluative attitudes. In section 4, we show how this allows for solving the normative challenge.

Cet ouvrage répond à la question « Qu’est-ce qu’une émotion? » à la lumière des débats les plus contemporains en philosophie des émotions tout en s’appuyant sur les recherches empiriques les plus récentes au sujet de l’affect. Une fois exposée la manière dont les émotions se distinguent d’autres phénomènes affectifs tels que les humeurs, les sentiments et les dispositions affectives, l’étude propose une élucidation originale du problème majeur auquel fait face aujourd’hui la philosophie des émotions : comment comprendre la spécificité de l’intentionnalité affective? A travers une discussion à la fois fouillée et didactique des théories contemporaines les plus abouties concernant les relations entre émotion et désir d’une part, et entre émotion et valeur d’autre part, les auteurs défendent l’idée selon laquelle le corps ressenti peut fonctionner comme présentation intentionnelle en première personne d’un monde de valeurs

Desire has not been at the center of recent preoccupations in the philosophy of mind. Consequently, the literature settled into several dogmas. The first part of this introduction presents these dogmas and invites readers to scrutinize them. The main dogma is that desires are motivational states. This approach contrasts with the other dominant conception: desires are positive evaluations. But there are at least four other dogmas: the world should conform to our desires (world-to-mind direction of fit), desires involve a positive evaluation (the “guise of the good”), we cannot desire what we think is actual (the “death of desire” principle), and, in neuroscience, the idea that the reward system is the key to understanding desire. The second part of the introduction summarizes the contributions to this volume. The hope is to contribute to the emergence of a fruitful debate on this neglected, albeit crucial, aspect of the mind.

Taking our lead from Solomon’s emphasis on the importance of the intentional object of emotion, we review the history of repeated attempts to make this object disappear. We adduce evidence suggesting that in the case of James and Schachter, the intentional object got lost unintentionally. By contrast, modern constructivists seem quite determined to deny the centrality of the intentional object in accounting for the occurrence of emotions. Griffiths, however, downplays the role objects have in emotion noting that these do not qualify as intentional. We argue that these disappearing acts, deliberate or not, generate fruitless debate and add little to the advancement of our understanding of emotion as an adaptive mechanism to cope with events that are relevant to an organism’s life

If Sam empathizes with Maria, then it is true of Sam that (1) Sam is aware of Maria's emotion, and (2) Sam ‘feels in tune’ with Maria. On what I call the transparency conception of how they interact when instantiated, I argue that these two conditions are collectively necessary and sufficient for empathy. I first clarify the ‘awareness’ and ‘feeling in tune’ conditions, and go on to examine different candidate models that explain the manner in which these two conditions might come to be concomitantly instantiated in a subject. I dismiss what I call the parallel and oscillation models for not satisfying the transparency condition, i.e. for failing to capture that, if Sam empathizes with Maria, then Sam's own emotional experience towards the object of Maria's emotion has to be mediated by Maria's own emotional experience. I conclude in favour the fusion model as the only model capable of satisfying the transparency condition, and I argue that the suggested proposal illuminates the difference between it and other ways in which we understand the emotions of others. Finally, I expand and clarify the conception of empathy as transparency through responses to obvious objections that the view raises. Key Words: empathy • emotion • philosophy • psychology • simulation.

In this paper, we argue that, barring a few important exceptions, the phenomenon we refer to using the expression “being moved” is a distinct type of emotion. In this paper’s first section, we motivate this hypothesis by reflecting on our linguistic use of this expression. In section two, pursuing a methodology that is both conceptual and empirical, we try to show that the phenomenon satisfies the five most commonly used criteria in philosophy and psychology for thinking that some affective episode is a distinct emotion. Indeed, being moved, we claim, is the experience of a positive core value (particular object) perceived by the moved subject as standing out (formal object) in the circumstances triggering the emotion. Drawing on numerous examples, we describe the distinctively rich phenomenology characteristic of the experience as well as the far-reaching action-tendencies and functions associated with it. Having thus shown that the candidate emotion seem to satisfy the five criteria, we go on, in section three, to compare it with sadness and joy, arguing that it should not be confused with either. Finally, in section four, we illustrate the explanatory power of our account of “being moved” by showing how it can shed light on, and maybe even justify, the widespread distrust we feel towards the exhibition of ‘sentimentality’. On the whole and if we are right, we have uncovered an emotion which, though never or rarely talked about, is of great interest and no small importance

Abstract The content of an emotion, unlike the content of a perception, is directly dependent on the motivational set of the subject experiencing the emotion. Given the instability of this motivational set, it might be thought that there is no sense in which emotions can be said to pick up information about the environment in the same way that perception does. Whereas it is admitted that perception tracks for us what is the case in the environment, no such tracking relation, it is argued, holds between one's emotions and what they are about. It is to this worry – that the construal of the emotions as perceptions inevitably raises – that this paper tries to respond. In this paper, I suggest that when it is realized that one dimension of perception itself is directly dependent on the perceiver's perspective on her environment, then emotion, which is also essentially perspectival in this sense, bears the comparison with perception very well. After having clarified the nature and the role that perspective plays in perception, I argue that, in the case of emotions, the same perspectival role can be played by agents’ long-standing evaluative tendencies and character traits. The resulting conception of emotion as perception is then tested against possible objections.