Aleksandar Uskokov

The Brahma-sutra, attributed to Badaraya (ca. 400 CE), is the canonical book of Vedanta, the philosophical tradition which became the doctrinal backbone of modern Hinduism. As an explanation of the Upanishads, it is principally concerned with the ideas of Brahman, the great ground of Being, and of the highest good. The Philosophy of the Brahma-sutra is the first introduction to concentrate on the text and its ideas, rather than its reception and interpretation in the different schools of Vedanta. Covering the epistemology, ontology, theory of causality and psychology of the Brahma-sutra, and its characteristic theodicy, it also: · Provides a comprehensive account of its doctrine of meditation · Elaborates on its nature and attainment, while carefully considering the wider religious context of Ancient India in which the work is situated · Draws the contours of Brahma-sutra's intellectual biography and reception history. By contextualizing the Brahma-sutra's teachings against the background of its main collocutors, it elucidates how the work gave rise to widely divergent ontologies and notions of practice. For both the undergraduate student and the specialist this is an illuminating and necessary introduction to one of Indian philosophy's most important works.

There is a widespread belief in Hinduism that Vyāsa, the alleged editor of the Vedas and author of the Mahābhārata, is identical with Bādarāyaṇa, the author of the Brahma-sūtra. The identification of these two mythic characters, however, originated between 800–980 CE, after the likes of Śaṅkara, Padmapāda, and Bhāskara, but before Vācaspati Miśra, Prakāśātman, Sarvajñātman, and Yāmuna. The purpose of this paper is to understand how and why such identification took place. The argument developed here is that the Bādarāyaṇa-Vyāsa identity was invented by the author of or community behind the Bhāgavata Purāṇa as part of a complex of self-representation strategies. The Bhāgavata intentionally makes itself a work of Vedānta, indeed the Brahma-sūtra itself, over which it builds a new soteriology that is centered on the idea of bhakti. Two factors in particular stand out in light of the Bhāgavata’s Vedāntic background: Vyāsa’s paradigmatic character as the preserver of old dharma and the innovator, visionary, of new soteriologies; and the image of Vyāsa’s son Śuka as the model ascetic and ideal candidate for the new soteriological vision, through whom the Bhāgavata community chose to represent itself.