Anna Bergqvist

In this Introduction we introduce the central themes of the Evaluative Perception volume. After identifying historical and recent contemporary work on this topic, we discuss some central questions under three headings: (1) Questions about the Existence and Nature of Evaluative Perception: Are there perceptual experiences of values? If so, what is their nature? Are experiences of values sui generis? Are values necessary for certain kinds of experience? (2) Questions about the Epistemology of Evaluative Perception: Can evaluative experiences ever justify evaluative judgments? Are experiences of values necessary for certain kinds of justified evaluative judgments? (3) Questions about Value Theory and Evaluative Perception: Is the existence of evaluative experience supported or undermined by particular views in value theory? Are particular views in value theory supported or undermined by the existence of value experience?

Museums establish specific contexts, framings, which distinguish them from viewing the world face-to-face. One striking aspect of exhibition in so-called participatory museums is that it echoes and transforms the limits of its own frame as a public space. I argue that it is a mistake to think of the meaning of an exhibit as either determined by the individual viewer's narrative or as determined by the conception as presented in the museum's ‘authoritative’ narrative. Instead I deploy the concept of a model of comparison to illuminate the philosophical significance of perspective in understanding the idea of objectivity in museum narratives.

In his influential paper, ‘General Criteria and Reasons in Aesthetics’, Frank Sibley outlines what is taken to be a generalist view (shared with Beardsley) such that there are general reasons for aesthetic judgement, and his account of the behaviour of such reasons, which differs from Beardsley's. In this paper my aim is to illuminate Sibley's position by employing a distinction that has arisen in meta-ethics in response to recent work by Jonathan Dancy in particular. Contemporary research involves two related yet distinct debates: (i) that between the particularist and the generalist on the status of moral principles; and (ii) that between holists and atomists on the nature of reasons. This division of labour has no correlate within the aesthetic particularism–generalism debate, and I will show how the ideas developed in relation to meta-ethics illuminate a difficulty with Sibley's view. I argue that we should understand Sibley as subscribing to both particularism and a version of holism about aesthetic reasons

In this paper I develop my account of moral particularism, focussing on the nature of thick moral concepts. My aim is to show how the particularist can consistently uphold an non-reductive cognitivist ‘dual role’ view of thick moral concepts, even though she holds that the qualities ascribed by such concepts can vary in their moral relevance – so that to judge that something is generous or an act of integrity need not entail that the object of evaluative appraisal is good to some extent. A novel particularist account of thick concepts is proposed, in response to recent work on variance holism. The particularist rejects the holist’s attempt to preserve the idea that thick concepts are evaluative concepts by postulating a special semantic content, a contextually variable evaluative valence, as theoretically unmotivated and conceptually confused. Instead it is argued that the thick concepts have determinable evaluative content in situ only

Museums and their practices—especially those involving collection, curation and exhibition—generate a host of philosophical questions. Such questions are not limited to the domains of ethics and aesthetics, but go further into the domains of metaphysics, epistemology and philosophy of religion. Despite the prominence of museums as public institutions, they have until recently received surprisingly little scrutiny from philosophers in the Anglo-American tradition. By bringing together contributions from philosophers with backgrounds in a range of traditional areas of philosophy, this volume demonstrates how their work can enhance our understanding of museums and shed light on the philosophical questions raised by museum practices. Many of the essays in this volume make the case that the philosophy of museums is of vital concern, not only to those philosophers at work in the emerging field but also to practitioners within the museum world and to anyone who enjoys visiting museums.

In this paper I examine a contemporary debate about the general notion of linguistic rules and the place of context in determining meaning, which has arisen in the wake of a challenge that the conceptual framework of moral particularism has brought to the table. My aim is to show that particularism in the theory of meaning yields an attractive model of linguistic competence that stands as a genuine alternative to other use-oriented but still generalist accounts that allow room for context-sensitivity in deciding how the linguistic rules would apply in concrete cases. I argue that the ideas developed in relation to particularism in meta-ethics illuminate a difficulty with the modest generalist view, one that can be resolved by adopting semantic particularism instead.