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199Hollywood experts: A field analysis of knowledge production in American entertainment televisionBritish Journal of Sociology 71 (5): 939-951. 2020.How can we make sense of numerous instances of experts in politics, law enforcement, national security, military defense, fire arms, public health, culture, and history working closely with creators of scripted television series in the USA today? Why do TV makers need them? Why and how do these experts come to Hollywood? In order to answer these questions, I carried out a Bourdieusian field analysis of contemporary American TV series production, with a focus on how knowledge about political and …Read more
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259Империализм и национализм в романе Захара Прилепина «Санькя»Форум Новейшей Восточноевропейской Истории И Культуры 2. 2013.
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«Границы моей речи указывают на границы моего...» города: городские пространства и языковые игры в «Нью-Йоркской трилогии» и «Храме Луны» Пола ОстераIn Иван Болдырев (ed.), Культура и Форма: к 60-летию А. Л. Доброхотова: сборник научных трудов, Издательский Дом «высшая Школа Экономики». 2010.
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173Материя и смысл: игротерапия Л. СтернаIn Т. В. Артемьева & М. И. Микешин (eds.), Философский век. Альманах. Вып. 34. Человек в философии Просвещения, Санкт-петербургский Центр Истории Идей. 2008.
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481Джон Локк, Лоренс Стерн и метафоры сознания в философской психологии XVIII векаIn Vadim Vasilyev (ed.), Философия сознания: классика и современность: Вторые Грязновские чтения, Издатель Савин С. А.. 2007.
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Александр Доброхотов. Портретное эссе.In История философии, Акционерное Общество «издатель». pp. 283. 1898.
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219Идея метода: философия Декарта и доктрина литературного классицизмаIn А.А Сыродеева (ed.), Коллаж – 5. Социально-философский и философскоантропологический альманах., Иф Ран. 2005.
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10Assessing the Realism of Police Series: Audience Responses to the Russian Television Series Glukhar’Journal of Communication Inquiry 1 (43). 2019.This study builds upon and expands existing research on the perceived realism of media texts. I study debates that took place across several online forums about Russia’s most famous police series Glukhar’ at a time during which police legitimacy in many countries, including Russia, was in crisis. I address the questions of how media users assess the realism of Glukhar’ online. I outline 13 means of realism evaluation that media users employ, offering a more systematic and detailed model than tho…Read more
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6Belarusian Format: An invisible reality. Review (review)Russian Journal of Communication 3 (3–4). 2010.
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1033Irony about Tragedy: The Onion’s treatment of 9/11Topos 2. 2012.In this paper the author analyses the materials that were published in the American satirical magazine The Onion in the period from 2006 till 2011 and mentioned September 11 terrorist attacks. The focus of the research is the persistence of 9/11 jokes five years after the tragedy occurred and later on. The jokes are classified basing on their subject-matter and rhetorical patterns. The author concludes that most of these jokes promote respect towards collective memory about the attacks and their…Read more
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3Representations of the Police in Contemporary Russian Police TV Series The Case of Glukhar’Journal of Communication Inquiry 40 (2): 179-195. 2016.This article answers the question of how contemporary Russian TV series portray the police. The results derive from a single-case thematic and functionalist study of the popular Russian TV series Glukhar’ (which aired from 2008 to 2011). The show merits special attention because it was on air when the Russian police were undergoing a legitimacy crisis, which lead to the 2009 police reform. The series recognized the crisis and responded to it with a set of justifications. I analyze the show’s soc…Read more