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34On Making Sense of RecipesHumana Mente 13 (38). 2020.In this paper I address some ways of making sense of, and so of understanding, recipes. I first make clear the plausibility of a recipe having aesthetic significance, thus situating recipes as continuous with other aspects of our lives and experiences, both artistic and non-artistic. My notion of “aesthetic” here derives from Ludwig Wittgenstein. Second, I also highlight how some recipes and cookbooks may actually serve another aesthetic goal: they facilitate attunement to aesthetic features of …Read more
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36Philosophy of Film Without Theory (edited book)Palgrave Macmillan. 2023.Is philosophy of film without theory an oxymoron or a family of non-, anti-, and a-theoretical approaches with which to engage in film-involving philosophical scholarship and understanding? The goal of this collection is to argue for the latter and to do so by example. By demonstrating a mere handful of the many ways in which philosophy of film without theory might be pursued, in tandem with the insights born of these methods, the volume’s contributors both implicitly and explicitly challenge t…Read more
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230Police Adjective and Attunement to the Significance of ThingsAesthetic Investigations 3 (2): 185-199. 2020.In this paper I consider Corneliu Porumboiu’s ‘Police, Adjective’ (Romania, 2009) as an instance of a puzzling work of art. Part of what is puzzling about it is the range of extreme responses to it, both positive and negative. I make sense of this puzzlement and try to alleviate it, while considering the film alongside Ludwig Wittgenstein’s arguably puzzling “Lectures on Aesthetics” (from 1938). I use each work to illuminate possible understandings of the other. The upshot is that it is is plaus…Read more
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43Inaugurating Philosophy of Film Without TheoryAesthetic Investigations 3 (2): 175-184. 2020.Philosophy of film without theory is a methodology that aims to motivate and legitimise the current and future development of a range of a-, non-, and anti-theoretical ways of working at the intersection of film and philosophy. We contrast philosophy of film without theory with the main traditions of theoretically orientated philosophy of film, as well as philosophically inflected film Theory and film-philosophy. We also draw attention to the range of philosophical practices and pursuits that di…Read more
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376On Not Explaining Anything AwayIn Gabriele M. Mras, Paul Weingartner & Bernhard Ritter (eds.), Philosophy of Logic and Mathematics, Contributions to the 41st International Wittgenstein Symposium, Austrian Ludwig Wittgenstein Society. pp. 52-54. 2018.In this paper we explain Wittgenstein’s claim in a 1933 lecture that “aesthetics like psychoanalysis doesn’t explain anything away.” The discussions of aesthetics are distinctive: Wittgenstein gives a positive account of the relationship between aesthetics and psychoanalysis, as contrasted with psychology. And we follow not only his distinction between cause and reason, but also between hypothesis and representation, along with his use of the notion of ideals as facilitators of aesthetic discour…Read more
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36George M. Wilson , Seeing Fictions in Film: The Epistemology of Movies . Reviewed byPhilosophy in Review 33 (3). 2013.
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36Sebastian Sunday Grève and Jakub Mácha, eds. Wittgenstein and the Creativity of LanguageJournal for the History of Analytical Philosophy 5 (4). 2017.
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35Béla Szabados and Christina Stojanova, eds. , Wittgenstein at the Movies: Cinematic Investigations . Reviewed byPhilosophy in Review 32 (3): 228-231. 2012.
Craig Fox
California University of Pennsylvania
Pennsylvania Western University
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Pennsylvania Western UniversityProfessor
California, Pennsylvania, United States of America
Areas of Specialization
Ludwig Wittgenstein |
Aesthetics |
20th Century Analytic Philosophy |