The claim of this work is that philosophy is a kind of autobiographical practice. To investigate and defend this claim I look to three notable occasions in the life and work of Ralph Waldo Emerson in which the philosophical is, I argue, a translation of the autobiographical. ;There are three parts of this work, each of which aims to illuminate the autobiographical nature of philosophical tasks and problems. For special consideration, I investigate Emerson's experience of the death of others, the…
Read moreThe claim of this work is that philosophy is a kind of autobiographical practice. To investigate and defend this claim I look to three notable occasions in the life and work of Ralph Waldo Emerson in which the philosophical is, I argue, a translation of the autobiographical. ;There are three parts of this work, each of which aims to illuminate the autobiographical nature of philosophical tasks and problems. For special consideration, I investigate Emerson's experience of the death of others, the anxiety of inheritance, and the loss of vision. In the first part, I look at the way in which the corpse is related to the corpus , and the manner in which performances have propositional content. In the second part, I concern myself with paradoxes involved in Emerson's version of exemplarity. In the third part, I focus on how Emerson's persistent use of ocular metaphor signals a way of understanding subjectivity, namely as something that is constituted visually, and how this use is indicative of Emerson's view that perception is fatal. I consider the implications of a selfhood that is regarded to be metaphorically as fragile and limited as the human eye. ;I point out some of the significant ways in which human bodily constitution impacts moral, aesthetic, and metaphysical life. I may enjoy the experiences that attend thinking, but alas the conditions of embodiment announce themselves, and there is no amount of cognitive negotiation that can save me from having to cope with the necessities of mortality and inheritance, and with the limitations of perception. I cannot overcome my status as a body---that is, as a text---and so I cannot undo the necessity that my life is an incarnation of my philosophy, and that my philosophy is a surrogate instance of my life. No matter how distant my philosophical projects seem to be from my life, they are wholly constituted as autobiographical exercises