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Descartes has a Clarity First epistemology: (i) Clarity is a primitive (indefinable) phenomenal quality: the appearance of truth. (ii) Clarity is prior to other qualities: obscurity, confusion, distinctness are defined in terms of clarity; epistemic goods – reason to assent, rational inclination to assent, reliability, and knowledge – are explained by clarity. (This is the first of two companion entries; the sequel is called, "Descartes's Method for Achieving Knowledge.")Descartes’s Clarity First EpistemologyIn Kurt Sylvan, Jonathan Dancy, Ernest Sosa & Matthias Steup (eds.), A Companion to Epistemology, 2 Volume Set, Wiley-blackwell. 2025. -
The Rational Force of Clarity: Descartes’s Rejection of PsychologismRes Philosophica 101 (3). 2024.Descartes holds that when you perceive something with perfect clarity, you are compelled to assent and cannot doubt. (This is a psychological claim.) Many commentators read him as endorsing Psychologism, according to which this compulsion is a matter of brute psychological force. I show that, in Descartes’s view, perfect clarity provides a reason for assent—indeed a perfect reason, which precludes any reason for doubt. (This is a normative claim.) Furthermore, advancing a view I call Rational Fo…Read more
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Cartesian intuitionBritish Journal for the History of Philosophy 31 (4): 693-723. 2022.This paper explicates Descartes’ theory of intuition (intuitus). Departing from certain commentators, I argue that intuition, for Descartes, is a form of clear and distinct intellectual perception. Because it is clear and distinct, it is indubitable, infallible, and provides a grade of certain knowledge he calls ‘cognitio’. I pay special attention to why he treats intuition as a form of perception, and what he means when he says it is ‘clear and distinct’. Finally, I situate his view in relation…Read more
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A book review of Raffaella De Rosa's Descartes and the Puzzle of Sensory Representation"Descartes and the Puzzle of Sensory Representation, by Raffaella De Rosa (review)Mind 123 (492): 1187-1191. 2014. -
Attributing CreativityIn Berys Nigel Gaut & Matthew Kieran (eds.), Creativity and Philosophy, Routledge. 2018.Three kinds of things may be creative: persons, processes, and products. The standard definition of creativity, used nearly by consensus in psychological research, focuses specifically on products and says that a product is creative if and only if it is new and valuable. We argue that at least one further condition is necessary for a product to be creative: it must have been produced by the right kind of process. We argue furthermore that this point has an interesting epistemological implicat…Read more
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The Philosophy of CreativityPhilosophy Now 153 12-13. 2022.
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Computer programs are generating artworks of astonishing novelty and aesthetic value. By the standard definition of creativity, these programs would count as being creative. But if you still hesitate to call a program creative, that's for good reason, we argue. It's because real creativity requires AGENTS who are responsible for what they make, and it's not at all clear that these programs are agents. (The title was imposed by the editor. It was supposed to be called, "ARE COMPUTERS CREATIVE?")"Computer creativity is a matter of agency"Institute of Arts and Ideas. 2021. -
This entry provides a substantive overview of research and debates concerning creativity in philosophy and related fields. Topics covered include definitions of creativity, whether creativity can be learned, whether it can be explained, attempts to explain creativity in cognitive science, and whether computer programs or AI systems can be creative.CreativityStanford Encyclopedia of Philosophy. 2023. -
Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions. The Philosophy of Creativity takes up these questions and, in doing so, illustrates the value of interdisciplinary exchange.The Philosophy of Creativity (edited book)Oxford University Press. 2014. -
Descartes’s Anti-Transparency and the Need for Radical DoubtErgo: An Open Access Journal of Philosophy 5 (41): 1083-1129. 2018.Descartes is widely portrayed as the arch proponent of “the epistemological transparency of thought” (or simply, “Transparency”). The most promising version of this view—Transparency-through-Introspection—says that introspecting (i.e., inwardly attending to) a thought guarantees certain knowledge of that thought. But Descartes rejects this view and provides numerous counterexamples to it. I argue that, instead, Descartes’s theory of self-knowledge is just an application of his general theory of …Read more
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Cartesian clarityPhilosophers' Imprint 20 (19). 2020.Clear and distinct perception is the centrepiece of Descartes’s philosophy — it is the source of all certainty — but what does he mean by ‘clear’ and ‘distinct’? According to the prevailing approach, what it means for a perception to be clear is that its content has a certain objective property, like truth. I argue instead that clarity is at least partly a subjective, phenomenal quality whereby a content is presented as true to the perceiving subject. Clarity comes in degrees. Any weak degree of…Read more
Kingston, Ontario, Canada
Areas of Specialization
| Epistemology |
| 17th/18th Century Philosophy |
| Perception |
| Creativity |