Emanuele Costa

In this paper, I seek to examine Deleuze’s fascination with “spiritual automata” as a counterpoint to his more famous notion, the “body without organs”. I shall argue that both are grounded in a deep reflection, on Deleuze’s part, on the problems and issues generated by Spinoza’s notion of parallel attributes. Ultimately, I argue, the development of the two notions is motivated by identical metaphysical worries regarding the tenability of transformation, persistence, and affective interrelations between individuals. The answer, for both thinkers, is the insertion of a “third” relational term, which virtually interfaces with each without violation of their parallel development. For Spinoza, such term is the absolutely infinite substance; for Deleuze, it is instead the notion of sense and the faculty of sense-making.

The core aim of the dissertation is the identification of criteria for the individuation of singular, finite modes within Spinoza’s monist system. The analysis encompasses two main routes. First, the characterisation of the notion of ‘mode’, contrasted with ‘substance’ and ‘attribute’. This route leads me to examine several interpretations, which have attempted a description of the core concepts of Spinoza’s metaphysics, and to propose a novel reading that makes a robust use of the historical notion of distinction of reasoned reason (distinctio rationis ratiocinatae) as a philosophical device capable of rejecting the dichotomy between subjectivist and objectivist interpretations of Spinoza. The second route is the analysis of the internal structure of a mode, which I characterise as a trans-attributal entity whose essence can be described as relationally oriented power. Following this characterisation, I provide an argument for considering Spinoza’s metaphysics of modes as a genuine relational ontology. I conclude that the individuation of singular modes in Spinoza can either be perspectival, depending on a causal point of view; or holistic, in which case the process of individuation must account for the totality of the ‘order and connection’ of modal causes.

In this chapter, I examine the metaphysics elaborated by Viscountess Anne Finch Conway in the effort of determining the meaning she assigned to the notions of transcendence and immanence. In the Early Modern period, her philosophy is one of the most original attempts towards an integration of notions deriving from Lurianic Kabbalah and Sufism into debates stemming from the confrontation of mainstream Protestantism with its most heterodox cognates, such as Quakerism. Responding to these variegated influences, Conway elaborated a unique response to the problem of immanence, and the presence of God in the world.