• Loughnane on Merleau-Ponty and Nishida: Artists Expressing Faith Intrinsic to Embodiment
    Comparative and Continental Philosophy 13 (2): 180-187. 2021.
    ABSTRACT Nishida’s and Merleau-Ponty’s “perceptual ontologies” lead to other notions of self, spirituality, and faith, bringing out the distinctive and comparable religious paths of Buddhism and embodied phenomenology entered by deepening the prereflective openness to the world’s “voices of silence.” Loughnane’s study highlights how Nishida’s and Merleau-Ponty’s turn towards a series of artists in their respective cultural contexts brings out the particular groundedness in the materiality of the…Read more
  •  7
    Merleau-Ponty between Philosophy and Symbolism: Matrixed Ontology, written by Kaushik, R
    Journal of Phenomenological Psychology 51 (2): 234-240. 2020.
  •  1
    A Commentary
    Journal of French and Francophone Philosophy 5 (1): 88-93. 1993.
    none.
  •  5
    Merleau-Ponty characterizes the poetic or literary use of language as bringing forth of sense as if it is a being that is an interlocutor with its readers. Sense will be explored as interwoven with a deeper imagination that works within the temporality of institution to become more fully manifest. Throughout the essay will be seen the overlap with Claudel’s ontology as expressed in L’Art poetique and Claudel’s approach to language. Why Merleau-Ponty’s articulation of embodiment and perception mu…Read more
  •  15
    Co-Being (Mitsein) and Meaningful Interpersonal Relationship in Being and Time
    Journal of the British Society for Phenomenology 16 (3): 294-300. 1985.
  •  14
    Mauro Carbone’s The Flesh of Imagesexplores the status of images as the precession of the invisible and the visible in Merleau-Ponty’s notion of “sensible ideas” ideas, but is at the same time a concise, original, and illuminating exploration of Merleau-Ponty’s sense of the flesh and his later philosophy, as well as speculating on an important historical shift in the sense of Being. Carbone articulates the flesh as the traversal, by Visibility, of the seer as Being, where the invisible is shown …Read more
  • The Depths of Time in the World's Memory of Self
    In David Morris & Kym Maclaren (eds.), , Ohio University Press. 2015.
  •  6
    Emotion and Embodiment: Fragile Ontology
    Human Studies 20 (4): 467-471. 1997.
  •  6
    Remembering: A Phenomenological Study (review)
    International Studies in Philosophy 24 (3): 130-131. 1992.
  • Ambiguity and the Joyful Loss of Ego
    Dissertation, Yale University. 1977.
  •  669
    Cyborgs are ongoing becomings of a doubly “in-between” temporality of humans and machines. Materially made from components of both sorts of beings, cyborgs gain increasing function through an interweaving in which each alters the other, from the level of “neural plasticity” to software updates to emotional breakthroughs of which both are a part. One sort of temporal in-between is of the progressive unfolding of a deepening becoming as “not-one-not-two” and the other is a “doubling back” of time …Read more
  •  168
    This essay discusses how our traditional ethics may harbor assumptions that place humans in a position in which overt violence towards animals is an almost inevitable outcome since their formulation involves violence towards ourselves and our animal fellows in our cutting our embodied ties with them. The essay explores Derrida’s Animal that Therefore, I Am, in its detailing of the two discourses within European intellectual history of those who felt they were “above” animals and were not address…Read more
  •  517
    Merleau-Ponty's Concept of Nature: Passage, the Oneiric and Interanimality.
    Chiasmi International 2:223-48. 2 (223-48): 223-245. 2000.
  •  59
    Humans, Animals, Machines: Blurring Boundaries
    State University of New York Press. 2008.
    _Examines the overlap and blurring of boundaries among humans, animals, and machines._
  •  486
    Touring as Authentically Embodying Place and Glancing a New World
    Environment, Space, Place 1 (1): 169-188. 2009.
    The critique of tourism as being only a distanced, detached, and consumerist passing through of foreign landscapes and cultures isdisputed in this essay. The idea that tourism necessarily fits the paradigm of inauthenticity as the tranquilized and alienated hopping from spot to spot in prepackaged, superficial presentations is contrasted with another sense of tourism as drawing upon the potential power of the glance to disrupt the everyday, to focus on the particular, to be surprised by the new,…Read more
  •  4
    Review (review)
    Chiasmi International 13 563-569. 2011.
    RésuméS’agissant de l’oeuvre de Merleau-Ponty on s’aperçoit, si l’on n’en reste pas à la surface, que le beau n’est pas une catégorie du jugement esthétique dans le sensclassique, mais plutôt, selon la formule de Galen A. Johnson dans son Introduction, une dimension du « domaine entier du visible ». Selon Johnson, « le beau est la profondeur, le rythme et le rayonnement de l’Être lui-même ». Or ces dimensions de la chair sont les clés pour mieux comprendre l’ontologie merleau-pontienne. Si donc …Read more
  •  8
    This essay details wolves sense of their surround in terms of how wolves perceptual acuities, motor abilities, daily habits, overriding concerns, network of intimate social bonds, and relationship to prey give them a unique sense of space, time, belonging with other wolves, memorial sense, imaginative capacities, dominant emotions, communicative avenues, partnership with other creatures, and key role in ecological thriving. Wolves are seen to live within a vast sense of aroundness and closeness …Read more
  •  40
    Il concetto di Natura di Merleau-Ponty (riassunto)
    Chiasmi International 2 246-247. 2000.