Jan Gresil Kahambing

The Traslación of the Black Nazarene in Quiapo, Philippines conducts its rites and practices as a devotion outside the liturgy of the Catholic Church. As a popular religious practice widely known and attended by millions, it has become considered a religious phenomenon, attesting to the religiosity of Filipinos and their patient endurance for God. However, this religious practice is also condemned as idolatry, as one finds with reference to the golden calf in Exodus 32:4. In this paper, I create an apologia for this devotion using Jean-Luc Marion’s concept of the icon. To do this I will first describe the various critiques of idolatry and iconography within the church and consider some of the negative interpretations of this devotion. Then I will consider the Traslación in relation to Marion’s project. Finally, I will present the apologia itself. This paper provides a defense of various kinds of Filipino devotion which addresses the idolatry critique and respects the rich religiosity of these devotions.

The Lumad struggle in the Philippines, embodied in its various indigenous peoples (IPs), is still situated and differentiated from modern understandings of their plight. Agamben notes that the notion of ‘people’ is always political and is inherent in its underlying poverty, disinheritance, and exclusion. As such, the struggle is a struggle that concerns a progression of freedom from these conditions. Going over such conditions means that one shifts the focus from the socio-political and eventually reveals the ontological facet of such knowledge to reveal the epistemic formation of the truth of their experience. It is then the concern of this paper to expose the concept of freedom as a vital indigenous knowledge from the Mamanwa of Basey, Samar. Using philosophical sagacity as a valid indigenous method, we interview ConchingCabadungga, one of the elders of the tribe, to help us understand how the Mamanwa conceive freedom in the various ways it may be specifically and geographically positioned apart from other indigenous studies. The paper contextualizes the diasporic element and the futuristic component of such freedom within the trajectory of liberation. The Mamanwa subverts the conception of freedom as a form of return to old ways and radically informs of a new way of seeing them as a ‘people.’ It supports recent studies on their literature that recommend the development of their livelihood rather than a formulaic solution of sending them back to where they were. The settlement in Basey changes their identification as a ‘forest people’ into a more radical identity.

In this paper, I delve on Nietzsche’s concept of perspectivism and how it becomes relevant amid contemporary society’s openness to relative standpoints. The foremost era that reflects this description points to postmodernism as a politics of difference. Nietzsche’s perspectivism is generally a critique of the conditions that absolutize truth. While this may seem a valiant opening for a welcoming era on an epistemological standpoint, it does not however do away with its own paradoxes. I contend whether this fits well with postmodernism and its ironic relationship to truth and asserts further that the conditions for Nietzsche’s perspectivism can only achieve its future if it hermeneutically stands as political consensus. Later, I will present the features of this perspectivism as political consensus and how it can be viable in postmodernity.

This chapter delves into the museological side of ‘the way forward’ to conservation for planetary health bioethics. Specifically, it highlights the crucial role that museums play – their curatorial or exhibition interventions, conservation operations, development policies, or practices – which present or represent the vital relationship between human and planetary health. While it is not new to stress the significance of museums’ link to the environment and environmental education, it is necessary to re-examine recent cases in light of the rapid changes brought about by climate change and the constant call for sustainability. We thus offer a review of some recent literature that appraises the museum’s role in bioethically considering the health of our living planet. Learning this role taps into relatively new themes such as ecomuseums and architectural heritage, or critical eco-museology.

Established in the northernmost part of the country in 2003, the Philosophical Association of Northern Luzon, Incorporated (PANL) is one of the regional philosophical organizations in the country. This interview article aims to produce the first published historical account of this organization as it marked its 18th year of existence and in connection with the development of Filipino philosophy. Thus, this interview article focused on the history of PANL as it differentiates itself from the national philosophical organizations, such as the Philosophical Association of the Philippines, the Philosophy Circle of the Philippines, and the Philippine National Philosophical Research Society. Using the method of oral history, this interview article specifically documented and assessed: 1) the circumstances behind the foundation of PANL; 2) how PANL differentiated itself from the other major Philippine national philosophical organizations; 3) PANL's general stand on the development of Filipino philosophy, the contextualization of philosophy to the realities of northern Luzon, and the use of Ilocano language in philosophizing; 4) the trends of the research projects of its leading writers/thinkers; 5) the lasting imprints of its presidents on the organization; and 6) the general direction where the organization is heading to. The respondents of this interview article were: 1) Dr. Fernando Martin Serrano, the founding president of the organization; 2) Dr. Jeffrey Centeno, a founding member of the organization and the one who drafted its constitution and by-laws; and 3) Dr. Danilo Alterado, the current president of the same organization.

Cultural studies of recent memory tend to cling to love and find a certain answer from its musings. This critical move proceeds from various interrogations of cultural or cross-cultural practices towards adapting a linear progress so that love is tasked to provide an antidote to contemporary social maladies. This critical paper, however, attempts to appraise the idea that love is not a panacea, especially in a setting where theory is fragmented and assumes almost definitively a dead state. Instead, love functions as a specter that haunts a post-theoretical culture. The paper hinges this take from contemporary thinkers whom Nicholas Birns points to as “theorists without ‘theory’.” As such, the spectral concept of love is explored and critiqued in the lens of Judith Butler and Giorgio Agamben – both thinkers taken as separate and together – as a subversion to its affirmative theoretical standing and as a proposal on how its spectrality can inform the possibilities of its function.

To commemorate the tragic event of Super Typhoon Yolanda (International Name: Haiyan) last 2013, local leaders of the province of Leyte, Philippines, are speculating on establishing a Haiyan Museum in 2023, a decade later. With connotations of ‘dark tourism’, one way to look at the speculative decade-inspired establishment is through Amy Sodaro’s ‘memorial museums’ with the purpose of ‘education-based memorialization.’ Juxtaposing this with Paul Morrow’s philosophical perception of objects in memorial museums as possible provocateurs of repulsive feelings, there is a lingering suspicion of whether exhibits in the museum can really flesh out educational, therapeutic reflections or healing. Then, the crucial question to be addressed is: will this Haiyan Museum house feelings of healing, 10 years later, or trauma? To answer this question, I take insights from survivor-curators or the museum curators of Region VIII, Philippines, who experienced the Haiyan tragedy at, or proximate to, the landfall and aftermath first-hand. The notion of a ‘survivor-curator’ is a vital coinage that would represent a close perception of the museum and its museum objects. The responses are then thematised into a more coherent discussion to see how museums can be spaces of healing in their communal aspect and future museum projects.

The Mamanuas of Basey, Samar have been in an itinerant state since the 1950s. Their indigenous experience can be capped in the term ‘diaspora,’ which pictures their plight as dispersive habituation, moving from town to town away from their homeland. In a recent study which this paper hinges upon, the concept of diaspora can no longer work and is argued to imperatively function as a vanishing mediator so that indigeneity must come to mean as a constant identity of becoming. Following from such a theoretical lens, this paper delves again into the concept of ‘diaspora’ in the Mamanuan indigenous experience to argue further that its act of mediating functions as performative indigeneity. To do this, the paper runs in three parts: first, it plots the Mamanuan diaspora experience; second, it briefly reiterates the core argument of diaspora as vanishing mediator; and finally, it theorizes on a concept of what Judith Butler calls ‘performative indigeneity’ that takes its form from the mediation of an indigenous diaspora experience.

This essay delves into Nietzsche’s understanding of the jester in Thus Spoke Zarathustra. I argue here that its existence explains the shifting ethos from tragedy to comedy. The jester in the societal context exhibits the figure of fictionalism that redirects reality into a detour of comic interplays. As such, he embodies fictional overcoming from the modern backdrop. I then employ On the Genealogy of Morals to explain further four principles that aid in taking into effect the birth of the jester. Nietzsche’s critique of morality attacks such principles as ressentiment, guilt and bad conscience taken together, free will, and ascetic ideal. Later, I present a way of going into the shadows as a manner of confronting the jester and overcoming it.

In this paper, I explored what Sartre referred to as Camus’ ‘most beautiful and least understood novel,’ The Fall. As a methodology, I applied textual hermeneutics to immerse in the text and got out of it what I deemed as the crux of its existentialism as founded in the two-in-one leitmotif of narration and hypocrisy. In Clamence, there was a profound need – a specter that lingered and haunted – to narrate his life, especially the fall that triggered it and the judgment that allowed him to do it. I argued then that the nature of the text reflected a deep sense of narration that stemmed from hypocrisy, in which Clamence branded himself as ‘judge-penitent’ – what such a life entails, how it freed him, and how it mirrored life-callings or vocations in all walks of life.

The Philosophical Association of the Visayas and Mindanao (PHAVISMINDA), founded in 1979, is one of the oldest philosophical organizations in the country that continued to exist until the present time. This interview article focused on this organization as something distinct from the other major national philosophical organizations of the country, such as the Philosophical Association of the Philippines, the Philosophy Circle of the Philippines, and the Philippine National Philosophical Research Society. Using the method of oral history, this paper tried to document and assess: 1) how PHAVISMINDA differentiated itself from the other major Philippine national philosophical organizations; 2) PHAVISMINDA’s general stand on the development of Filipino philosophy, the contextualization of philosophy to the realities of the Visayas and Mindanao, and the use of Cebuano language in philosophizing; 3) the trends of the research projects of its leading writers/thinkers; 4) its exemplary presidents and their lasting imprints on the organization; and 5) the general direction where the organization is heading. The respondents of this interview article are: 1) Dr. Amosa Velez, of the University of San Carlos, founding member of the organization, practically the first president, and three-time president; 2) Dr. Jane Gallamaso, of Xavier University, and the tenth president of the organization; and 3) Dr. Ruby Suazo, of the University of San Carlos, and the twelfth and current president of the organization.

The split between the subject and object is the epistemological inheritance of modernity’s enchantment with substance, notably shown by the subjectivism in the Cartesian ‘cogito’ and Kantian ‘transcendental I’. In this paper, I will attempt to argue that despite Heidegger’s ontological hermeneutics that eclipsed Descartes’ dualism and Kant’s transcendentalism, there is still a possibility of the return of both Subject and Object – exemplified even on ontological grounds in Žižek’s Subject-Oriented Ontology and Harman’s Object-Oriented Ontology. Conveniently, I will situate the two ontologies, dubbed respectively as SOO and OOO, in the recent Žižek & Harman Duel/Duet (2017). Further, I will rework the uses of two important notions found only in this debate – unhintergebar (the ‘unsurpassable’) and ostranenie (defamiliarization) – to explicate the transport from Heidegger’s metaphysical abyss to spectral abyss. Arguing from Heidegger’s ground (grund) and/or abyss (abgrund) that grounds possibilities of being, I will call this new ground for strange possibilities as spectral abyss (gespenstisch abgrund). To achieve this, I will do two things. First, I will briefly rehearse the epistemological split and Heidegger’s ontological turn. And second, I will resituate the debate by showing how Žižek and Harman’s ontologies can emerge from Heidegger’s spectral abyss. My ultimate goal is then to explicate not the return but the ground that makes it possible for a strange return.

Michael Ondaatje’s Warlight (2018), his latest novel to-date, contains nostalgic elements of strangeness and cartography. In this paper, I short-circuit such themes with health under medical humanities, which heeds a Nietzschean counsel of close reading in literature. To do so, I explore the case of Rachel's illness, namely her epileptic seizures, as an instance that drives her impetus for active forgetting and eventual convalescence. A close hermeneutical reading of the novel can reveal that both of Nietzsche’s ideas on active forgetting and convalescence provide traction in terms of what this paper constructs as Rachel’s pathography or narration of illness. Shifting the focus from the main narrator, Nathaniel, I argue that it is not the novel's reliance on memory but the subplot events of Nathaniel's sister and her epilepsy that form a substantial case of medical or health humanities.

In this essay, I present an alternative philosophical approach to meta-curating. While the debate surrounding the meta-curating of content often centers around technology like post-digital art, I prefer to take a broader perspective and examine its ontological implications. I consider the realist or anti-realist assumptions of meta-curating through Jean Baudrillard’s concept of seduction and Giorgio Agamben’s idea of spectrality. Both simulacrum and spectrality tend to support an anti-realist approach to meta-curating where the value of the object is made fragile when constantly predetermined by a superficially seductive or spectrally floating context. Against meta-curating as anti-realist, I argue that meta-curation is realist. As a case, the seductive and the spectral in Zaha Hadid’s Morpheus in Macao demonstrate that meta-curating does not completely disregard, but rather raises the question of how to establish an antifragile realism prompted by an architectural object.

In this paper, I critique the prevalent notion that only in the abyss can one emerge to be the Übermensch, or to use Hollingdale’s term, the Superman. To support this, I will first expound on the notion of the abyss as ethical nihilism from the perspective of the death of God to Nietzsche’s critique of morality. I argue that ethical nihilism as an abyss is insufficient in constituting Nietzsche’s Superman. I will then set how the Superman emerges through counter-stages. The paradox is that such tragic an abyss that serves as conditio sine qua non for the Superman falls flat when looked at in the perspective of life. There underlies a fundamental difficulty in simply accepting the proposals of acknowledging the abyss or ‘becoming what one is.’ Later, Nietzsche’s anti-romanticism and anti-Darwinism are explored to support such difficulty.

In this paper, I assess Žižek ’s article “No Sex, Please, We’re Post-human!” as a provocative injunction to signal the posthuman ecstasy and deterrence. I seek to expose, rather than express, Žižek ’s posthumanist perspective as a paradoxical intertwining of different aspects of perspectivizing a post-human being from the view of the end of sexuality – the background that informs a posthuman future. Žižek ’s eluding the subject’s confrontation with the question of sexual difference to the apex of the genome project touches the delicate coalescing of the notions of ‘objectivity and subjectivity’ and ‘virtuality and reality’ in the fate of the body. Ultimately, he renders this inception of this tarrying as a traumatic encounter that informs us of the existential birthright of a true posthuman.

The Übermensch, the overcoming of man, is one of Nietzsche’s debated concepts to be situated in posthumanism. In Žižek’s posthumanism, the human as subject can not only be read in Nietzsche’s understanding of the last man, but is inherently tied to the concept of trauma. This is so that trauma, as I exposed before, is a crucial element in advancing a posthuman. This article argues that trauma is, tout court, not enough to realize a posthuman Übermensch. It faces paradoxes that render it a transitory jolt. First, trauma still relies on the fiction of an afterworld. Second, trauma can be further traumatized and that there is a transitoriness of choice that belies its function between dream and fiction. Later, following from the traumatic standpoint of the Real, I provide a clarificatory corollary why the posthuman project also cannot work as a Lacanian fantasy.

This paper attempts to contextualize a philosophy of curation that is object-oriented or toward a “return to the object.” In the museum, three interrelated philosophical problems pervade curation practices that prevent access to the object as it is. Here, the subject-object relations or idealism-realism issues are reconsidered as a specific niche of the philosophy of curation. To address these issues, this paper claims that Jean-Paul Martinon and Graham Harman's philosophical return to the Heideggerian fourfold (das Geviert) can introduce creative pathways for the curated object that is riddled with excess and tensions. Later, with some caveats, the paper addresses the issues and suggests a possible avenue for further research.

In this paper, I trace the absent narrative of the Roc’s Egg in Aladdin and the Magic Lamp to the film adaptation. Disney, in particular, omits the narrative and by omitting, changes the inner logic of the text. The 1992 animated film and the 2019 live adaptation introduce a power relationship that shifts from the text’s structural power into agential power through its genre ideology of Americanisation. In this shift, there is a vanishing element that allows the change and that is the Roc’s egg whose meaning is power limitation. I argue that the roc’s egg in the text functions, in Jameson and Žižek’s lens, as a vanishing mediator that though is absent in the films still finds its meaning subsumed in them. In this way, the crux of the argument is to diagnose such Americanisation through limitation.

There is a wide spectrum in reading Michael Ondaatje’s novel Anil’s Ghost, ranging from thinkers who explore literary, historical, to ethico-ontological and political aspects. I confine the study by strictly retrieving the subjectivity of the human rights victim as not rested in its being a subject and victim, hence as a specter that haunts or ‘retaliates’ into exposing its victimization. This article attempts to read the spectral nature of this victim using Derrida and Žižek. The Derridean reading grounds the central spectrality on his hauntology and what it says about the victim’s ghostly character. Later, I expound on the act of haunting from a Žižekean standpoint by hinging on the notion of ‘drive’ that exposes the nature of victimization as depoliticizing the subject.

In this paper, I explore Nietzsche’s account of promising by delving into the problem of a culture of broken promises, which includes the promise of love. I argue that this understanding of culture can be aptly analogized as a nihilistic one and creates a vapid state of promiselessness. I enter this account through the dialectical structure of memory and forgetting and propose the agency of forgetting as a viable renewal of promising. To do so, I first affirm life and history through Nietzsche’s aesthetics, born out of the Apollonian-Dionysian naturalistic duality. Second, I will attempt to forge a dialectics of promising through a responsibility of the impulses. And third, I will redirect the function of active forgetting as renewing broken promises.

This article explores the viability of life after ‘the end of nature’ – as Žižek reports – in the Anthropocene. Humans can no longer consistently rely on their persistent interventions to nature as its source. The end of nature, however, does not only mean that the problem is solely ecological. Instead, it points to the original chaos of catastrophes that disturb the link of man’s relationship to nature. In short, the current predicament of the times not only exposes problems of ecology per se but also of economy, biology, and society. So, what comes next? Taking off from Heidegger and Leibniz, ethical prospects after this four-fold end should reopen the task of thinking the Anthropocene in various independent but coalescing fronts.

An inquiry into the bioethical or ethical component of post-humanism can be through the question of sex. Following from Manoj’s idea of a cyborg as having a “sexless” possibility, this paper presents other arguments that advance the possibility of asexuality in the posthuman. First, I begin with a discussion of Žižek’s point concerning the cessation or voiding of sexual difference. Second, I will continue such an argument through the selfreplicating possibilities of cloning and full cyberspace immersion, the later as prototyped by Pokémon. And finally, there seems to be an inevitable thread that begs to link the concept of the posthuman to Nietzsche; so I will explore some of the arguments that include or exclude Nietzschean ethics in this prospect.

This paper presents the ethical nihilism that looms in the condition of sex in the posthuman. It takes over from the backdrop of Hauskeller’s description of the singularity as having a “glorious sex life.” While such a condition is heavily leaning towards hedonistic ethics, the paper critiques that it merely masks nihilistic ethics. The pleasurable picture of ‘happy rapists’ and ‘masturbatory sex’ in posthumanity with sexual affluence faces a disturbing nothingness that caters to the extreme possibility of being sexless. Following from Žižek’s exposition of Houellebecq’s novel The Elementary Particles, which runs counter to Houellebecq’s later novel The Possibility of an Island, the posthuman poses paradoxes that point to a nihilistic ethical domain. Later, the paper presents two paradoxes: First, the paradox of hedonism or happiness, and second, the paradox of wealth or nothingness.

This article pushes forward the idea that positivism, the philosophical system in the early analytic tradition that recognizes only those which are scientifically verifiable through logic and mathematical proof, is still embedded in an existential impetus of philosophical reflection. The extent to which science advances in the reflection of human life is seen for instance in the current research of transferring young mouse blood to old mice for rejuvenation, possibly rendering cure to diseases stemming from old age and ultimately immortality. The success of the experiment on mice is a jumpstart for its application to humans, and from there, one cannot but speculate whether this set-up is an irony to the supposed antinomy of science to demystify immortality elixirs and ancient cure superstitions. The set-up is open and though positivism will find it hard to accommodate philosophical reflection, it still needs such disposition to critically assess the loopholes of a sternly logical and mathematically inclined universe. Science has a social dimension and is connected to the social influence and importance of analytic philosophy and philosophy in general.