Ji-yeong Yun

This article explores rage in the context of Korean feminist movements. Rage as a corporeal force can be combined with other emotional modalities to achieve consistency, durability, efficiency, and intensity. These modalities are interdependent, and rage, in relation to indignation, becomes a revolutionary affect that changes power dynamics. Women's indignant rage challenges the patriarchal value system and increases women's agency. Korean women deploy the politics of rage to “Escape the Corset” and free themselves from the oppressive devices—patriarchal family structures and traditional notions of femininity and beauty—that oppress women's bodies. The “Escape the Corset” movement, driven by indignant rage, materializes the possibility of resistance and creation that puts an end to the phallic economy of desire and meaning, and it elaborates a new modality of women's life cycle and relation to the world. Unlike indignant rage, a feminist revolutionary tool, rage combined with hatred is a conservative affect that annihilates the possibility of change and maintains the status quo. The politics of rage promotes a deconstruction of the patriarchal system, joining with a subversive and cathartic joy that contains hope for a more just future.