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NietzscheIn Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music, Routledge. 2011.
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11Growing Old Together: A Shared AchievementEspes. The Slovak Journal of Aesthetics 12 (2): 42-55. 2023.In this essay, I account for what we mean by old, what it means to grow old, and what we might mean by a shared achievement in the case of growing old together. I turn to the phenomenology of Alfred Schutz for some early insights on the shared time embodied in growing older together and how a ‘werelationship’ shored up by this temporal structure is the foundation for constituting the social world. I follow Schutz’s attempt to use this temporality to describe the case of making music together and…Read more
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315 Certainty and Consistency in the Socratic ElenchusIn Scott Gary Alan (ed.), Does Socrates Have a Method?: Rethinking the Elenchus in Plato's Dialogues and Beyond, Pennsylvania State University Press. pp. 266-280. 2002.
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18PANAGIA, DAVIDE. Rancière's Sentiments. Duke University Press, 2018, xv + 145 pp., 6 b&w illus., $23.95 paper.CHANTER, TINA. Art, Politics and Rancière: Broken Perceptions. London: Bloomsbury Academic, 2017, xv + 185 pp., 2 b&w illus., £85.00 cloth (review)Journal of Aesthetics and Art Criticism 77 (3): 327-333. 2019.
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813 Images and RealityIn Eva Kit Wah Man & Jeffrey Petts (eds.), Comparative Everyday Aesthetics: East-West Studies in Contemporary Living, Amsterdam University Press. pp. 235-250. 2023.
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10Thinking with Images: An Enactivist AestheticsRoutledge. 2018.Thinking with images -- Aesthetics without theory -- The Baroque and Bacon's popes -- Chance meeting with Duane Michals -- Étant donnés, Marcel Duchamp -- Le Mépris or Contempt, a film by Jean-Luc Godard.
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135The Visible and the Invisible in Merleau-Ponty and FoucaultInternational Studies in Philosophy 25 (3): 35-46. 1993.
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35Varieties of Presence. A book reviewAvant: Trends in Interdisciplinary Studies 3 (1): 162-167. 2012.
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10Repetitions: Appropriating Representation in Contemporary ArtPhilosophy Today 35 (4): 307-324. 1991.
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45Refractions of Reality: Philosophy and the Moving Image by mullarkey, john (review)Journal of Aesthetics and Art Criticism 68 (4): 428-431. 2010.
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Peter McCormick, Modernity, Aesthetics, and the Bounds of Art Reviewed byPhilosophy in Review 14 (2): 106-110. 1994.
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36The Imperative of Responsibility (review)International Studies in Philosophy 22 (1): 109-109. 1990.
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17Repetitions: Appropriating Representation in Contemporary ArtPhilosophy Today 35 (4): 307-324. 1991.
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10The Use and Abuse of Ancient Political Theory in Contemporary Social TheoriesSocial Philosophy Today 10 35-47. 1995.
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John Rajchman, Philosophical Events: Essays of the '80s (review)Philosophy in Review 14 106-110. 1994.
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Peter McCormick, Modernity, Aesthetics, and the Bounds of Art (review)Philosophy in Review 14 106-110. 1994.
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66“Strange Fruit”: Music between Violence and DeathJournal of Aesthetics and Art Criticism 71 (1): 111-119. 2013.
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1Richard Kearney, Modern Movements in European Philosophy Reviewed byPhilosophy in Review 9 (8): 312-315. 1989.
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68Repetition and Self-Realization in Jazz ImprovisationJournal of Aesthetics and Art Criticism 68 (3): 285-290. 2010.
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31The Use and Abuse of Ancient Political Theory in Contemporary Social TheoriesSocial Philosophy Today 10 35-47. 1995.
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Richard Kearney, Modern Movements in European Philosophy (review)Philosophy in Review 9 312-315. 1989.
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27Nietzsches Musikästhetik der Affekte (review)Journal of Nietzsche Studies 43 (1): 147-149. 2012.
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Certainty and Consistency in the Socratic ElenchusIn Gary Alan Scott (ed.), Does Socrates Have a Method? Rethinking the Elenchus in Plato's Dialogues and Beyond, The Pennsylvania State University Press. pp. 266-280. 2002.
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18For The Love Of BoysFoucault Studies 17 213-231. 2014.Foucault’s late studies of classical Greek and Roman texts are significant for the attention they give to the nuances and complexities the authors of those texts attribute to the relations between men and boys. Foucault follows carefully the considerations the classical writers gave to the bodies, pleasures and knowledge that formed and were formed by these relations. His aim is not to capture what was said in these texts but to think with them about what it might have taken, lacking any standar…Read more
Villanova, Pennsylvania, United States of America
Areas of Specialization
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Art and Artworks |
Philosophy of Film |
Philosophy of Music |
Philosophy of Visual Art |
Aesthetic Cognition |
Topics in Aesthetics |