Julia Ireland

Martin Heidegger’s 1934–1935 lectures on Friedrich Hölderlin’s hymns "Germania" and "The Rhine" are considered the most significant among Heidegger’s lectures on Hölderlin. Coming at a crucial time in his career, the text illustrates Heidegger’s turn toward language, art, and poetry while reflecting his despair at his failure to revolutionize the German university and his hope for a more profound revolution through the German language, guided by Hölderlin’s poetry. These lectures are important for understanding Heidegger’s changing relation to politics, his turn toward Nietzsche, his thinking about the German language, and his breakthrough to a new kind of poetic thinking. First published in 1980 as volume 39 of Heidegger’s Complete Works, this graceful and rigorous English-language translation will be widely discussed in continental philosophy and literary theory

This article offers an interpretive reconstruction of Heidegger’s first reference to the “inner truth of National Socialism” in the 1934/35 lecture course, Hölderlin’s Hymns “Germania” and “The Rhine”, which has remained unknown due to an editorial error. Focusing on the distinction Heidegger draws between Greek φύσις and natural science, it examines the way Heidegger conceives politics more originally through Hölderlin and the naming force of Nature. It then contextualizes Heidegger’s specific reference to National Socialism in terms of the then contemporary debate between liberalism and the racially determined “new science,” arguing that Heidegger thinks the “inner truth of National Socialism” as a φύσις-event.