Gloria Anzaldúa’s unfinished poem, “Like a Spider in Her Web,” introduces envisioning a dream world within one’s refuge while simultaneously enmeshed in another realm’s dreamscape, epitomizing Nepantla as a threshold of interconnectedness. This paper, inspired by her poem, proposes the notion I call a “Nepantla-Spider process,” amalgamating Anzaldúa’s Nepantleras, Brian Burkhart’s locality, and José-Antonio Orosco’s pragmatic interculturalism framework. I argue that a Nepantla-Spider process fac…
Read moreGloria Anzaldúa’s unfinished poem, “Like a Spider in Her Web,” introduces envisioning a dream world within one’s refuge while simultaneously enmeshed in another realm’s dreamscape, epitomizing Nepantla as a threshold of interconnectedness. This paper, inspired by her poem, proposes the notion I call a “Nepantla-Spider process,” amalgamating Anzaldúa’s Nepantleras, Brian Burkhart’s locality, and José-Antonio Orosco’s pragmatic interculturalism framework. I argue that a Nepantla-Spider process facilitates an expanded understanding of interculturalism that includes the non-living, animals, and the Land as requirements for interculturalism and democratic justice under a pragmatist approach to growth and pluralism.