Lucia Schwarz

Lucia Schwarz urges a reconsideration of the implications of species egalitarianism, which is an essential element of the position in environmental ethics that Paul Taylor calls “respect for nature.” Species egalitarianism’s claim that every living thing has equal inherent worth appears to lead to counterintuitive conclusions, such as that killing a human being is no worse than killing a dandelion. Species egalitarians have generally responded by explaining that species egalitarianism is compatible with recognizing moral differences between killing different types of living things, and that some killing is morally permissible. Schwarz raises doubts about whether this deflationary defensive strategy is philosophically justified, and suggests that taking seriously the supposedly repugnant implications of species egalitarianism may have a salutary effect on the overall debate.

In this paper, I identify and provide an explanation for a heretofore unrecognized puzzle in feminist aesthetics and the philosophy of horror. Many horror movie fans have an aversion to rape scenes. This is puzzling because genre fans are not equally bothered by the depiction of other types of violence and cruelty. I argue that we can make sense of this selective aversion by appeal to the notion of ‘distance’, which philosophers of horror use to explain why people are attracted to horror movies in the first place. When we consume horror, we ‘distance’ ourselves from the scary things depicted, which allows other mechanisms to kick in that lead to overall enjoyment. I argue that ‘distance’ often collapses when viewers are confronted with depictions of rape because rape is common in real life and a gendered form of violence that is implicated in social injustice.

Here is a prima facie plausible view: since the metaethical error theory says that all positive moral claims are false, it makes no sense for error theorists to engage in normative ethics. After all, normative ethics tries to identify what is right or wrong (and why), but the error theory implies that nothing is ever right or wrong. One way for error theorists to push back is to argue for “concept preservationism,” that is, the view that even though our ordinary moral discourse is deeply flawed, we should nevertheless continue to engage in moral thought and talk. However, in this article, I pursue a different strategy. I argue that even if we completely abandon moral discourse, thus endorsing “concept abolitionism,” the discipline of normative ethics survives. While traditional normative ethics uses as its “starting points” moral claims and beliefs, instead, concept abolitionists can make use of alternative utterances and attitudes that share salient characteristics with moral claims and beliefs, allowing for a kind of theorizing that is practically oriented, impartial, involves the traditional subject matters and methods of normative ethics, and allows engagement with the arguments of traditional moral philosophers.