Mary Townsend

Simone de Beauvoir remarks that women have trouble articulating a “we” together; this foible of language is connected to our unwillingness to claim our subjectivity, and to our ability to say “I” in ordinary conversation. The corresponding political difficulty is that the “we” of a non-exclusionary women’s solidarity and revolution seems almost impossible to imagine. Luce Irigaray’s paradigm of between-women-talk, best designated as talk amongst women and non-cis-men, offers a way of reforming the language required: a Platonic participation where desire beyond purpose is the only qualification, with #MeToo being one imperfect conversational example. Interrogating our reluctance and hesitation at the possibilities of this conversation makes our need for the language of mutually reinforcing subjectivity clear.

Julia Ward Howe, author of the lyrics to “The Battle Hymn of the Republic,” remains known as a poet, abolitionist, and founding member of the antiracist organization American Woman Suffrage Association, but her work on political philosophy and her foundational sense of the necessity for justice and suffrage for all without exception are still unexplored. Howe's speech, “The Position of Women in Plato's Republic” provides a window into the philosophy that shaped the second half of her life and her political organizing. Howe explores problems feminist scholars have often had with Socrates's plans to educate and enfranchise women of the ruling class, analyzes the rhetoric behind Socrates's successful persuasion of reluctant interlocutors, and transforms Plato's arguments into overwhelming rhetorical support for universal suffrage. Howe's intellectual conversion to the cause of suffrage, which occurred later in life and after her support for the 15th Amendment, comes into focus as she wrestles with the questions fundamental to her change of heart: women's moral relationship to human excellence, whether suffrage would destabilize family life, the relationship of gender to divine genderless unity, and the relationship of the Platonic principle of the Good to practical political policy.

In this book, Mary Townsend proposes that, contrary to the current scholarship on Plato's Republic, Socrates does not in fact set out to prove the weakness of women. Rather, she argues that close attention to the drama of the Republic reveals that Plato dramatizes the reluctance of men to allow women into the public sphere and offers a deeply aporetic vision of women’s nature and political position—a vision full of concern not only for the human community, but for the desires of women themselves.