Mérédith Laferté-Coutu

This article explores the seemingly exaggerated emphasis of Lyotard on the importance of hearing the ethical commandment in Levinas, instead of seeing or perceiving it in sensibility. Lyotard wants to read Levinas as a “Jewish thinker,” and his ethics as deeply connected to “Hebraic ethics.” Such a reading contrasts with phenomenological and Christian interpretations of Levinas, like Jean-Luc Marion’s, that focus on incarnation, the face, love, and the concrete relation to the other. Yet Lyotard outbids the rigor of commandment in Levinas, insisting on the radical heterogeneity of hearing and any phenomenological seeing. Ethics is completely outside phenomenology. This article argues that, instead of reading Lyotard as misreading Levinas, his approach can be one of the names for the skeptical phase that suspends or interrupts the Levinasian Said itself, especially when it tends to become excessively Christian.

Since Gayle Salamon’s 2018 article “What is Critical about Critical Phenomenology?”, phenomenologists and critical theorists have offered various responses to the question this title poses. In doing this, they articulated the following considerations: is renewed criticality targeting the phenomenological method itself, does it expand its subject matter to marginalized experiences, does it retool key phenomenological concepts? One aspect of this debate that has been left under-interrogated, however, is the word “phenomenology” itself. There is after all another question to ask in this context: what is phenomenological about critical phenomenology? Many avenues of response are of course possible. Phenomenology could most broadly be meant as an approach that concerns itself with what is given in experience in order to describe the structures of that givenness. From a Husserlian perspective, pure phenomenology is the science which concerns itself with phenomena in the full and diverse sense of the word—not as understood by specific natural or human sciences. What is distinctive of phenomenology is thus not what subset or type of phenomena it is interested in but how it relates to them, which, as Husserl introduces Ideas I, happens “in a completely different attitude.”

What can the passage of time mean for Levinas? Is there a passage of diachronic time? In its many iterations, passage—an expression that easily goes unnoticed, for it is ordinary, perhaps self-evident, yet almost pervasive in the French language—turns out to be at play throughout Levinas’s last major work. This paper traces the role of the notion in Otherwise than Being and shows its stakes for the remarkably numerous topics that it connects: Levinas’s critique of Husserlian temporality, the relation between the Infinite and the finite, as well as, most generally, justice and the ethical relation itself. Specifically, because the equivocal expression “se passer ” means both passing and happening, diachronic time not only passes but happens.