Oda Elisabeth Wiese Tvedt

In Plato’s Apology of Socrates we see a philosopher in collision with his society—a society he nonetheless claims to have benefited through his philosophic activity. It has often been asked why democratic Athens condemned a philosopher of Socrates' character to death. This anthology examines the contribution made by Plato’s Apology of Socrates to our understanding of the character of Socrates as well as of the conception of philosophy Plato attributes to him. The 11 chapters offer complementary readings of the Apology, which through their different approaches demonstrate the richness of this Platonic work as well as the various layers that can be discerned in its presentation of Socrates. While the contributions display variety in both topics and angles, they also share common features: An awareness of the importance of the literary aspects of Plato’s courtroom drama, as well as a readiness to take into consideration the historical context of the work. Thereby they provide contributions to a manifold understanding of the aims and impact of the work, without losing sight of the philosophical questions that are raised by Socrates’ confrontational and unrepentant defense speech. Allowing the character of Socrates to take center stage, the chapters of this volume examine the philosopher in relation to ethics, and to politics and democracy, as well as to the ideology, religion, and virtue shared by the Athenians. Readers will also find reflections on classical Platonic subjects such as the nature of Socratic philosophical inquiry and of philosophy itself, as well as on the notoriously ambiguous relationships between philosophy, sophistry and rhetoric, and their several relationships to truth and justice. The anthology emphasizes and explores the equivocal and sometimes problematic aspects of Socrates as Plato presents him in the Apology, illuminating why the Athenians let the verdict fall as they did, while drawing out problematic features of Athenian society and its reaction to Socrates’ philosophic activity, thereby encouraging reflection on the role philosophy can play in our modern societies.

The relation of philosophy to democracy remains at the center of attention in Oda Tvedt’s essay, ”Philosophy, Democracy and Poverty: The philosopher as political agent in the Apology of Plato”. Tvedt argues that the role of the philosopher as Socrates presents it in this work is first and foremost to be an agent of subversive political activity, and she finds support for this view of the philosopher’s role in other works of Plato as well as within the Apology itself. She holds that the poverty of Socrates is a vital clue to the understanding of the philosopher as a political figure in this dialogue. Taking a cue from Alain Badiou, and regarding justice as the political equivalent of truth, Tvedt investigates the relationship between democracy and philosophy in order to understand the connection between life and teachings for Plato’s Socrates. That Socrates chooses to abstain from the traditional political arenas points, Tvedt argues, toward a distinction in Plato’s political thought: the distinction between the private and the public realm, which in some ways corresponds to the distinction between the individual and the masses, and sheds light on what Plato’s criticism of the political realm really entails.

In Plato’s Apology of Socrates we see a philosopher in collision with his society—a society he nonetheless claims to have benefited through his philosophic activity. It has often been asked why democratic Athens condemned a philosopher of Socrates' character to death. This anthology examines the contribution made by Plato’s Apology of Socrates to our understanding of the character of Socrates as well as of the conception of philosophy Plato attributes to him. The 11 chapters offer complementary readings of the Apology, which through their different approaches demonstrate the richness of this Platonic work as well as the various layers that can be discerned in its presentation of Socrates. While the contributions display variety in both topics and angles, they also share common features: An awareness of the importance of the literary aspects of Plato’s courtroom drama, as well as a readiness to take into consideration the historical context of the work. Thereby they provide contributions to a manifold understanding of the aims and impact of the work, without losing sight of the philosophical questions that are raised by Socrates’ confrontational and unrepentant defense speech. Allowing the character of Socrates to take center stage, the chapters of this volume examine the philosopher in relation to ethics, and to politics and democracy, as well as to the ideology, religion, and virtue shared by the Athenians. Readers will also find reflections on classical Platonic subjects such as the nature of Socratic philosophical inquiry and of philosophy itself, as well as on the notoriously ambiguous relationships between philosophy, sophistry and rhetoric, and their several relationships to truth and justice. The anthology emphasizes and explores the equivocal and sometimes problematic aspects of Socrates as Plato presents him in the Apology, illuminating why the Athenians let the verdict fall as they did, while drawing out problematic features of Athenian society and its reaction to Socrates’ philosophic activity, thereby encouraging reflection on the role philosophy can play in our modern societies.

This thesis poses the question ‘What is the critique of democracy in Plato’s Republic?’ It is not the first to do so. But contrary to standard readings, this thesis does not assume neither epistemological nor elitist explanations. Rather, it sees the Kallipolis, ‘the beautiful city in words’ as predicated on a particular anthropology. This theory of human nature, which claims that it is human to be greedy for wealth, sex, and power is contributed by Glaucon, Socrates’ main interlocutor in the dialogue. Noting this, the argument of this thesis makes the following interpretational claims about the Republic: First, I claim that the Kallipolis should be read as an answer to the following question: What would a just city look like given the anthropology of Glaucon? The second claim informing this thesis is the following: Reading the Republic itself as challenging this anthropology, the function of the anthropology it provides is not so much a positive theory of human nature as it is revealing of what Glaucon, in most regards a paradigmatic Athenian citizen, thinks is human nature. His ideas and character are thus central to my reading of the Republic. What has this got to do with democracy? Glaucon’s beliefs, ideas, and his character can not be understood without reference to the society which has produced him, that is, the democratic polis of Ancient Athens. This premise is inserted by the city-soul analogy, a central tenet of the argument of the Republic. As this thesis argues, the tripartite soul provides an explanatory model which accounts for why and how the human soul is moldable and plastic. Furthermore, the thesis contributes to the issue of akrasia, by that it based on this interpretation becomes possible to say that cases of akrasia, – breakdowns of rationality – differ in its causes like the souls of humans differ in their internal constitutions: Humans, the Republic postulates, simply attribute different weight to different reasons, depending on what part of our soul rules, and hence, what the soul has set as its ‘good’. Building on this account of individual decision-making, this thesis offers a twofold analysis of how the interaction between regime and man is portrayed in the Republic, first with regard to the social institutions, secondly with regard to the political institutions. This analysis is based on the premise that the Kallipolis represents an implicit critique against democratic Athens, but rather than being an ideal to offset democratic shortcomings, I argue that the Kallipolis is the realization of democratic desires combined with a need for justice. If, and only if, Glaucon’s is the true anthropology of man, is Kallipolis the most just state. But, as this thesis will show, Glaucon’s anthropology is not universalizable, but is rather an expression of the particularly democratic anthropology. Ultimately, Socrates will show that if allowed to evolve unchecked, the natural culmination of the democracy is tyranny. In order to make this argument, the Republic mobilizes tropes related to tyranny which already abound within democratic and dissenting discourse, in order to posit the democratic value of ‘freedom’ as closely related to the tyrannical lust for power. Following this interpretation, the answer to the initial question is that the Republic criticizes democracy’s institutional practices, poetic tradition, and theoretical ideals showing how democracy instills in its citizens the kind of desires and values that will make them susceptible to the tyrannical coups which the Athenians of the fifth century seemed more than eager to avoid. In my reading of the Republic, the main threat was not outside forces, but their own desires and internal constitutions. Only through developing self-knowledge in the philosophical sense can the Athenian, represented by Glaucon, truly learn to guard himself against tyranny from within.