Sebastián Mejía-Rendón

El ambiente artificial en el que se despliega la vida en el planeta potencia un conjunto de interrogantes –algunos ya clásicos, otros novedosos– sobre los modos de existencia de los artefactos, sistemas y objetos técnicos que permean cada una de nuestras acciones. Parte importante de estos interrogantes se ocupa de las transformaciones que este ambiente artificial genera en la experiencia moral, política y cognitiva de los individuos, instituciones y sociedades. El Glosario de filosofía de la técnica elabora un mapa amplio, ecléctico y heterogéneo, pero a la vez riguroso, a partir de las discusiones actuales en torno a la técnica en Latinoamérica y el ámbito hispanoparlante; abarca las discusiones canónicas dentro del campo de la filosofía de la técnica, pero también brinda un importante espacio a cuestiones emergentes, más recientes, con menos recorrido histórico, así como a conceptos que se desprenden de las agendas de indagación del ámbito local, muchas veces ausentes en las compilaciones impulsadas por el norte global y las modas académicas y editoriales. El panorama que presenta este volumen excede lo estrictamente filosófico (y sus distintas disciplinas) para incluir teoría de los medios, sociología, antropología, investigación en artes, letras y ciencias de la educación, entre otros abordajes posibles de la complejidad de la técnica como problema central de nuestros días

We examine the notion of cognitive artifact and its possible application to the animal technic. Although the issue of animal technic is not very much discussed, the case studies focused on the capacity of using and manufacturing tools suggest that some animals deploy cognitive skills. Could the tools employed by animals be considered genuine cases of cognitive artifacts? In this paper we propose a definition of “cognitive artifact” based on the notion of “proper function,” which allows us to develop a gradual scale where we place different kinds of artifacts according to the prevalence of the cognitive function (in opposition to the prac-tical one). Applying this scale to the non-human sphere, we defend the idea that there exists a range of non-human technical phenomena of use and artifacts and tools manufacturing, and that some of this artifacts have an incipient proper cognitive function. In order to defend these theses, we examine the examples of the cobwebs, the nests and the honeycombs

Animal technique has occupied a marginal position in reflections on technique, and in the philosophical literature there is no strict definition of it. However, it is of great importance to understand the limits and the distinctive features of our own technique. This work argues that it is possible to establish a solid definition of animal technique based on two definitions of human technique (prosthetic notion of technique and material culture) and one particular dimension of human tools (cognitive tools). This paper takes a naturalistic approach that enables to review different study cases focused on animals’ capacity to make and use tools.

This paper reconstructs Peter Carruthers’s arguments for criticizing the test focused on the metacognitive capacities of non-humans animals. It is possible to discuss metacognition or there are other mechanisms that being is used by animals in the metacognitive test? This paper offers an overview about the dispute about the metacognitive capacities(metaperception and metamemory) of the animals. The structure of this paper is the following: the first part presents the most relevant arguments that Carruthers offers to discuss and criticize the experiments focused on animal metacognition. The second part it reconstructs the arguments against the Carruthers’s interpretation for explaining the metacognitive test. The third part it makes a balance between the Carruthers’s approach and his critic. Finally, the fourth part, in concluding that despite to the critics, the Carrtuhers’s arguments surpass these difficulties.