Stanimir Panayotov

This text explores what happens when black metal corpse paint, traditionally styled in black and white, meets colour, or, what I term rainbow corpse paint. I build on the history of masking and faciality in extreme and black metal music and on experimenting with queer/ing black metal corpse paint by pointing to some of its manifestations in recent years, and try to retroactively highlight and historicise rainbow corpse paint as an artistic means questioning black-and-white dualism. A special focus is put on the manifold ways in which the human face and colours interrogate each other, and finally, a discourse on painting the face as a form of articulating human pain is offered.

Autor se osvrće na knjigu Marine Gržinić i Šefika Tatlića Necropolitics, Racialization, and Global Capitalism. Historicization of Biopolitics and Forensics of Politics, Art, and Life i pritom artikulira značenje koje nekropolitika, kao opsceni oblik politike svedene na proizvodnju i management smrti, te rasizacija, kao suvremeni oblik eurocentričnog, bijelog rasizma, imaju u povijesnom razvoju i modernizaciji globalnog kapitalizma kao imperijalne formacije. U tom smislu, naslov ovog eseja, »Neonecronomicon«, upućuje na tumačenje neoliberalizma kao modela primjene nekrokapitalizma, ali također evocira konstitutivnu vezu između kapitalizma i kolonijalizma.

The argument of this dissertation is that despite the intellectual gendered burden of the problem of disembodiment I define, it can be employed from within the limitations of a gendered account in feminist philosophy of the continental-realist type. I formulate the problem of disembodiment as rooted in the notion of the boundless (apeiron) associated with femininity. Both boundlessness and disembodiment are subject to radicalization in Plato (chōra) and Plotinus (to hen). Read as a dyad, they culminate in a tendency towards gendered disembodiment, mediated by Plato’s soul-body dualism. The dissertation seeks to compare the gendered dimension of disembodiment in the work of Plato and Plotinus and that of the non- philosophers François Laruelle and Katerina Kolozova. “Part I. The Problem of Boundlessness: Radicalizing Disembodiment” is divided in three chapters, which present an intellectual history of the problem of boundlessness as femininity. I survey the problem of boundlessness as drafting relations between elements and principles and femininity in Greek mythology (Chapter 1), Plato’s cosmology (Chapter 2), and Plotinus’ metaphysics (Chapter 3). I argue that the relation between death and the female was ambivalent by the time of the Anaximandrean apeiron and that it became a subject of radicalization via Plato’s chōra and Plotinus’ One, mediated by the notion of the Indefinite Dyad and the doctrine of divided matter. The problem of boundlessness was subject to conceptual radicalization that led to hierarchical metaphysics and deepened the division between body and soul via the association of femininity, reproductivity and matter. “Part II. The Problem of Disembodiment: Revising Boundlessness” is divided in two chapters focusing on the contemporary relevance and importance of the problem of disembodiment as a way of revising boundlessness. I present and explain the legacy of the Platonic chōra and the Plotinian One and what they as a dyad entail for contemporary continental philosophy. I offer (Chapter 4) a trajectory for a continental feminist philosophy interpretation of disembodiment by combining continental feminist philosophy, non- philosophy and new realism. With the aid of Laruelle’s non-philosophy, I explain how and why chōra and the One can be used for/from continental feminist philosophy, followed by a presentation of how chōra and the One are revised in continental philosophy from non- philosophical and new realist perspectives. I then develop (Chapter 5) a continental feminist philosophical interpretation of and approach to the problem of disembodiment from a realist perspective by problematizing continental and feminist philosophical anti-realism. The approach presented is itself an argument in defence of a feminist engagement with disembodiment and the dissertation’s contribution: a non-philosophical contribution to the problem of disembodiment via a continental feminist-realist philosophical approach. The approach is offered through the intersection of continental feminist realism and non- philosophy, and partially new realism. My conclusion is that an affirmative project and consideration of disembodiment for continental feminist philosophy is possible via a non- philosophical and new realist reconsideration of the One.

Mysticism, theurgy, non-philosophy: this text will experiment with the three in an attempt to perform a non-philosophical hijacking of so-called theurgy. I will experiment with a comparison between Iamblichus' theurgy, Laruelle's non-philosophy, and the notion of the Vision-in-One. I claim their point of convergence is their allegiances to the theory of the One, derived from Plato's Unwritten Doctrines. The ancient notion of the One is subject to a similar procedural gesture in both Iamblichus and Laruelle, namely, the procession of the One from the noematic to the aesthetic realm. What connects them is their rejection of the theory that the soul's descension from the One to the visible realm represents a degeneration of the Nous. In a concept akin to the very idea of theurgy, Laruelle proposes his Vision-in-One, which is to think from the One rather than the One. The Vision-in-One is an attempt to materialize the disembodied fate of the noema against realistic skepticism.