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Michel-Antoine Xhignesse, Tolkien’s Influence and the World of The Wheel of TimeIn Jacob M. Held (ed.), The Wheel of Time and Philosophy: A Portion of Wisdom, Wiley-blackwell. pp. 3-16. 2025.
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Anne Le Févre Dacier, James O. Young, and Michel-Antoine Xhignesse, Anne Le Févre Dacier: Of the Causes of the Corruption of TasteOxford University Press. 2025.
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Michel-Antoine Xhignesse, Imagining DinosaursJournal of Aesthetics and Art Criticism 82 (2): 191-203. 2024.
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Michel-Antoine Xhignesse, Distant Dinosaurs and the Aesthetics of Remote ArtBritish Journal of Aesthetics 64 (3): 361-380. 2024.
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Michel-Antoine Xhignesse, Less is more, more or less: Felice C. Frankel: The visual elements—design: a handbook for communicating science and engineering. Chicago: University of Chicago Press, 2024, 186 pp, $20.00 PB (review)Metascience 34 (1). 2024.
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Michel-Antoine Xhignesse, Quatremère de Quincy's On the Ideal in the Pictorial ArtsLexington Books. 2024.
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Michel-Antoine Xhignesse, Aesthetics: 50 Puzzles, Paradoxes, and Thought ExperimentsRoutledge. 2023.
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Shelby Moser and Michel-Antoine Xhignesse, A Garden of One's Own, or Why Are There No Great Lady Detectives?Feminist Philosophy Quarterly 9 (1): 1-20. 2023.
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Michel-Antoine Xhignesse, In Defence of TouristsEstetika: The European Journal of Aesthetics 60 (2): 176-92. 2023.
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Michel-Antoine Xhignesse, Schopenhauer's Aesthetic IdeologyIn David Bather Woods & Timothy Stoll (eds.), The Schopenhauerian mind, Routledge. pp. 127-40. 2023.
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Michel-Antoine Xhignesse, A Trip to the ZooIn V. Vinogradovs (ed.), Aesthetic Literacy vol I: a book for everyone., Mont Publishing. pp. 52-55. 2022.
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Michel-Antoine Xhignesse, Quatremère de Quincy’s Moral Considerations on the Place and Purpose of Works of Art: Introduction and TranslationJournal of Aesthetics and Art Criticism 80 (4): 520-523. 2022.
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Michel-Antoine Xhignesse, Brains, ectobrains, and the construction of a subgenreMetascience 32 (1): 87-90. 2022.
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Michel-Antoine Xhignesse, James O. Young, "Radically Rethinking Copyright in the Arts: A Philosophical Approach." (review)Philosophy in Review 41 (1): 49-51. 2021.
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Michel-Antoine Xhignesse, Retitling, Cultural Appropriation, and Aboriginal TitleBritish Journal of Aesthetics 61 (3): 317-333. 2021.
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Michel-Antoine Xhignesse, Exploding stories and the limits of fictionPhilosophical Studies 178 (3): 675-692. 2020.
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Michel-Antoine Xhignesse, Schopenhauer’s Perceptive InvectiveIn Jens Lemanski (ed.), Language, Logic, and Mathematics in Schopenhauer, Birkhäuser. pp. 95-107. 2020.
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Michel-Antoine Xhignesse, What Makes a Kind an Art-kind?British Journal of Aesthetics 60 (4): 471-88. 2020.
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Michel-Antoine Xhignesse, Failures of Intention and Failed-ArtCanadian Journal of Philosophy 50 (7): 905-917. 2020.
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Michel-Antoine Xhignesse, Entitled Art: What Makes Titles Names?Australasian Journal of Philosophy 97 (3): 437-450. 2019.
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Michel-Antoine Xhignesse, Fake Views—or Why Concepts are Bad Guides to Art’s OntologyBritish Journal of Aesthetics 58 (2): 193-207. 2018.
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Michel-Antoine Xhignesse, Social Kinds, Reference, and Meta-Ontological RevisionismJournal of Social Ontology 4 (2): 137-156. 2018.
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Michel-Antoine Xhignesse, Attempting art: an essay on intention-dependenceDissertation, McGill University. 2017.
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Michel-Antoine Xhignesse, Andina, Tiziana. The Philosophy of Art: The Question of Definition—From Hegel to Post‐Dantian Theories, trans. Natalia Iacobelli, New York: Bloomsbury, 2013, 190 pp., 5 b&w illus., $37.95 paperback, $120.00 cloth (review)Journal of Aesthetics and Art Criticism 74 (1): 106-108. 2016.
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Michel-Antoine Xhignesse, The Trouble with Poetic LicenceBritish Journal of Aesthetics 56 (2): 149-161. 2016.
