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C. E. Emmer, Kantian Beauty, Fractals, and Universal CommunityDialogue and Universalism 29 (2): 65-80. 2019.
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C. E. Emmer, Kiesewetter, Kant, and the Problem of Poetic BeautyIn Violetta L. Waibel, Margit Ruffing & David Wagner (eds.), Natur und Freiheit. Akten des XII. Internationalen Kant-Kongresses, De Gruyter. 2018.
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C. E. Emmer, Burkean Beauty in the Service of ViolenceDialogue and Universalism 27 (3): 55-64. 2017.
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C. E. Emmer, Traditional Kitsch and the Janus-Head of ComfortIn Justyna Stępień (ed.), Redefining Kitsch and Camp in Literature and Culture, Cambridge Scholars Publishing. pp. 23-38. 2014.
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C. E. Emmer, 9/11 as Schmaltz-Attractor: A Coda on the Significance of KitschIn Monica Kjellman-Chapin (ed.), Kitsch: History, Theory, Practice, Cambridge Scholars Pub. pp. 184-224. 2013.
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C. E. Emmer, Crowther and the Kantian Sublime in ArtIn Valerio Rohden, Ricardo Terra, Guido Antonio Almeida & Margit Ruffing (eds.), Recht und Frieden in der Philosophie Kants: Akten des X. Internationalen Kant-Kongresses, De Gruyter. 2008.
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C. E. Emmer, The Flower and the Breaking Wheel: Burkean Beauty and Political KitschInternational Journal of the Arts in Society 2 (1): 153-164. 2007.
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C. E. Emmer, Possibilities for a Non-Ocular Aesthetics in Kant's "Critique of Judgment"Dissertation, State University of New York at Stony Brook. 2002.
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C. E. Emmer, The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of JudgmentIn Volker Gerhardt, Rolf-Peter Horstmann & Ralph Schumacher (eds.), Kant Und Die Berliner Aufklärung: Akten des IX Internationalen Kant-Kongresses, Walter De Gruyter. pp. 512-519. 2001.