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Also at University of Southampton
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Christopher Janaway, Craft and Fineness in Plato's IonIn Julia Annas (ed.), Oxford Studies in Ancient Philosophy: Volume X: 1992, Clarendon Press. pp. 1-23. 1992.
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Christopher Janaway, Review of: Howard Caygill, Art of Judgement (1989)Philosophical Books 32 (3): 186-187. 1991.
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Christopher Janaway, Borges and Danto: A reply to Michael WreenBritish Journal of Aesthetics 31 (4): 72-76. 1991.
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Christopher Janaway, Nietzsche, the self, and SchopenhauerIn Keith Ansell-Pearson (ed.), Nietzsche and Modern German Thought, Routledge. 1991.
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Christopher Janaway, Plato's analogy between painter and poetBritish Journal of Aesthetics 31 (1): 1-12. 1991.
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Alex Neill and Aaron Ridley, Constance Penley, ed., Feminism and Film Theory Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Constance Penley, ed., Feminism and Film Theory (review)Philosophy in Review 10 345-351. 1990.
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Alex Neill and Aaron Ridley, Graeme Turner, Film as Social Practice Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Graeme Turner, Film as Social Practice (review)Philosophy in Review 10 345-351. 1990.
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Alex Neill and Aaron Ridley, Kristin Thompson, Breaking the Glass Armor: Neoformalist Film Analysis Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Noël Carroll, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Noël Carroll, Philosophical Problems of Classical Film Theory Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Noël Carroll, Philosophical Problems of Classical Film Theory (review)Philosophy in Review 10 345-351. 1990.
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Alex Neill and Aaron Ridley, Richard Abel, ed., French Film Theory and Criticism 1907-1939: A History/Anthology Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Robert Lapsley and Michael Westlake, Film Theory: An Introduction (review)Philosophy in Review 10 345-351. 1990.
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Alex Neill and Aaron Ridley, Robert Lapsley and Michael Westlake, Film Theory: An Introduction Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Christopher Janaway, Knowing about surprises: A supposed antinomy revisitedMind 98 (391): 391-409. 1989.
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Christopher Janaway and Peter Alexander, History of Philosophy: The Analytical IdealAristotelian Society Supplementary Volume 62 (1). 1988.
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Christopher Janaway and Peter Alexander, History of Philosophy: The Analytical IdealAristotelian Society Supplementary Volume 62 (1): 169-208. 1988.
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Christopher Janaway, AMERIKS, K. "Kant's Theory of Mind: An Analysis of the Paralogisms of Pure Reason" (review)Mind 93 (n/a): 632. 1984.
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Christopher Janaway, IX—The Subject and the Objective OrderProceedings of the Aristotelian Society 84 (1): 147-166. 1984.
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Christopher Janaway, Review of MAGEE, B. "The Philosophy of Schopenhauer" (review)Mind 93 (n/a): 608. 1984.
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Christopher Janaway, Review of: MARGOLIS, J. "Art and Philosophy:Conceptual Issues in Aesthetics" (review)Mind 93 (n/a): 294. 1984.
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Christopher Janaway, Review of Joseph Margolis, Art and Philosophy: Conceptual Issues in Aesthetics (1981). (review)Mind 93 (370): 294-296. 1984.
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Christopher Janaway, The Subject and the Objective OrderProceedings of the Aristotelian Society 84. 1984.