Department Affiliates
Department Activity
Also at Trinity University
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Hashem Morvarid, Avicenna on Divine SimplicityIn Lara Buchak & Dean Zimmerman (eds.), _Oxford Studies in Philosophy of Religion_, Oxford University Press. forthcoming.
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Hashem Morvarid, Avicenna’sLetter to the Scholars of Baghdād: A Critical Edition, Translation, and DiscussionArabic Sciences and Philosophy. forthcoming.
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Andrew Kania, Against Recognizability as a Criterion of Work-PerformanceBritish Journal of Aesthetics 65 (1): 33-44. 2025.
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Andrew Kania, Musical Meaning and Authentic Work Performance: Three Dilemmas for the Interpretive AuthenticistJournal of Aesthetics and Art Criticism 83 (2): 128-140. 2025.
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Hashem Morvarid, Avicenna on the theory of FormsPhilosophy and Phenomenological Research 111 (1): 235-259. 2025.
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Hashem Morvarid, Avicenna on common natures and the ground of the categoriesBritish Journal for the History of Philosophy 32 (4): 766-797. 2023.
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Andrew Kania, The Heart of Classical Work-PerformanceBritish Journal of Aesthetics 62 (1): 125-141. 2022.
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Andrew Kania, Home to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic PerformanceEstetika: The European Journal of Aesthetics 59 (2): 153-164. 2022.
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Hashem Morvarid, The muʿtazila's arguments against divine command theoryReligious Studies 58 (3): 610-627. 2022.
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Andrew Kania, Ready Player One? A Response to RicksandJournal of Aesthetics and Art Criticism 79 (3): 388-391. 2021.
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Andrew Kania, PENNER, NINA. Storytelling in Opera and Musical Theater (review)Journal of Aesthetics and Art Criticism 79 (4): 528-532. 2021.
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Alistair Welchman and Judith Norman, Schopenhauer's Understanding of SchellingIn Robert L. Wicks (ed.), The Oxford Handbook of Schopenhauer, Oxford University Press, Usa. pp. 49-66. 2020.
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Andrew Kania, Why Gamers Are Not PerformersJournal of Aesthetics and Art Criticism 76 (2): 187-199. 2018.
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Arthur Schopenhauer, Alistair Welchman, Judith Norman, and Christopher Janaway, Schopenhauer: The World as Will and Representation: Volume 2 (edited book)Cambridge University Press. 2018.
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Hashem Morvarid, Finean essence, local necessity, and pure logical propertiesSynthese 195 (11): 4997-5005. 2018.
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Andrew Kania, Groove: A Phenomenology of Rhythmic Nuance by Tiger C. RoholtJournal of Aesthetic Education 51 (1): 115-119. 2017.
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Andrew Kania, An Imaginative Theory of Musical Space and MovementBritish Journal of Aesthetics 55 (2): 157-172. 2015.
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Judith Norman, Marx, Nietzsche, and the Workshops of HistoryJournal of Nietzsche Studies 46 (3): 391-407. 2015.
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Andrew Kania, DefinitionIn Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music, Routledge. pp. 3-13. 2013.
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Andrew Kania, MusicIn Berys Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics, Routledge. pp. 639-648. 2013.
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Andrew Kania and Theodore Gracyk, Performances and RecordingsIn Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music, Routledge. pp. 80-90. 2013.
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Theodore Gracyk and Andrew Kania, The Routledge Companion to Philosophy and Music (edited book)Routledge. 2013.
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Andrew Kania, Platonism vs. Nominalism in Contemporary Musical OntologyIn Christy Mag Uidhir (ed.), Art & Abstract Objects, Oxford University Press. pp. 197. 2013.
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Andrew Kania, Concepts of Pornography: Aesthetics, Feminism, and MethodologyIn Hans Maes & Jerrold Levinson (eds.), Art and Pornography: Philosophical Essays, Oxford University Press Uk. pp. 254-276. 2012.
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Richard Beaudoin and Andrew Kania, A Musical Photograph?Journal of Aesthetics and Art Criticism 70 (1): 115-127. 2012.