Department Members
Department Activity
Also at Trinity University
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Andrew Kania, Home to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic PerformanceEstetika: The European Journal of Aesthetics 59 (2): 153-164. forthcoming.
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Hashem Morvarid, Avicenna on common natures and the ground of the categoriesBritish Journal for the History of Philosophy 1-32. forthcoming.
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Andrew Kania, The Heart of Classical Work-PerformanceBritish Journal of Aesthetics 62 (1): 125-141. 2022.
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Hashem Morvarid, The muʿtazila's arguments against divine command theoryReligious Studies 58 (3): 610-627. 2022.
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Andrew Kania, Ready Player One? A Response to RicksandJournal of Aesthetics and Art Criticism 79 (3): 388-391. 2021.
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Alistair Welchman and Judith Norman, Schopenhauer's Understanding of SchellingIn Robert L. Wicks (ed.), The Oxford Handbook of Schopenhauer, Oxford University Press, Usa. pp. 49-66. 2020.
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Andrew Kania, Why Gamers Are Not PerformersJournal of Aesthetics and Art Criticism 76 (2): 187-199. 2018.
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Arthur Schopenhauer, Alistair Welchman, Judith Norman, and Christopher Janaway, Schopenhauer: The World as Will and Representation: Volume 2 (edited book)Cambridge University Press. 2018.
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Hashem Morvarid, Finean essence, local necessity, and pure logical propertiesSynthese 195 (11): 4997-5005. 2018.
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Andrew Kania, Groove: A Phenomenology of Rhythmic Nuance by Tiger C. RoholtJournal of Aesthetic Education 51 (1): 115-119. 2017.
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Andrew Kania, An Imaginative Theory of Musical Space and MovementBritish Journal of Aesthetics 55 (2): 157-172. 2015.
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Judith Norman, Marx, Nietzsche, and the Workshops of HistoryJournal of Nietzsche Studies 46 (3): 391-407. 2015.
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Andrew Kania, Platonism vs. Nominalism in Contemporary Musical OntologyIn Christy Mag Uidhir (ed.), Art & Abstract Objects, Oxford University Press. pp. 197. 2013.
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Andrew Kania, Concepts of Pornography: Aesthetics, Feminism, and MethodologyIn Hans Maes & Jerrold Levinson (eds.), Art and Pornography: Philosophical Essays, Oxford University Press Uk. pp. 254-276. 2012.
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Richard Beaudoin and Andrew Kania, A Musical Photograph?Journal of Aesthetics and Art Criticism 70 (1): 115-127. 2012.
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Andrew Kania, In Defence of Higher-Order Musical Ontology: A Reply to Lee B. BrownBritish Journal of Aesthetics 52 (1): 97-102. 2012.
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Andrew Kania, DefinitionIn Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music, Routledge. pp. 3-13. 2011.
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Andrew Kania and Theodore Gracyk, Performances and RecordingsIn Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music, Routledge. pp. 80-90. 2011.
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Theodore Gracyk and Andrew Kania, The Routledge Companion to Philosophy and Music (edited book)Routledge. 2011.
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Andrew Kania, All Play and No Work: An Ontology of JazzJournal of Aesthetics and Art Criticism 69 (4): 391-403. 2011.
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Andrew Kania, DefinitionIn Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music, Routledge. 2011.
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Andrew Kania and Theodore Gracyk, Performances and recordingsIn Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music, Routledge. 2011.
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Alistair Welchman and Judith Norman, The Question of RomanticismIn Alison Stone (ed.), The Edinburgh Critical History of Philosophy: Volume 5—The Nineteenth Century. pp. 47-68. 2011.
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Andrew Kania, A Horny Dilemma: Sex and Friendship Between Students and ProfessorsIn Fritz Allhoff, Michael Bruce & Robert M. Stewart (eds.), College Sex - Philosophy for Everyone: Philosophers with Benefits, Wiley-blackwell. pp. 117-130. 2010.
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Andrew Kania, Review of Matthew Nudds, Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays (review)Notre Dame Philosophical Reviews 2010 (8). 2010.