Eduardo Mendieta

From George Floyd to Breonna Taylor, the brutal deaths of Black citizens at the hands of law enforcement have brought race and policing to the forefront of national debate in the United States. In The Ethics of Policing, Ben Jones and Eduardo Mendieta bring together an interdisciplinary group of scholars across the social sciences and humanities to reevaluate the role of the police and the ethical principles that guide their work. With contributors such as Tracey Meares, Michael Walzer, and Franklin Zimring, this volume covers timely topics including race and policing, the use of aggressive tactics and deadly force, police abolitionism, and the use of new technologies like drones, body cameras, and predictive analytics, providing different perspectives on the past, present, and future of policing, with particular attention to discriminatory practices that have historically targeted Black and Brown communities. This volume offers cutting-edge insight into the ethical challenges facing the police and the institutions that oversee them. As high-profile cases of police brutality spark protests around the country, The Ethics of Policing raises questions about the proper role of law enforcement in a democratic society.

The Anthropocene must also be seen as the convergence of the historicization of nature and human historicity, not simply metaphorically, but factually. As historical time is injected in nature through anthropogenesis, resulting in our having to see nature as a product of a historical process, our understanding of time is being transformed. The Anthropocene must be understood as a temporalization of time tout court. The key concern is what could be called an Anthropocenic matrix of intelligibility and its corresponding image of Anthropos. In the time of the end of time and the time of the end, the new image of humanity is that of a destroyer of world.

Over a career spanning nearly seven decades, Jürgen Habermas - one of the most important European philosophers of the twentieth and twenty-first centuries - has produced a prodigious and influential body of work. In this Lexicon, authored by an international team of scholars, over 200 entries define and explain the key concepts, categories, philosophemes, themes, debates, and names associated with the entire constellation of Habermas's thought. The entries explore the historical, philosophical and social-theoretic roots of these terms and concepts, as well as their intellectual and disciplinary contexts, to build a broad but detailed picture of the development and trajectory of Habermas as a thinker. The volume will be an invaluable resource for students and scholars of Habermas, as well as for other readers in political philosophy, political science, sociology, international relations, cultural studies, and law.

The U.S.-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country—a border culture. Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is in a constant state of transition. The prohibited and forbidden are its inhabitants. Los atravesados live here: the squint-eyed, the perverse, the queer, the troublesome, the mongrel, the mulato, the half-breed, the half...

Jürgen Habermas’s recent book Die Zukunft der menschlichen Natur (2001) is discussed. Particular attention is paid to the central argument concerning the adverse effects the general acceptance of cloning and pre-implantation genetic diagnostics (PGD) would have on the moral and political self-understanding of present and future generations. The argument turns to a critique of Habermas’s central arguments against PGD, and develops at least two arguments that are in harmony with his general defense of procedural democracy and deontological morality. Appeal is made to Peter Singer and John Rawls to develop arguments that do not reject either PGD or genetic engineering and that are nonetheless in full compliance with the spirit of political modernity, as it is defended and defined by Habermas. The conclusion calls for less moralizing and more political-economic critique of the biotechnologies unleashed by the information revolution

In lieu of an abstract, here is a brief excerpt of the content:Surviving American Culture:On Chuck PalahniukEduardo MendietaIn an age in which American culture has become the United States' number one export, along with its weapons, low intensity conflict, carcinogenic cigarettes, its "freedom," and pornography, it is delightful and even a sign of hope that there are writers who have taken on the delicate and perilous task of offering a prognosis of what ails this culture. In the following essay I argue that Chuck Palahniuk's works ought to be read as a mortician's report on American culture. Chuck Palahniuk broke into the literary world by way of the movie version of his first novel: Fight Club (1995). He has gone on to write six other novels: Survivor (1999), Invisible Monsters (2000), Choke (2001), Lullaby (2002), and Diary (2003). He also has published an interesting travel book, Fugitives and Refugees; A Walk in Portland, Oregon (2003), but since this is not properly fiction, I will not discuss it in this essay.1Clearly, Palahniuk has already produced a corpus worthy of careful consideration and analysis. Yet, as a west coast writer, far from the literary circles and brokers of the east coast, indeed far away from the clubs of self-promotion and self-monitoring that censure and hold in tight grip the monopoly of criticism that highlights "worthy literature," Palahniuk has not attracted a lot of critical attention. It is only with his most recent work Choke that he has began to be widely reviewed and commented on. In the following I provide a thematic reconstruction of each one of the six published novels, in chronological sequence. I will argue that Palahniuk is not trying to write the "great American novel," although he is profiling himself as a quintessential "American" writer in the midst of post–Cold War megalomania and celebrated Pax Americana. He has taken on a culture that has become so gargantuan, [End Page 394] fragmented, and differentiated but at the same time so rich, so self-reflexive, so historicized and also so mimicked that one novel cannot tell its story in one narrative with one dramatic thread. Many novels, many short cuts, many vignettes, are necessary: one polyphonic, asynchronous, temporally bi-directional, hyper-textual, and cyber-encyclopedic novel made up of individual novels, where each novel is the Bildungsroman of an American hero but told in reverse. These heroes, I will argue, are testimonies to the resilient power of individuals to resist even the most invasive and persistent onslaughts by culture on the physic life of freedom and individuality. I will also argue that he is neither a commercial nor academic writer; that is, he is not the kind of writer who writes either in order to maintain a living or secure tenure. He is a writer with a mission, a vision, and a very distinctive style. The stories that Palahniuk tells are stories that begin at the end, and end at the beginning: they are turned around Bildungsromans. They are, in other words, about unmaking, uncoupling, and disentangling our selves from the normal self into which we have been socialized. These stories are, thus, about the discovery of moral resources that lay dormant in the very simplicity of human solidarity and trust in our will to survive morally untainted, or at least redeemable. I will conclude by arguing that Palahniuk's novels are about surviving American Culture, and about how deviance is the health of the individual in a sick society.One could characterize Fight Club as the intelligent man's response to Robert Bly's Iron John (1990),2 or the fictionalized version of the Michael Kimmel's Manhood in America: A Cultural History (1996).3 Alternatively, one could argue that Fight Club is the fin-de-sieclé response to Barbara Ehrenreich's prognosis in her The Hearts of Men: American Dreams and the Flight from Commitment (1983) of 1970s and 1980s narcissistic and hedonistic masculinity.4 Chuck Palahniuk's first novel is a biting and poignant look at men in American culture after the end of affluence and the simultaneous "feminization" of masculinity. It is at the same time about the struggle for a viable sense of masculinity in an age in...

This article discusses the fortuitous genesis of the book of my conversations with Angela Y. Davis, Abolition Democracy and traces some of the intellectual and philosophical sources that informed the specific questions and approaches that inform the dialogue. Davis’ relationships to Georg Rusche and Otto Kirchheimer, as well as to Foucault, are discussed. Similarly, Davis’ place within a critical black American political-philosophical tradition is analyzed. The essay focuses mainly, however, on the way in which Davis’ work on the prison industrial complex profiles an unsuspected contribution to political philosophy that links up the disciplinary origins of American democracy with its racial contract to give rise to the prison contract. In the tradition of Charles Mills, Davis’ radical theory of penality unmasks and denounces the over-determined relationship between surplus punishment and the racial character of the US polity in terms of theproductivity of the prison system

En este artículo se discute el reciente libro de Jürgen Habermas, Die Zukunft der menschlichen Natur. Auf dem Weg zu einer liberalen Eugenik . Se presta especial atención al argumento central relacionado con los efectos negativos que podría tener la aceptación general de la clonación y el diagnóstico génico preimplantacional sobre la autocomprensión moral y política de las generaciones presentes y futuras. La discusión continúa con una crítica a los argumentos centrales de Habermas contra el DGP, y desarrolla al menos dos razonamientos que están en armonía con su defensa general de la democracia procedimental y la moral deontológica. Se apela a Peter Singer y John Rawls para desarrollar argumentos que no se oponen ni al DGP ni a la ingeniería genética y que, no obstante, están totalmente de acuerdo con el espíritu de la modernidad política, tal y como lo defiende y define Habermas. La conclusión insta a una crítica de las biotecnologías desencadenadas por la revolución de la información que tenga un carácter menos moralizante y más político-económico

The so-called War on Terror has given rise to a virulent discourse that demonizes all those who allegedly seek to do harm and kill Americans. A veritable bestiary of demonic and bestial creatures has been thus ensembled, constituting what one cannot but call an “imperial bestiary.” Here we do not so much consider the contents of this imperial bestiary, as much as seek to analyze its grammar, that is, the way it operates on certain moral assumptions that have very pernicious moral consequences. Reconstructing the work of some recent critical philosophers, a possible way to dismantle all bestiaries, whether imperial or colonial, is elaborated. The work of Mary Midgley, Jacques Derrida and Donna Haraway are brought together to develop what has been here called a politics beyond monsters, beasts, roguish animals, and infesting vermin that must be at best domesticated, and at worst exterminated

Philosophy projects a certain understanding of reason that is related to the ways in which the city figures in its imaginary. Conversely, the city is a practice of spatialization that determines the ways in which agents are able, or unable, to live out their social agency. This essay focuses on the ways in which philosophy and the city's spatializing practices and imaginaries inform differential ways of living out social agency. The thrust of the investigation is to discern the ways in which sexism - differential engendering - results from the relationship that exists between philosophy and the city. To illustrate this link between philosophy, the city, and differential engendering, the work turns to a consideration of Jean-Paul Sartre's phenomenology, which is taken as an exemplary illustration of the entwinement between the philosophical imaginary, and the perception and reception of the city.

Until now, North American and European philosophies have been engaged in debates about the possibility of a postmetaphysical philosophy and the consequences of the linguistic turn for the assessment of modernity; they have done so, however, without departing from the narrow horizons of their respective nationalistic perspectives. In this incisive critique, Dussel demonstrates how most of thse philosophies have either failed to give historically faithful analyses of the genesis of the "myth" of modernity, or have never engaged in a serious questioning of their own Eurocentric presuppositions. He shows how North American and European philosophers have presupposed a no-longer-acceptable philosophy of history that has led them to fall into a "developmental fallacy," the belief that there is a linear sequence that moves from the premodern, underdeveloped, or on the way to industrialization, to the modern, developed, and industrialized.