Frederick Kroon

Mill is a detractor of the view that proper names have meanings, defending in its place the view that names are nothing more than (meaningless) marks. Because of this, Mill is often regarded as someone who anticipated the theory of direct reference for names: the view that the only contribution a name makes to propositions expressed through its use is the name's referent. In this paper I argue that the association is unfair. With some gentle interpretation, Mill can be portrayed as someone who is a Millian in the sense he most cares about (names are meaningless marks) but a descriptivist in so far as he takes the determinants of reference to be properties in the possession of speakers. I contend that this view is not only one that Mill comes close to holding, but, in light of the reasons that (nearly) led him to such a view, one that is worth taking seriously on its own terms.

This paper begins with a puzzle about certain temporal expressions: phrases like ‘Jones as he was ten years ago’ and ‘the Jones of ten years ago’. There are reasons to take these as substantival, to be interpreted as terms for temporal parts. But it seems that the same reifying strategy would also force us to countenance a host of less attractive posits, among them fictional counterparts of real things (to correspond to such phrases as ‘Garrison as he was in the movie JFK') and much more. I argue that there is a better way: we need only the idea of pretense or make‐believe to make sense of claims embedding such phrases, leaving us with no reason, so far, to accept an ontology of temporal parts.

In this paper I argue against the usual interpretation of\nMeinong's argument for nonexistent objects, an\ninterpretation according to which Meinong imported\nnonexistent objects like "the golden mountain" to account\ndirectly for the truth of statements like the golden\nmountain is golden'. I claim instead (using evidence from\nMeinong's "On Assumptions") that his argument really\ninvolves an ineliminable appeal to the notion of pretense.\nThis appeal nearly convinced Meinong at one stage that he\ncould do without nonexistent objects. The reason, I argue,\nwhy he nonetheless embraced an ontology of nonexistents has\nto do with the phenomenology of representation, and not\nwith semantics

Consider predicates like 'is a fictional character' and 'is a mythical object'. Since their ascription entails a corresponding Negative Existential claim, call these 'NE-characterizing predicates'. Objectualists such as Parsons, Sylvan, van Inwagen, and Zalta think that NE-characterizing properties are genuine properties of genuinely non-existent objects. But how, then, to make room for statements like 'Vulcan is a failed posit' and 'that little green man is a trick of the light'? The predicates involved seem equally NE-characterizing yet on the surface fail to mark a genuine property o f things. Instead, the truth of such predications strongly supervenes on types of referential failure. Kendall Walton's anti-objectualist account of talk about fiction provides a neat solution to this supervenience problem by invoking special games of make-believe. The present paper claims that while Walton's view thereby gains an important advantage over objectualism, the solution faces problems of its own. The rest of the paper desribes another solution, one that assigns a large role to the idea of metaphor.

This paper suggests that quantified negative existentials about fiction—statements of the form “There are some / many / etc. Fs in work W who don't exist”—offer a serious challenge to the theorist of fiction: more serious, in a number of ways, that singular negative existentials. I argue that the temptation to think that only a realist semantics of such statements is plausible should be resisted. There are numerous quantified negative existentials found in other areas that seem equally “true” but where a realist semantics imports ontological commitments that few would want to embrace. In the final part of the paper I sketch an alternative pretense account of one such quantified negative existential, and suggest that the account gives us some reason to believe that quantified negative existentials in general, including quantified negative existentials about fiction, can also be understood in pretense terms.