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17Marx's Concept of ManBloomsbury Academic. 2004.A provocative new view of Marx stressing his humanist philosophy and challenging both Soviet distortion and Western ignorance of his basic thinking.
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16Aesthetics and the Theory of CriticismPhilosophy and Phenomenological Research 36 (4): 583-584. 1976.
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19Reason in Society: Five Types of Decisions and Their Social ConditionsPhilosophy and Phenomenological Research 23 (3): 453-454. 1962.
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8An Anatomy of Values: Problems of Personal and Social ChoicePhilosophy and Phenomenological Research 32 (3): 416-417. 1971.
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7E. Fromm's "Marx's Concept of Man" (review)Philosophy and Phenomenological Research 23 (2): 288. 1962.
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16Information Theory and Esthetic PerceptionPhilosophy and Phenomenological Research 28 (2): 280-282. 1967.
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Zajmujacy Dewey: spóścizna estetyczna Johna Deweya (translation)Sztuka I Filozofia (Art and Philosophy) 37 59-70. 2010.translation of Arnold Berleant's "Engaging Dewey..."
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25On the circularity of the cogitoPhilosophy and Phenomenological Research 26 (3): 431-433. 1966.A Discussion on Descartes and his use of doubt as a tool for judgement.
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34M. Lipman's "What Happens in Art" (review)Philosophy and Phenomenological Research 28 (3): 449. 1968.
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342The Art in Knowing a LandscapeDiogenes 59 (1-2): 52-62. 2012.What I should like to explore here is the experience of landscape both through the arts and as an art, an art of environmental appreciation. A clearer understanding of landscape, environment, and art, as well as what it is to "know" in the context of environmental experience, suggests how the arts can contribute to an intimate, engaged experience of landscape, and how this process itself can be construed as an art in which the perceiver is a quasi-artist. I should like to do this through a re-we…Read more
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3R. J. Roth's "John Dewey and Self-Realization" (review)Philosophy and Phenomenological Research 24 (4): 588. 1964.
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8Thomas Munro's "Form and Style in the Arts: An Introduction to Aesthetic Morphology" (review)Philosophy and Phenomenological Research 33 (4): 581. 1973.
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212The Eighteenth Century Assumptions of Analytic AestheticsIn T. Z. Lavine & V. Tejera (eds.), History and Anti-History in Philosophy, Transaction Publishers. pp. 256--274. 1989.Although artistic activity has been a major social phenomenon in the western world, aesthetics has not always reflected the changes in techniques, processes, themes and uses through which the arts have developed and had their effect. Theory most often comes after the fact, and properly so. Yet aesthetics in its history has not only displayed an unfitting hubris, with thinkers attempting to legislate about style, suitability and materials to the artist; aesthetics has also lagged far behind the l…Read more
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398Some Questions for Ecological AestheticsEnvironmental Philosophy 13 (1): 123-135. 2016.Ecology has become a popular conceptual model in numerous fields of inquiry and it seems especially appropriate for environmental philosophy. Apart from its literal employment in biology, ecology has served as a useful metaphor that captures the interdependence of factors in a field of research. At the same time as ecology is suggestive, it cannot be followed literally or blindly. This paper considers the appropriateness of the uses to which ecology has been put in some recent discussions of arc…Read more
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55The Aesthetics of Natural Environments (edited book)Broadview Press. 2004.The Aesthetics of Natural Environments is a collection of essays investigating philosophical and aesthetics issues that arise in our appreciation of natural environments. The introduction gives an historical and conceptual overview of the rapidly developing field of study known as environmental aesthetics. The essays consist of classic pieces as well as new contributions by some of the most prominent individuals now working in the field and range from theoretical to applied approaches. The topic…Read more
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9P. Diesing's "Reason in Society: Five Types of Decisions and Their Social Conditions" (review)Philosophy and Phenomenological Research 23 (3): 453. 1963.
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302The Soft Side of StoneEnvironmental Philosophy 4 (1-2): 49-58. 2007.Stone represents the firmness and intransigence of the world within which we live and act. But beyond the perception and appropriations of stone, diverse meanings lie hidden between the hardness of stone and its uses. At the same time meaning must be grounded in the stabilizing presence of a common world. Yet if all that can be said is not about stone simpliciter but only an aesthetics of its perception, uses, and meanings, have we not gained the whole world but lost its reality? The underlying …Read more