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Zajmujacy Dewey: spóścizna estetyczna Johna Deweya (translation)Sztuka I Filozofia (Art and Philosophy) 37 59-70. 2010.translation of Arnold Berleant's "Engaging Dewey..."
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15Art as Event: An Aesthetic for the Performing ArtsJournal of Aesthetics and Art Criticism 38 (3): 345-345. 1980.
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35Patricia Sloane, The Visual Nature of Color, Primary Sources: Selected Writings on Color From Aristotle To AlbersJournal of Aesthetics and Art Criticism 51 (3): 518. 1993.
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5Rollo Handy's "The Measurement of Values, Behavioral Science and Philosophical Approaches" (review)Philosophy and Phenomenological Research 32 (4): 573. 1972.
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12Thomas Clifton, Music As Heard: A Study in Applied PhenomenologyJournal of Aesthetics and Art Criticism 42 (3): 345-347. 1984.
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O czym milczą tytuły (translation)Sztuka I Filozofia (Art and Philosophy) 37 118-127. 2010.translation of A. Berleant
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38Objects into Persons: The Way to Social AestheticsEspes 6 (2): 9-18. 2017.This essay traces the steps to social aesthetics. It begins by affirming the central place of sense experience for aesthetics and its refinement in the perceptual acuity of a developed sensibility. This leads to associating aesthetic appreciation with such perceptual experience. Rejecting the identification of disinterestedness with such appreciation, the present paper proposes the full participatory involvement in the experience of appreciation as expressed by the concept of aesthetic engagemen…Read more
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3Prilastitev čutnosti in subverzija lepoteFilozofski Vestnik 36 (1). 2015.Zaradi svoje vsenavzočnosti v izkustvu ima estetska čutnost mnoge manifestacije, tako očitne kot prikrite. Članek preučuje nekatere večinoma skrite načine, v katerih sta okus in estetska sodba, ki se kažeta v čutnem izkustvu, prefinjeno prisvojena in izrabljena. Te postopke opisujem kot prilastitev estetske čutnosti in imajo škodljive posledice za zdravje, družbo in okolje. Omenjene prakse so oblika estetske negacije, ki izkrivlja čutno izkustvo in manipulira z njim, kot je v interesu množičnega…Read more
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Environment and the Arts: Perspectives on Environmental AestheticsEnvironmental Values 13 (1): 121-123. 2004.
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214The persistence of dogma in aestheticsJournal of Aesthetics and Art Criticism 52 (2): 237-239. 1994.By the close of the eighteenth century, many features of Western intellectual history had become incorporated into a coherent body of aesthetic doctrine that soon acquired the standing of tradition. "The three dogmas of aesthetics" is Allen Carlson's fitting designation of the main principles by which I have characterized this theory: that "art consists primarily of objects," that "these objects possess a special status," and that "they must be regarded in a unique way." Held against the practic…Read more
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The Ethical Factor in Business Decisions: Essays toward CriteriaJournal of Business Ethics 2 (1): 69-71. 1983.
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1M. Levich , "Aesthetics and the Philosophy of Criticism" (review)Philosophy and Phenomenological Research 25 (3): 441. 1965.
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18The verbal presence: An aesthetics of literary performanceJournal of Aesthetics and Art Criticism 31 (3): 339-346. 1973.
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189Naturalism and Aesthetic ExperienceJournal of Speculative Philosophy 9 (3). 1995.In my recent book, Art and Engagement (1991), I develop the idea of aesthetic engagement as central to the appreciation of art. The human contribution to the constitution of the "work" of art, I claim, is a critical part of appreciative experience. This contribution, however, is easily misread into the history of the idea of experience that has dominated Western philosophy since the seventeenth century, a history that sees experience as an inner, personal, subjective affair. From this vantage po…Read more
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The Environment as an Aesthetic Paradigm in Art and Philosophy: Mutual Connections and InspirationsDialectics and Humanism 15 (1-2): 95-106. 1988.
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91The Aesthetics of EnvironmentTemple University Press. 1995.Environmental aesthetics is an emerging discipline that explores the meaning and influence of environmental perception and experience on human life. Arguing for the idea that environment is not merely a setting for people but is fully integrated and continuous with us, The Aesthetics of Environment explores the aesthetic dimensions of the human-environmental continuum in both theoretical terms and concrete situations. From outer space to the museum, from architecture to landscape, from city to…Read more
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245The sensuous and the sensual in aestheticsJournal of Aesthetics and Art Criticism 23 (2): 185-192. 1964.