Hugh Benson

While the early Platonic dialogues have often been explored and appreciated for their ethical content, this is the first book devoted solely to the epistemology of Plato's early dialogues. Author Hugh H. Benson argues that the characteristic features of these dialogues- -Socrates' method of questions and answers, his fascination with definition, his professions of ignorance, and his thesis that virtue is knowledge- -are decidedly epistemological. In this thoughtful study, Benson uncovers the model of knowledge that underlies these distinctively Socratic views. What emerges is unfamiliar, yet closer to a contemporary conception of scientific understanding than ordinary knowledge

This broad-ranging _Companion_ comprises original contributions from leading Platonic scholars and reflects the different ways in which they are dealing with Plato’s legacy. Covers an exceptionally broad range of subjects from diverse perspectives Contributions are devoted to topics, ranging from perception and knowledge to politics and cosmology Allows readers to see how a position advocated in one of Plato’s dialogues compares with positions advocated in others Permits readers to engage the debate concerning Plato’s philosophical development on particular topics Also includes overviews of Plato’s life, works and philosophical method

After an introductory discussion primarily aimed to differentiate her approach to reading the Platonic dialogues from the so-called argument-focused approach, Gordon argues that Socratic dialectic—which she understands as “the question and answer depicted in the dialogues between Socrates and the interlocutors”—does not simply aim at uncovering inconsistencies in the interlocutors’ belief sets, but at urging through extra-logical means the interlocutors to live a particular—philosophical—kind of life. Next, she argues via a discussion of reader response theory for the parallelism between Socrates’ relationship with his interlocutors and Plato’s relationship with his readers. Thus, Plato, like Socrates, should be seen as urging his readers through extra-logical means to live a particular life—‘to turn toward philosophy’. The remainder of the book consists of four chapters devoted to discussing the extra-logical means by which Plato accomplishes this urging—his use of dramatic effects, his use of character development, his use of irony, and his use of images. While I presume that Gordon would not object to my parenthetical inclusion of ‘logical’ in the description of her argument, it is clear that the focus of her attention in this book is the extra-logical means.