John Rundell

This article deploys a double conceptual framework. One frame is positioned through the ideas of absolute strangers and outsiders. The other frame develops out of, though is distinct from, the first, and refers to the disaggregated forms of modern citizenship. The citizen-as-absolute-stranger in addition to accruing political rights may also accrue social, economic or identity rights, or traverse wider relations between him or herself and other absolute strangers in either national or international settings. It is in this context that outsiders are configured - aliens who have no national-juridical status

In this essay, Durkheim's work is approached from a double vantage point. One vantage point looks at Durkheim's work with a post-classical attitude that intersects the ontological recasting of the social in the work of Castoriadis. It is in the context of social opening that I will concentrate on Durkheim's work as it presents a model of reflexivity that concentrates on the historical development of the modern period. Durkheim's model of reflexivity also opens onto the other vantage point of political modernity, which is viewed as a particular constellation of the circulation of power, especially in nation-states, open forms of reflexivity, and democracy, in contrast to another political modernity that revolves around closed socially reflexive forms of totalitarianism and terrorism. Durkheim's work can be a fruitful point of departure for an analysis of political modernity because his theorisation occurs in a way that opens onto the historical development of its mode of reflexivity.

This paper approaches the issue of cosmopolitanism from the vantage point of hospitality. The notion of hospitality throws into relief some issues that are at the heart of political cosmopolitanism, but cannot be addressed by it. This is because these issues do not necessarily revolve around the category of the citizen, but around the categories of stranger and outsider. The paper critiques the tendency to conflate the categories of the stranger and the outsider and goes on to argue that the standard cosmopolitan extension of democracy to international contexts risks reproducing the exclusion of “outsiders” by nation-states, even democratic ones

This article develops three interconnected arguments concerning the image of modernity as a revolutionary epoch and the way in which this image has been understood and theorized. These three lines of conceptualization, which can only be sketched in less rather than greater detail here, concern the constellation or figuration of modernity, its democratic dimension, and in reference to each, the work of Max Weber, especially The City. More specifically, the article argues that modern democracy is revolutionary when viewed as an open and self-instituting articulation of political power. Its modern revolutionary impulse begins in the Italian Renaissance city-states, the German `free' cities, and the Swiss federation where urban autonomy was matched by the creation of elected forms of rulership and the development of federated circulations of power