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98The Oxford Handbook of Philosophy of Emotion (edited book)Oxford University Press. 2009.This Handbook presents thirty-one state-of-the-art contributions from the most notable writers on philosophy of emotion today. Anyone working on the nature of emotion, its history, or its relation to reason, self, value, or art, whether at the level of research or advanced study, will find the book an unrivalled resource and a fascinating read
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95Love for a ReasonEmotion Review 2 (1): 61-67. 2010.According to Bob Solomon, love is a human emotion, with a complex intentional structure, having its own kind of reasons. I will examine this account, which, in certain respects, tends to mask the deep and important differences between love and other emotions
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92Review. Paul E Griffiths. What Emotions Really Are: The Problem of Psychological Categories. Chicago and London, University of Chicago Press, 1997 (review)British Journal for the Philosophy of Science 49 (4): 642-648. 1998.
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85The Aesthetic Mind: Philosophy and Psychology (edited book)Oxford University Press. 2011.The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of aesthetics and the experience of art.
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83Emotion, reason and virtueIn Dylan Evans & Pierre Cruse (eds.), Emotion, Evolution, and Rationality, Oxford University Press. pp. 249--267. 2004.
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75Not passion's slave: Emotions and choice, by Robert C. Solomon and from passions to emotions: The creation of a secular psychological category, by Thomas DixonEuropean Journal of Philosophy 15 (1). 2007.
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73Narratives and Narrators: A Philosophy of Stories: Book Reviews (review)British Journal of Aesthetics 51 (3): 335-338. 2011.
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71XII. Narrative and Perspective; Values and Appropriate EmotionsRoyal Institute of Philosophy Supplement 52 201-220. 2003.To the realists.—You sober people who feel well armed against passion and fantasies and would like to turn your emptiness into a matter of pride and ornament: you call yourselves realists and hint that the world really is the way it appears to you. As if reality stood unveiled before you only, and you yourselves were perhaps the best part of it … But in your unveiled state are not even you still very passionate and dark creatures compared to fish, and still far too similar to an artist in love? …Read more
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62Misleading emotionsIn Georg Brun, Ulvi Dogluoglu & Dominique Kuenzle (eds.), Epistemology and Emotions, Ashgate Publishing Company. pp. 149--165. 2008.
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57Life, Fiction, and NarrativeIn Noel Carroll & John Gibson (eds.), Narrative, Emotion, and Insight, Penn State University. pp. 8. 2011.
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53Moral Emotions and Intuitions. By Sabine Roeser. (Basingstoke: Palgrave Macmillan, 2011. Pp. Xvii + 207. Price £55.)Philosophical Quarterly 62 (246): 204-206. 2012.
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51Loss of Affect in Intellectual ActivityEmotion Review 4 (2): 122-126. 2012.In this article I will consider how loss of affect in our intellectual lives, through depression for example, can be as debilitating as loss of affect elsewhere in our lives. This will involve showing that there are such things as intellectual emotions, that their role in intellectual activity is not merely as an aid to the intellect, and that loss of affect changes not only one’s motivations, but also one’s overall evaluative take on the world
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35Compassion: Α Natural, Moral EmotionIn Verena Mayer & Sabine A. Döring (eds.), Die Moralität der Gefühle, De Gruyter. pp. 199-212. 2002.
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32There are reasons and reasonsIn Daniel D. Hutto & Matthew Ratcliffe (eds.), Folk Psychology Re-Assessed, Kluwer/springer Press. pp. 103--114. 2007.
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31The Self and Its Emotions By Kristján Kristjánsson Cambridge University Press, 2010, pp. xiv + 272, £55 HB ISBN: 978052111478-3 (review)Philosophy 87 (1): 137-141. 2012.
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30Book Review: John M. Doris, Lack of Character: Personality and Moral Behaviour (Cambridge: Cambridge University Press, 2002), x + 272 pp. ISBN 0521631165 (hbk). Hardback/ Paperback: £48.00/£16.99 (review)Journal of Moral Philosophy 4 (2): 289-291. 2007.
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27Keith E. Yandell (ed.) Faith and narrative. (Oxford: Oxford university press, 2001). Pp. 271. £35.00 (hbk). ISBN 0 19 5131452 (review)Religious Studies 39 (1): 111-121. 2003.
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27Acknowledgement of external reviewers for 2002Phenomenology and the Cognitive Sciences 2 (95): 151-152. 2003.
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25Narrative and Consciousness: Literature, Psychology, and the BrainBritish Journal of Aesthetics 45 (4): 443-445. 2005.
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24ALLAN, DEREK. Art and the Human Adventure: Andre Malreaux's Theory of Art.(Amsterdam: Rodopi). 2009. pp. 342.£ 64.60 (pbk). BARRETT, ESTELLE and BOLT, BARBARA (eds). Practice as Research: Approaches to Creative Arts Enquiry.(London: IB Tauris). 2010. pp. 224.£ 17.99 (pbk) (review)British Journal of Aesthetics 50 (2): 223. 2010.
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19Understanding Emotions: Mind and MoralsBrookfield: Ashgate. 2002.'Understanding Emotions' presents eight original essays on the emotions from leading contemporary philosophers in North America and the U.K - Simon Blackburn, Bill Brewer, Peter Goldie, Dan Hutto, Adam Morton, Michael Stocker, Barry Smith, and Finn Spicer. Goldie and Spicer's introductory chapter sets out the key themes of the ensuing chapters - surveying contemporary philosophical thinking about the emotions, and raising challenges to a number of prejudices that are sometimes brought to the top…Read more
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18BUSKIRK, MARTHA. Creative Enterprise: Contemporary Art between Museum and Marketplace.(London: Continuum). 2012. pp. 392.£ 22.99 (pbk). CURRIE, GREG; KOATKO, Petr and POKORNY, MARTIN (eds.). Mimesis: Metaphysics, Cognition, Pragmatics.(London (review)British Journal of Aesthetics 52 (4): 439. 2012.
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17Comment on Breithaupt’s “A Three-Person Model of Empathy”Emotion Review 4 (1): 92-93. 2012.Breithaupt’s central claim is that “empathy can be regarded as a mechanism for strengthening a decision” . My concern is that it is not clear what is meant by “strengthen.” Does empathy merely give more motivational “oomph” to a decision already made, or does it strengthen a decision in the normative sense—does it give more reason for the decision?
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8Not Passion's Slave: Emotions and Choice, by Robert C. Solomon and From Passions to Emotions: The Creation of a Secular Psychological Category, by Thomas Dixon (review)European Journal of Philosophy 15 (1): 106-110. 2007.
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5Who's Afraid of Conceptual Art?Routledge. 2009.What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know…Read more
Peter Goldie
Manchester
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ManchesterDepartment Of PhilosophySamuel Hall Chair In Philosophy
Areas of Interest
Philosophy of Mind |
Aesthetics |
Meta-Ethics |