Dan Lloyd

Good research requires, among other virtues,(i) methods that yield stable experimentalobservations without arbitrary (post hoc)assumptions, (ii) logical interpretations ofthe sources of observations, and (iii) soundinferences to general causal mechanismsexplaining experimental results by placing themin larger explanatory contexts. In TheNew Phrenology , William Uttal examines theresearch tradition of localization, and findsit deficient in all three virtues, whetherbased on lesion studies or on new technologiesfor functional brain imaging. In this paper Iconsider just the arguments concerning brainimaging, especially functional MagneticResonance Imaging. I think that Uttal is tooharsh in his methodological critique, butcorrect in his assessment of the conceptuallimitations of localist evidence. I proposeinstead a data-driven test for assessingrelative modularity in brain images, and showits use in a secondary analysis of fMRI datafrom the National fMRI Data Center(www.fmridc.org). Although the analysis is alimited pilot study, it offers additionalempirical challenge to localism

In lieu of an abstract, here is a brief excerpt of the content:Commentary on “Towards a Design-Based Analysis of Emotional Episodes”Dan Lloyd (bio)To think about grief is to think about many things. My one-year-old daughter was practicing opening and closing a cabinet door as I puzzled over a response to Wright, Sloman, and Beaudoin’s “Toward a Design-Based Analysis of Emotional Episodes.” She was completely absorbed in her project, and as I watched my elf at her task, I thought about the voices of loss that speak briefly in section 3.1. How terrible it would be to lose a loved one. With that, I was overcome with a pang of love for my daughter, and further thought about the paper ceased.In the authors’ terms, my feelings about my daughter were “perturbances,” states that interfered with the internal management of my thought process, derailing it from the deliberate project of responding to the paper. Reading and thinking about loss activated the attachment structures involving those whose loss would be most devastating to me. The activation of the attachment structure was my episode of intense feeling, arising in me with an insistence level that temporarily exceeded my academic pursuits. The whole sequence of mental events arose through the interaction of major processes of perception, beliefs, “motivators,” plans, self-monitoring, and global control. The mind, according to the authors, is a collection of such processes.Is that all there is? The familiar objection to this brand of functionalist analysis is that it leaves out the most important part of mind, namely, conscious experience. Such an “architecture” for an “intelligent agent” is at best a simulation of some aspects of cognition, but the feelings, the moods, the subjective what-it-is-like of experience are missing. And without them, say the familiar critics, the mind is missing. The authors are naturally aware of this objection, and are careful to hedge their project: “In our discussion the ‘phenomenological problem’ is factored out and placed to one side.”I wonder, however, whether the authors are too quick to concede that their model omits the phenomenal. The symptoms of grief expressed by its sufferers would all be considered reports of the experience of grief, aspects of its phenomenology. The authors use these reports to guide their analysis of the functional processes of grief, and their analysis in turn explains why the grievers experience their losses as they do. Functionalist psychologists usually base their analyses on strictly observable responses obtained in cognitive psychology experiments. In using first-person reports as their guide, the authors inaugurate a promising union of phenomenology and functionalism. After their treatment of grief, the left over and left out phenomenology is noticeably slimmer.What remains of grief is its pain. In the spirit [End Page 127] of the paper, I will close with a brief speculative extension of the authors’ approach, using it to examine the core of the experience of grief. Like physical pain, emotional pain is curiously resistant to description, and not even easy to remember. (One remembers that one was in pain, and that it was hateful, but such reminiscences are faint shadows of the experience itself.) Though its phenomenology is elusive, pain has a clear function. It is aversive. As the authors note, pain involves “dispositions to terminate or reduce some state or process.” In their terms, pain is a motivator with a very high insistence level. Motivators motivate plans, and an aversive motivator would principally motivate a plan to remove the cause of the pain. However, grief and other chronic emotional pains are marked by irremediability. There can be no plan that replaces the loss, only fantasy plans or reversions to infant strategies of last resort (like crying). Within the cognitive architecture proposed by this paper, emotional pain is thus characterized by a collision of two processes, a highly insistent motive meeting a vacuum where a plan should be. The unanswered insistence would make the collision hateful, while the absent plan would leave a state partly without intentional content, and thus hard to describe or remember. This breakdown, arguably, is the pain—an emergent state or states arising in just this sort of wrenching bind.The traditional critic will insist that the painfulness...

According to Aristotle, "to be learning something is the greatest of pleasures not only to the philosopher but also to the rest of mankind," (Poetics 1448b). But even as he affirms the unbounded human capacity for integrating new experience with existing knowledge, he alludes to a significant exception: "The sight of certain things gives us pain, but we enjoy looking at the most exact images of them, whether the forms of animals which we greatly despise or of corpses." Our capacity for learning is happily engaged in viewing representations of painful objects, but not, it seems, in viewing the objects themselves. When an experience is intensely painful, what then is a rational animal to do? We can neither disable our learning process, nor erase its traces. In the face of intense pain, horror, or terror, learning and remembrance cause no pleasure but rather persistent psychological pain and disruption. The memorious mind reverberates with trauma

Our heads are full of representations, according to cognitive science. It might seem inevitable that conscious states are a type of brain-based representation, but in this paper I argue that representation and consciousness each form conceptually distinct domains. Representational content depends on context, usually causal, as shown by familiar cases in which context varies while brain states do not -- twin earth cases and brains-in-vats, for example. But these same cases show that conscious content does not depend on context. The vatted brain, for example, enjoys the same experiences as its in vivo counterpart. The structure of experience -- its parts and their distinctive characters -- is the dynamic structure of the brain, viewed "from within." I call this position methodological phenomenalism (MP), and consider its prospects as a foundation for a science of consciousness. I close with a consideration of MP on the subjective "character" of conscious states. Turning away from representation dissolves the perplexity of subjectivity, leaving hopeful prospects for the scientific study of consciousness

It wasn't that hard to be a polymath in ancient Greece. All it meant, when you come down to it, was that you could write a poem, speak classical Greek (not very difficult in the circumstances) and understand the mechanics of the Archimedes' screw. Today it's not so easy. Arts and sciences have, for the most part, diverged to an alarming extent, with those on the arts side likely to be as hard-pressed to explain the technologies that increasingly govern our world as a member of a "lost" tribe in the Brazilian rainforest.

To william james, conscious life was a stream; to Edmund Husserl, a flow. These metaphors point to the marvelous continuity of experience as it weaves through the world of thought and things. We might similarly talk about the flow of the body, as I reach for my cup of coffee. A physiologist could decompose the action, isolating the contribution of each muscle and joint to the whole. This functional analysis would constitute one form of explanation of the movement. As we replace "I grab the cup" with the physiologist's account, there is a shift in level of description and a turn toward underlying processes, but the physiologist has added nothing to nature. Explanation of this sort, functional reduction, is simply a ..

Context: Neurophenomenology lies at a rich intersection of neuroscience and lived human experience, as described by phenomenology. As a new discipline, it is open to many new questions, methods, and proposals. Problem: The best available scientific ontology for neurophenomenology is based in dynamical systems. However, dynamical systems afford myriad strategies for organizing and representing neurodynamics, just as phenomenology presents an array of aspects of experience to be captured. Here, the focus is on the pervasive experience of subjective time. There is a need for concepts that describe synchronic (parallel) features of experience as well as diachronic (dynamic) structures of temporal objects. Method: The paper includes an illustrative discussion of the role of temporality in the construction of the awareness of objects, in the tradition of Husserl, James, and most of 20th century phenomenology. Temporality illuminates desiderata for the dynamical concepts needed for experiment and explanation in neurophenomenology. Results: The structure of music – rather than language – is proposed as a source for descriptive and explanatory concepts in a neurophenomenology that encompasses the pervasive experience of duration, stability, passing time, and change. Implications: The toolbox of cognitive musicology suddenly becomes available for dynamical systems approaches to the neurophenomenology of subjective time. The paper includes an illustrative empirical study of consonance and dissonance in application to an fMRI study of schizophrenia. Dissonance, in a sense strongly analogous to its acoustic musical meaning, characterizes schizophrenia at all times, while emerging in healthy brains only during distracting and demanding tasks. Constructivist content: Our experience of the present is a continuous and elaborate construction of the retention of the immediate past and anticipation of the immediate future. Musical concepts are almost entirely temporal and constructivist in this temporal sense – almost every element of music is constructed from relations to non-present musical/temporal contexts. Musicology may offer many new constructivist concepts and a way of thinking about the dynamical system that is the human brain

Accounting for phenomenal structure—the forms, aspects, and features of conscious experience—poses a deep challenge for the scientific study of consciousness, but rather than abandon hope I propose a way forward. Connectionism, I argue, offers a bi-directional analogy, with its oft-noted “neural inspiration” on the one hand, and its largely unnoticed capacity to illuminate our phenomenology on the other. Specifically, distributed representations in a recurrent network enable networks to superpose categorical, contextual, and temporal information on a specific input representation, much as our own experience does. Artificial neural networks also suggest analogues of four salient distinctions between sensory and nonsensoty consciousness. The paper concludes with speculative proposals for discharging the connectionist heuristics to leave a robust, detailed empirical theory of consciousness.

& Functional brain imaging offers new opportunities for the begin with single-subject (preprocessed) scan series, and study of that most pervasive of cognitive conditions, human consider the patterns of all voxels as potential multivariate consciousness. Since consciousness is attendant to so much encodings of phenomenal information. Twenty-seven subjects of human cognitive life, its study requires secondary analysis from the four studies were analyzed with multivariate of multiple experimental datasets. Here, four preprocessed methods, revealing analogues of phenomenal structures, datasets from the National fMRI Data Center are considered: particularly the structures of temporality. In a second Hazeltine et al., Neural activation during response competi- interpretive approach, artificial neural networks were used tion; Ishai et al., The representation of objects in the human to detect a more explicit prediction from phenomenology, occipital and temporal cortex; Mechelli et al., The effects of namely, that present experience contains and is inflected by presentation rate during word and pseudoword reading; and past states of awareness and anticipated events. In all of 21 Postle et al., Activity in human frontal cortex associated with subjects in this analysis, nets were successfully trained to spatial working memory and saccadic behavior. The study of extract aspects of relative past and future brain states, in consciousness also draws from multiple disciplines. In this comparison with statistically similar controls. This exploratory article, the philosophical subdiscipline of phenomenology study thus concludes that the proposed methods for provides initial characterization of phenomenal structures ‘‘neurophenomenology’’ warrant further application, includ- conceptually necessary for an analysis of consciousness. These ing the exploration of individual differences, multivariate structures include phenomenal intentionality, phenomenal differences between cognitive task conditions, and explora- superposition, and experienced temporality..