Catherine Wilson

It is an honor to have been given the opportunity by the editor to reply to J.A. Cover’s review of Leibniz’s Metaphysics, and to have a chance to revisit, five years after the book’s publication, the still-active battleground of intrinsic and extrinsic properties, the extensionality and intensionality of perception, and the reality of aggregates and to say more, a little informally perhaps, about about some methodological questions in Leibniz scholarship. Cover’s review when it appeared gave me a great deal of pleasure because he addressed sharply and directly exactly the central issues, in a way which was not in the least distanziert, and defended several alternative critical positions concisely and eloquently.

Locke's insistence on the limits of knowledge and the ‘mediocrity’ of our epistemological equipment is well understood; it is rightly seen as integrated with his causal theory of ideas and his theory of judgment. Less attention has been paid to the mediocrity theme as it arises in his theory of moral agency. Locke sees definite limits to human willpower. This is in keeping with post-Puritan theology with its new emphasis on divine mercy as opposed to divine justice and recrimination. It also reflects his view that human beings are essentially material machines.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.1 (2003) 21-39 [Access article in PDF] Capability and Language in the Novels of Tarjei Vesaas Catherine Wilson I THOUGH RELATIVELY UNKNOWN to English-speaking readers, Tarjei Vesaas (1897-1970) is recognized as one of the great Scandinavian novelists and literary innovators of the last century. His oeuvre is substantial, extending to thirty-four volumes published between 1923 and 1966, many of them translated into English and European languages. He was one of four nominees for the 1964 Nobel Prize in literature, and he received a number of other awards and citations in the course of his life. At the same time, his work has failed almost entirely to generate a secondary literature going beyond plot summary, stylistics, and moral approval, and even that literature remains strongly regionalized. 1 Vesaas wrote in nynorsk or "New Norwegian," the minority language of the country created from south-central dialects and distinct from the official, bureaucratic bokmal. He settled permanently on a farm in the remote Telemark district of Norway and assumed no role in European culture as critic or essayist, refusing to discuss his own work in literary or philosophical terms. As a result, analytic and comparative studies have proved difficult to launch.The present essay is intended to provide one such analytical study, addressed specifically to the philosophical themes of ethical resignation, the precariousness of communication, and inwardness. These are familiar themes in twentieth-century literature. In his study of the "literary conquest of the void," R. M. Adams shows how Moravia, Musil, and Beckett amongst others make use of devices of paralysis, immobility, exhaustion, and incomprehension that have their origins in the romantic literature of the nineteenth century, notably in Baudelaire [End Page 21] and Gogol. 2 Literary modernism rejected certain nineteenth-century conventions of plot and character, but did not abandon the fascination of the preceding century with nihilistic themes. Vesaas's work demands to be read in this literary context. The novels, at once semirealistic and highly stylized, deal almost exclusively with rural people and their struggles against the elemental forces of nature. The main characters are often children and adolescents who suffer some degree of helplessness. Simple contrasts are posed: warmth and cold; loss and retrieval, childbirth and death. Agricultural cycle motifs abound. The choice of protagonists and the dominance of vitalistic and biological themes pose the threat of sentimentality and preciousness, but it is avoided by the ubiquity of devastation and destruction in the moral landscape. According to Randi Brox's note in the Dictionary of Scandinavian Literature, the early novels in particular "advocate as the highest goal in life an accepting, contented attitude toward the human condition." 3This judgment reflects what might be termed a judicial-theological picture of fiction. On this view, a novel constitutes a testing ground for discovering what sort of world we live in and what pursuits are possible and worthwhile. Various alternatives are set up as hypotheses, and novels prove and disprove them through narrative demonstrations of the causal effects of adopting them. False theories of the human world and untenable values are subject to refutation. This template is surprisingly useful, not only with respect to the nineteenth-century novel, with its apparent tendency to confident judgment, but even to modern fiction. Moravia, for example, can be seen to be awarding divergent roles to characters and allowing the qualities they represent to struggle for supremacy. 4Yet poststructuralist and postmodernist criticism have cast doubt on the notion that, to the extent that they are important, such contests can ever be decided, and it is increasingly clear that the greatest nineteenth-century novelists, Hardy and Eliot, did not regard the hierarchy of values as settled and demonstrable. Persons, we are coming to understand, are more plausibly seen as sites of conflict; thus fictional representations of persons are repositories of opposing values. Vesaas's novels reflect such an understanding of persons and values, and so the judicial-theological template is inapplicable.The critical view that Vesaas's novels are essentially instructions in adaptation is untenable, because the goal of...

This paper discusses the significance for the philosophy of perception and aesthetics of certain productions of the ‘offline brain’. These are experienced in hypnagogic and other trance states, and in disease- or drug-induced hallucination. They bear a similarity to other visual patterns in nature, and reappear in human artistry, especially of the craft type. The reasons behind these resonances are explored, along with the question why we are disposed to find geometrical complexity and ‘supercolouration’ beautiful. The paper concludes with a plea on behalf of neuroaesthetics, but with a caution or two.

The paper is adressed to Michael Levin's recent Philosophy article ‘Natural Submission, Aristotle on.’ Levin argues that rule by the naturally dominant is for the best and that the naturally submissive ought to accept it as just and even inevitable. I point out some confusions in his attempt to link merit-conferring traits in individuals with social and political dominance and question his conceptions of human welfare, inferiority, and criminality. Certain combinations of competence and forcefulness arise in real-world settings, and they produce a range of outcomes not all of which are either inevitable or desirable.

Margaret Wilson, who died last year, has been described as the most eminent English-language historian of early modern philosophy of her generation. She was President of the Leibniz Society of North America for four years, from 1986 to 1990. Within this organization she is remembered both for her contributions to Leibniz-studies and for her attention to and support of younger researchers and her governing role in the Society. Her Harvard Ph.D. dissertation on “Leibniz’s Doctrine of Necessary Truth,” written under the supervision of Morton White, was completed in 1965, and she went on to write a number of papers on Leibniz in the late 1960s and early-to-mid 1970s, including “Leibniz and Materialism,” “Confused Ideas” and “Leibniz’s Dynamics and Contingency in Nature,” returning to Leibniz in the late 1980s and early 1990s with such articles as “Compossibility and Law” and “The Phenomenalisms of Leibniz and Berkeley. ” Over the course of her career, Wilson published two books, her dissertation, which appeared in a series issued by Garland in 1990, and Descartes, published by Routledge and Kegan Paul in 1978, as well as more than thirty papers on seventeenth and eighteenth century philosophy, nearly all of which are included in the recent volume from Princeton University Press, Ideas and Mechanism. She held a number of research awards and honorary fellowships, including a Fellowship in the American Academy of Arts and Sciences to which she was elected in 1992.

Leibniz entertained the idea that, as a set of “striving possibles” competes for existence, the largest and most perfect world comes into being. The paper proposes 8 criteria for a Leibniz-world. It argues that a) there is no algorithm e.g., one involving pairwise compossibility-testing that can produce even possible Leibniz-worlds; b) individual substances presuppose completed worlds; c) the uniqueness of the actual world is a matter of theological preference, not an outcome of the assembly-process; and d) Goedel’s theorem implies that there can be no algorithm for producing optimal worlds, assuming an optimal world contains truth-discerning creatures, though this is not to say that such worlds cannot arise naturally.

ABSTRACTHume was not a philosopher famed for what are sometimes called ‘ontological commitments'. Nevertheless, few contemporary scholars doubt that Hume was an atheist, and the present essay tenders the view that Hume was favourably disposed to the 'vital materialism' of post-Newtonian natural philosophers in England, Scotland and France. Both internalist arguments, collating passages from a range of Hume's works, and externalist arguments, reviewing the likely sources of his knowledge of ancient materialism and his association with his materialistic contemporaries are employed.

Moral psychology studies the features of cognition, judgement, perception and emotion that make human beings capable of moral action. Perspectives from feminist and race theory immensely enrich moral psychology. Writers who take these perspectives ask questions about mind, feeling, and action in contexts of social difference and unequal power and opportunity. These essays by a distinguished international cast of philosophers explore moral psychology as it connects to social life, scientific studies, and literature

Metaethics from a First Person Standpoint addresses in a novel format the major topics and themes of contemporary metaethics, the study of the analysis of moral thought and judgement. Metathetics is less concerned with what practices are right or wrong than with what we mean by 'right' and 'wrong.' Looking at a wide spectrum of topics including moral language, realism and anti-realism, reasons and motives, relativism, and moral progress, this book engages students and general readers in order to enhance their understanding of morality and moral discourse as cultural practices. Catherine Wilson innovatively employs a first-person narrator to report step-by-step an individual's reflections, beginning from a position of radical scepticism, on the possibility of objective moral knowledge. The reader is invited to follow along with this reasoning, and to challenge or agree with each major point. Incrementally, the narrator is led to certain definite conclusions about 'oughts' and norms in connection with self-interest, prudence, social norms, and finally morality. Scepticism is overcome, and the narrator arrives at a good understanding of how moral knowledge and moral progress are possible, though frequently long in coming. Accessibly written, Metaethics from a First Person Standpoint presupposes no prior training in philosophy and is a must-read for philosophers, students and general readers interested in gaining a better understanding of morality as a personal philosophical quest."--Publisher's website.

This is an essay review of Ted Honderich's recently published autobiography. Treating the work as both a study of philosophical and political culture in the second half of the twentieth century and as an exercise in self-evaluation, the reviewer discusses the problems of truth and explanation in narrative and the issues of professional and sexual morality raised by the narrative. Honderich's account is assessed as credible, illuminating, and well-written, even as questions are raised concerning the consistency of his political beliefs.

Reversing centuries of methodological caution and skepticism, philosophers have begun to explore the possibility that experience in some form is widely distributed in the universe. It has been proposed that consciousness may pertain to machines, rocks, elementary particles, and perhaps the universe itself. This paper shows why philosophers have good reason to suppose that experiences are widely distributed in living nature, including worms and insects, but why panpsychism extending to non-living nature is an implausible doctrine.

This article examines the shift in the concept of realism and relativism in ethics in early modern Europe. It suggests that the problem of the nature and foundations of moral rightness and moral obligation became visible to philosophers of the early modern period as they began to reconsider the problems of error, superstition, and illusion to question traditional authorities and to devote attention to scientific methodology and the logic of discovery. It contends that the doctrine that qualities are perceiver-relative, combined with an increased awareness of other ages and cultures, made moral relativism an attractive position, even while its less attractive implications were grasped at the same time.