Christopher Janaway

The central claim of Schopenhauer's metaphysics is that the thing in itself is will. He arrives at this by way of an observation about self‐knowledge: I can know myself only as willing or active, not as subject of knowledge. He claims that this unique knowledge gives access to my essence, and moves from this to the claim that the world in itself is will, of which the plurality of empirical things is an objectification. The chapter examines the problem of knowing the thing in itself at all. It is argued that Schopenhauer's conception of the thing in itself as will is a response to questions familiar in post‐Kantian philosophy, and there is a brief comparison with Schelling's conceptions of will and nature.

Addresses the question of the relevance of Schopenhauer's philosophy to a present‐day audience. Schopenhauer raises questions concerning I‐thoughts, in which one makes ascriptions to oneself without needing to identify oneself as an object in the world. He also provides a prototype of the thought that the ‘I’ cannot be conceived wholly as a disembodied or transcendental pure subject, but must be an active and embodied agent. Schopenhauer's dichotomy of subjective and objective viewpoints is argued to be parallel to the conceptions developed by Thomas Nagel.

Kant's central contribution to theoretical philosophy was the position he called ‘transcendental idealism’. Schopenhauer also adopted transcendental idealism, though he wanted to modify Kant's position considerably, as evidenced in his long ‘Critique of the Kantian Philosophy’ appended to The World as Will and Representation. This chapter outlines Kant's idealism, comparing it with the idealism of Berkeley, examining the limitation of knowledge to appearances as opposed to the thing in itself, and the a priori principles that govern the world of empirical objects. Schopenhauer's often critical reception of these notions is emphasized, against the background of problems with transcendental idealism that had been raised by Kant's immediate successors.

Outlines the ways in which Schopenhauer alleges that value is to be attained by an escape from or denial of the will that is our essence. Schopenhauer's pessimism involves a negative assessment of the life of insatiable striving and egoism to which the will condemns the individual. Aesthetic experience provides an escape into a will‐less state of consciousness. Ethics is founded on the recognition that individuation is basically illusory and egoism an erroneous impulse to action. Finally, Schopenhauer speaks of a mystical vision in which one does not distinguish oneself as an individual from the whole, a state in which one reaches denial of the will.

Gives an account principally of Schopenhauer's essay On the Freedom of the Human Will. He argues that human willing is determined by the combination of motives and the character of the agent. Self‐consciousness is not capable of deciding whether or not the agent could have willed otherwise, but an objective view dictates that all actions are necessitated by their cause. Despite this, Schopenhauer argues that our sense of being responsible for our actions remains, and he attempts to account for it in terms of a responsibility for our intelligible characters.

This book brings together fourteen of the author’s essays on the philosophy of Schopenhauer and Nietzsche, all but one previously published in journals or scholarly collections. They illuminate central philosophical issues in Nietzsche and Schopenhauer—the death of God, the meaning of existence, suffering, compassion, the will, Christian values, the affirmation or negation of life. Some of the essays concern Schopenhauer in his own right, focusing on his concept of will to life, an underlying drive which constitutes our inner essence, but which traps us in self-centred desire, a wrong identification of our true self with the human individual, an egoistic conception of the good, conflict with other beings, and an existence pervaded by suffering. Opposed to the will to life stands everything of real value: art, morality, and the kind of redemption from suffering recognized by mystics from several of the world’s religions. Other essays discuss Nietzsche’s critical responses to Schopenhauer, and his own challenging views on related topics. For Nietzsche, morality is a questionable phenomenon and egoism is wrongly maligned; suffering is an enhancement of life, and the attempt to eliminate it is impoverishing; art is full, not drained, of willing; the world religions and the whole idea of being saved from our life are symptoms of a malaise from which modern culture has somehow to recover. The book also features discussions of the reception of Schopenhauer by two contemporaries of Nietzsche, Richard Wagner and the analyst of pessimism, Olga Plümacher.

The article examines two claims made by Antoine Panaïoti: (1) That both Nietzsche and Buddhists denounce the self as a misleading fiction. (2) That Buddhist compassion is close to a “compassion of strength” that Nietzsche approves. This article agrees with (1) and disagrees with (2). The descriptive metaphysical commitments of Nietzsche and Buddhism are subordinate to their divergent normative projects. Both reject a single, enduring, and independent self; but where Mahāyāna Buddhism advocates care or compassion toward all sentient beings, Nietzsche questions the value of compassion, holding that suffering is not bad in itself. Some recent commentators suggest that a text by the Buddhist philosopher Śāntideva offers an argument from “no‐self” to universal compassion. Nietzsche disputes this connection; and Śāntideva's Madhyamaka position, in which nothing has an intrinsic nature, cannot easily counter Nietzsche's claim that suffering is not intrinsically bad. Nietzsche's privileging of states of “becoming,” “discovering,” or “creating” oneself sets him deeply at odds with Buddhism. For Buddhists the fundamentally problematic attitude is a pre‐theoretical sense of self, “egoism,” or “self‐grasping” which is at the root of human craving. Agreeing with the philosophical claim that there is no self is not sufficient to dispel this pre‐theoretical orientation.

ABSTRACT This article reappraises some aspects of Alexander Nehamas's Nietzsche: Life as Literature. It recognizes as strengths of the book Nehamas's emphasis on Nietzsche's mode of writing and his idea that unified selfhood is an exceptional state that is achieved rather than given. However, it takes issue with the claim that Nietzsche holds a superessentialist view of the self. That view is not clearly supported by textual evidence, does not follow from Nietzsche's regarding the self as simply a sequence of experiences and actions, and is not required in order to explain the “all-or-nothing” requirement of the eternal recurrence. The article argues further that unified selfhood cannot be accounted for solely on the model of literary character, given what is now generally recognized as Nietzsche's naturalistic psychology of drives. However, the Nietzschean self need not be viewed as immutable and is amenable to the influence of culture and consciousness in ways that may encourage a positive account of becoming a unified self.

Reading Philosophy: Selected Texts with a Method for Beginners, Second Edition, provides a unique approach to reading philosophy, requiring students to engage with material as they read. It contains carefully selected texts, commentaries on those texts, and questions for the reader to think about as she reads. It serves as starting points for both classroom discussion and independent study. The texts cover a wide range of topics drawn from diverse areas of philosophical investigation, ranging over ethics, metaphysics, epistemology, philosophy of mind, aesthetics, and political philosophy. This edition has been updated and expanded. New chapters discuss the moral significance of friendship and love, the subjective nature of consciousness and the ways that science might explore conscious experience. And there are new texts and commentary in chapters on doubt, self and moral dilemmas.

Olga Plümacher (1839–1895) published a book entitled Der Pessimismus in Vergangenheit und Gegenwart in 1884. It was an influential book: Nietzsche owned a copy, and there are clear cases where he borrowed phraseology from Plümacher. Plümacher specifies philosophical pessimism as comprising two propositions: ‘The sum of displeasure outweighs the sum of pleasure’ and ‘Consequently the non-being of the world would be better than its being’. Plümacher cites Schopenhauer as the first proponent of this position, and Eduard von Hartmann as the thinker who has developed it to its fullest potential. She heavily criticizes Schopenhauer in many respects, not for being a pessimist, but rather for not achieving as good a pessimism as he might have done, on the following major grounds: that his account of pleasure as merely privative is implausible, that he has a confused account of individuation, that his retention of a Christian notion of guilt is gratuitous, that he lapses into the self-pitying subjectivity of the condition she calls Weltschmerz, and that his philosophy leads to quietism, and is thus inferior to von Hartmann’s combination of pessimism and optimism, which allows for social progress.

The article argues for the following interpretation of Plato's dialogue Ion. (1) the dialogue is designed primarily to refute Ion's claims to knowledge in his discourse about Homer—i.e. in his role as critic or eulogist of Homer; (2) as regards the rhapsode as performer and as regards the poet, it is especially the fineness of their output that cannot be explained by way of techne; and (3) Plato genuinely assumes the existence of poetic and rhapsodic technai. Points (2) and (3) are compatible. It is merely that excercising a techne is not the basis of artistic success (as we would now call it). The article argues that this reading gives the dialogue greater unity and philosophical plausibility than readings that deny any techne at all to either rhapsode or poet.

First published in 1818, The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion, in an attempt to account for the world in all its significant aspects. It gives a unique and influential account of what is and is not of value in existence, the striving and pain of the human condition and the possibility of deliverance from it. This translation of the first volume of what later became a two-volume work reflects the eloquence and power of Schopenhauer's prose and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names and bibliography, and succinct editorial notes, including notes on the revisions of the text which Schopenhauer made in 1844 and 1859.

This essay is one of ten contributions to a special editorial feature in The Journal of Nietzsche Studies 49.2 (Autumn 2018), in which authors were invited to address the following questions: What is the future of Nietzsche studies? What are the most pressing questions its scholars should address? What texts and issues demand our urgent attention? And as we turn to these issues, what methodological and interpretive principles should guide us? The editorship hopes this collection will provide a starting point for discussions about the most fruitful directions for Nietzsche scholarship to take and the most promising avenues for building on the best recent work.

The purpose of the Cambridge Edition of the Works of Schopenhauer is to offer translations of the best modern German editions of Schopenhauer's work in a uniform format for Schopenhauer scholars, together with philosophical introductions and full editorial apparatus. The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion. This second volume was added to the work in 1844, and revised in 1859. Its chapters are officially 'supplements' to the first volume, but are indispensable for a proper appreciation of Schopenhauer's thought. Here we have his most mature reflections on many topics, including sex, death, conscious and unconscious desires, and the doctrines of salvation and liberation in Christian and Indian thought. Schopenhauer clarifies the nature of his metaphysics of the will, and synthesizes insights from a broad range of literary, scientific and scholarly sources. This new translation reflects the eloquence and power of Schopenhauer's prose, and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names, bibliography, and succinct editorial notes.

The editors of Nietzsche as a Scholar of Antiquity claim with some justification that few philosophers, and even fewer classicists, have "taken the time to understand [Nietzsche] on his own terms as a scholar of antiquity". "Our primary aim," Jensen and Heit say, "is to show not how Nietzsche's earlier works on antiquity help us to understand Nietzsche, but how they may improve our understanding of antiquity." The contributions vary quite widely in style and quality, and I shall suggest that not every contribution to the collection succeeds in that stated primary aim.