Stephen Mumford

The voluntary suspension of play is a putative fair play norm that has emerged in the last 20 years in association football, though there is no reason in principle why it is limited to that sport. It occurs in football when an injury appears to have been sustained and another player deliberately puts the ball out of play so that the injury can receive rapid attention. It is widely understood as a positive development within the sport and philosophers have added their support on the basis that VSP is a way of players exercising autonomous moral responsibility. It is represented as a case of athletes putting care for their competitors before care for the contest. In this paper, however, it is argued that moral praise for VSP is misplaced. Attempts to induce a VSP almost always occur when a team is seeking to hold a position within a game. As a delaying tactic, it encourages the faking of injuries, which is all the more reprehensible because it exploits someone else's concern for that apparent injury. Conditions for the possibility of VSP within a sport are analysed as well as conditions for the abuse of VSP. VSP occurs because of a loophole, and ways in which this can be closed are presented. In an appendix, some initial empirical evidence is presented that backs the evaluative claims of the paper

There are many ways that we can watch sport but not all of them are philosophically interesting. One can watch it enthusiastically, casually, fanatically or drunkenly. One might watch only because one has bet on the outcome. Some watch a friend or relative compete and have a narrow focus on one individual's performance. A coach or scout on the lookout for new talent may have completely different interests to a supporter of a team. But what of the ways of watching sport that are of philosophical interest?

This paper contains a consideration of the notion of genius and its significance to the discussion of the aesthetics of sport. We argue that genius can make a positive aes- thetic contribution in both art and sport, just as some have argued that the moral content of a work of art can affect its aesthetic value. A genius is an exceptional inno- vator of successful strategies, where such originality adds aesthetic value. We argue that an original painting can have greater aesthetic value than an exact replica, merely because it is the original. By parity of reasoning, a successful innovation in sport has additional aesthetic value just because it is a new creation. The genius is one who can provide this extra aesthetic pleasure and on that basis is rightly valued. The genius need not be conscious of how they achieve such innovations and thus find their own genius to be something they cannot explain but only demonstrate. In sport, innova- tions that offer new ways of playing or solving problems can produce competitive success which demands instant recognition and rewards

What is the connection between dispositions and ethics? Some might think very little and those who are interested in dispositions tend to be metaphysicians whose interests are far from value. However, we argue in this paper that dispositions and dispositionality are central to ethics, indeed a precondition. Ethics rests on a number of notions that are either dispositional in nature or involve real dispositions or powers at work. We argue for a dispositional account of value that offers an alternative to the traditional fact-value dichotomy. We explain the place of value within a structure that explains the possibility of ethics. Elsewhere in this structure, we argue that moral responsibility is a precondition for ethics and that it is a dispositional notion depending critically on what Mumford and Anjum have called the dispositional modality. Moral responsibility in turn depends on there being both agency and normativity. We argue that intentionality and agency are preconditions for agency and that value is a precondition of normativity. All these notions are dispositional and make best sense if there are real dispositions or causal powers of agents.

Sport is a producer of both emotional and aesthetic experiences. But how do these relate? Does a spectator’s emotional engagement in sport enhance or hinder it as an aesthetic experience? And does the aesthetic perception of sport enhance or hinder the emotional experiences? These questions will be addressed with particular reference to the distinction that can be drawn between partisan and purist watchers of sport, and making use of thinking in contemporary aesthetics and philosophy of emotion. There are some reasons to think that emotion and aesthetics pull in opposite directions, in both sport and wider life. Does a purist miss out on the essence of sport if they adopt a detached aesthetic attitude? If that were the case, it would suggest that the sports spectator might have to choose between the two: experiencing one or the other but not both at the same time. Emotions and aesthetics would be a trade-off but I argue for some significant exceptions to this conclusion.

SummaryThere are two rival ways in which events in the world can be explained: the covering law way and the dispositionalist way. The covering law model, which takes the law of nature as its fundamental explanatory unit, faces a number of renown difficulties. Rather than attempt to patch up this approach, the alternative dispositionalist strategy is recommended. On this view, general facts are dependent upon particular facts about what things do, rather than vice versa. This way of viewing the world is not only more intuitive but also handles some of the notorious problems faced by laws; such as those of probabilistic and unrealized facts. The dispositionalist strategy faces its own difficulties of explaining generality and contingency of behaviour. It is shown, however, that at least these difficulties should not dissuade the dispositionalist. The prospects for a convincing dispositionalist ontology to replace one based on laws of nature are thus healthy.

This paper has three aims. First, I aim to stress the importance of the issue of the dispositional/categorical distinction in the light of the evident failure of the traditional formulation, which is in terms of conditional entailment. Second, I consider one radical new alternative on offer from Ullin Place: intentionality as the mark of the dispositional. I explain the appeal of physical intentionality, but show it ultimately to be unacceptable. Finally, I suggest what would be a better theory. If we take disposition ascriptions to be functional characterizations of properties, then we can explain all that was appealing about the new alternative without the unacceptable consequences

Medically unexplained symptoms (MUS) remain recalcitrant to the medical profession, proving less suitable for homogenic treatment with respect to their aetiology, taxonomy and diagnosis. While the majority of existing medical research methods are designed for large scale population data and sufficiently homogenous groups, MUS are characterised by their heterogenic and complex nature. As a result, MUS seem to resist medical scrutiny in a way that other conditions do not. This paper approaches the problem of MUS from a philosophical point of view. The aim is to first consider the epistemological problem of MUS in a wider ontological and phenomenological context, particularly in relation to causation. Second, the paper links current medical practice to certain ontological assumptions. Finally, the outlines of an alternative ontology of causation are offered which place characteristic features of MUS, such as genuine complexity, context-sensitivity, holism and medical uniqueness at the centre of any causal set-up, and not only for MUS. This alternative ontology provides a framework in which to better understand complex medical conditions in relation to both their nature and their associated research activity

There has been much discussion of powers or real dispositions in the past decade, but there remains an issue that has been inadequately treated. This concerns the precise modal value that comes with dispositionality. We contend in this paper that dispositionality involves a non-alethic, sui generis, irreducible modality. Dispositions only tend towards their manifestations; they do not necessitate them. Tendency is, of course, a dispositional term itself, so this last statement offers little by way of illumination. But given our thesis on the irreducible nature of dispositionality, we maintain that it cannot be explicated correctly in non-dispositional terms. Nevertheless, we all have experience of dispositionality at work, through the exercise or our own powers and the action of other powers upon us. The notion of dispositionality that we acquire is one that involves a modality stronger than pure contingency but weaker than necessity. The recognition of this distinct modal value for dispositionality is one of the biggest oversights in the growing literature in the area. Yet it is there for all to see in even the most mundane example.

I develop a metaphysical position that is both lawless and anti-Humean. The position is called realist lawlessness and contrasts with both Humean lawlessness and nomological realism – the claim that there are laws in nature. While the Humean view also allows no laws, realist lawlessness is not Humean because it accepts some necessary connections in nature between distinct properties. Realism about laws, on the other hand, faces a central dilemma. Either laws govern the behaviour of properties from the outside or from the inside. If the former, an unacceptable quidditist view of properties follows. But no plausible account of laws within properties can be developed that permits a governing role specifically for laws. I conclude in favour of eliminativism about laws. At the conceptual core, the notion of a law in nature is misleading. It is suggestive of an otherwise static world in need of animation.

Do we watch sport for pure dumb entertainment? While some people might do so, Stephen Mumford argues that it can be watched in other ways. Sport can be both a subject of high aesthetic values and a valid source for our moral education. The philosophy of sport has tended to focus on participation, but this book instead examines the philosophical issues around watching sport. Far from being a passive experience, we can all shape the way that we see sport. Delving into parallels with art and theatre, this book outlines the aesthetic qualities of sport from the incidental beauty of a well-executed football pass to the enshrined artistic interpretation in performed sports such as ice-skating and gymnastics. It is argued that the purist literally sees sport in a different way from the partisan, thus the aesthetic perception of the purist can be validated. The book moves on to examine the moral lessons that are to be learned from watching sport, depicting it as a contest of virtues. The morality of sport is demonstrated to be continuous with, rather than separate from, the morality in wider life, and so each can inform the other. Watching sport is then recognised as a focus of profound emotional experiences. Collective emotion is particularly considered alongside the nature of allegiance. Finally, Mumford considers why we care about sport at all. Addressing universal themes, this book will appeal to a broad audience across philosophical disciplines and sports studies.

[EN]Most theories of causation assume that it must involve some kind of necessity, or that the cause must be entirely sufficient for the effect. Others have already suggested that it should be possible to get a theory of causation from a theory of powers or dispositions. Such a project is far from complete but even here we find that the key point in a dispositional theory of causation has been lacking. This paper attempts to establish some of the most important principles of such a theory and in so doing turn the existing discussion in a new direction. [ES]La mayoría de las teorías de causación asumen que debe envolverse algún tipo de necesidad, o que la causa debe ser enteramente suficiente para el efecto. Otros ya han sugerido que debería de ser posible obtener una teoría de causación a partir de una teoría de poderes o disposiciones. Un proyecto tal está muy lejos de estar completo, pero incluso aquí encontramos que ha faltado el punto clave en una teoría dispositiva de causación. Este escrito intenta establecer algunos de los principios más importantes de una teoría tal, y al hacerlo inclina la discusión existente en una nueva dirección.