Constantine Sandis

This essay is motivated by the thought that the things we do are to be distinguished from our acts of doing them. I defend a particular way of drawing this distinction before proceeding to demonstrate its relevance for normative ethics. Central to my argument is the conviction that certain ongoing debates in ethical theory begin to dissolve once we disambiguate the two concepts of action in question. If this is right, then the study of action should be accorded a far more prominent place within moral philosophy than previously supposed. I end by considering an extension of the above to aesthetic evaluation and,mutatis mutandis, that of our lives in general.

This essay brings together questions from aesthetic theory and museum management. In particular, I relate a contextualist account of the value of copies to a pluralistic understanding of the purpose of museums. I begin by offering a new defence of the no longer fashionable view that the aesthetic (as opposed to the ethical, personal, monetary, historical, or other) value of artworks may be detached from questions regarding their provenance. My argument is partly based on a distinction between the process of creating a work of art and the artwork in question.Next, I defend a pluralism about the purpose of museums and their exhibitions. I combine this with a pluralist account of the value of replicas which falls out of the above argument, exposing our preference for originality as being frequently fetishistic. I maintain that the importance of the provenance of artworks is relative to the specific purposes of any given exhibition or museum. Those that are primarily educational (such as encyclopaedic ones) are in many cases best served with high-quality replicas. This view may be extended to artefacts that are not artworks, such as fossils and dinosaur skeletons. Finally, I expound the variety of roles that replicas may play in museums and relate these to notions of authenticity.

_ Source: _Volume 9, Issue 3, pp 372 - 392 In this essay I revisit some anti-causalist arguments relating to reason-giving explanations of action put forth by numerous philosophers writing in the late ‘50s and early ‘60s in what Donald Davidson dismissively described as a ‘neo-Wittgensteinian current of small red books’. While chiefly remembered for subscribing to what has come to be called the ‘logical connection’ argument, the positions defended across these volumes are in fact as diverse as they are subtle, united largely by a an anti-scientistic spirit which may reasonably be described as historicist. I argue that while Davidson’s causalist attack was motivated by an important explanatory insight borrowed from Hempel, it caused serious damage to the philosophy of action by effectively brushing over a number of vital distinctions made in the aforementioned works. In seeking to revive these I propose an approach to the theory of action explanation that rescues the anti-causalist baby from the historicist bathwater

This paper examines the relation between the various forces which underlie human action and verbal reports about our reasons for acting as we did. I maintain that much of the psychological literature on confabulations rests on a dangerous conflation of the reasons for which people act with a variety of distinct motivational factors. In particular, I argue that subjects frequently give correct answers to questions about the considerations they acted upon while remaining largely unaware of why they take themselves to have such reasons to act. Pari passu, experimental psychologists are wrong to maintain that they have shown our everyday reason talk to be systematically confused. This is significant because our everyday reason-ascriptions affect characterizations of action that are morally and legally relevant. I conclude, more positively, that far from rendering empirical research on confabulations invalid, my account helps to reveal its true insights into human nature.

A Companion to the Philosophy of Action offers a comprehensive overview of the issues and problems central to the philosophy of action. The first volume to survey the entire field of philosophy of action (the central issues and processes relating to human actions). Brings together specially commissioned chapters from international experts. Discusses a range of ideas and doctrines, including rationality, free will and determinism, virtuous action, criminal responsibility, Attribution Theory, and rational agency in evolutionary perspective. Individual chapters also cover prominent historic figures from Plato to Ricoeur. Can be approached as a complete narrative, but also serves as a work of reference. Offers rich insights into an area of philosophical thought that has attracted thinkers since the time of the ancient Greeks.

In the first ever book-length treatment of David Hume’s philosophy of action, Constantine Sandis brings together seemingly disparate aspects of Hume’s work to present an understanding of human action that is much richer than previously assumed. Sandis showcases Hume’s interconnected views on action and its causes by situating them within a wider vision of our human understanding of personal identity, causation, freedom, historical explanation, and morality. In so doing, he also relates key aspects of the emerging picture to contemporary concerns within the philosophy of action and moral psychology, including debates between Humeans and anti-Humeans about both 'motivating' and 'normative' reasons. Character and Causation takes the form of a series of essays which collectively argue that Hume’s overall project proceeds by way of a soft conceptual revisionism that emerges from his Copy Principle. This involves re-calibrating our _philosophical_ ideas of all that agency involves to fit scheme that more readily matches the range of impressions that human beings actually have. On such a reading, once we rid ourselves of a _certain_ kind of metaphysical ambition we are left with perfectly adequate account of how it is that people can act in character, freely, and for good reasons. The resulting picture is one that both unifies Hume's practical and theoretical philosophy and radically transforms contemporary philosophy of action for the better.