Laurent Jaffro

resumo Esse artigo investiga a leitura que Shaftesbury fez de Marco Aurélio, a fim de comparar a visão estóica da individual ida de e da ide nt ida de pessoal com o conceito lockia no de “self” e, de ma ne i ra mais ge ral, com os mo dos pelos quais a filosofia mo de rna entendeu o si-me s mo. A ênfase recai sobre a conexão int r í nseca ent re sistema e s u b j e t i v ida de no estoicismo imperial. Discute-se a re s i s t ê nc ia de autores cont e m p o r âneos em aceitar a descrição da alma ra c io nal dos estóicos como um “self”. Também se discute a aplicação que Mic hel Foucault fez do seu conceito de “subjetivação” à id é ia estóica de “si-me s mo ”. palavras-chave Estoicismo; self; identidade pessoal; Shaftesbury; Marco Aurélio; Foucault

Segundo Shaftesbury e seus sucessore (James Harris, Adam Smith, Gotthold Ephraim Lessing), uma obra de arte imitativa, corretamente produzida, exprime um conteúdo moral no sentido geral do termo (mental, intelectual, bem como ético). O que esses autores têm no espírito é a expressão não somente enquanto função geral da arte, mas também e sobretudo enquato estrutura particular de cada obra. A expressão não é somente o objetivo de uma obra de arte, mas também a maneira segundo a qual ela funciona. Este artigo mostra como as reflexões de Shaftesbury em A Notion of the Historical Draught or Tablature of the Judgement of Hercules abrem a via para uma nova maneira de considerar cada obra de arte individual como uma solução para um problema da expressão que não depende do meio empregado. No artigo se estuda também o contexto histórico desse escrito de Shaftesbury bem como de sua posteridade em Harris, Smith, e Lessing.

The present article is an edition of the Pathologia (1706), a Latin manuscript on the passions by Anthony Ashley Cooper, the third Earl of Shaftesbury (1671-1713). There are two parts, i) an introduction with commentary (http://dx.doi.org/10.1080/01916599.2012.679795), and ii) an edition of the Latin text with an English translation (http://dx.doi.org/10.1080/01916599.2012.679796) . The Pathologia treats of a series of topics concerning moral psychology, ethics and philology, presenting a reconstruction of the Stoic theory of the emotions that is closely modelled on Cicero and Diogenes Lærtius. It contains a most detailed typology of the passions and affections as well as an analysis of a series of psychological connections, for example between admiration and pride. On the basis of his reconstruction of Stoic moral psychology and ethics, Shaftesbury argues that in one of his phases, Horace should be interpreted as a Stoic rather than as an Epicurean. The translation and the commentary draw attention to the relations between the Pathologia and Shaftesbury's English writings, most importantly Miscellaneous Reflections and the Inquiry Concerning Virtue, or Merit, which sheds light on several features of Shaftesbury's relation to Stoicism

The present article is an edition of the Pathologia (1706), a Latin manuscript on the passions by Anthony Ashley Cooper, the third Earl of Shaftesbury (1671–1713). There are two parts, i) an introduction with commentary (http://dx.doi.org/10.1080/01916599.2012.679795), and ii) an edition of the Latin text with an English translation (http://dx.doi.org/10.1080/01916599.2012.679796) . The Pathologia treats of a series of topics concerning moral psychology, ethics and philology, presenting a reconstruction of the Stoic theory of the emotions that is closely modelled on Cicero and Diogenes Lærtius. It contains a most detailed typology of the passions and affections as well as an analysis of a series of psychological connections, for example between admiration and pride. On the basis of his reconstruction of Stoic moral psychology and ethics, Shaftesbury argues that in one of his phases, Horace should be interpreted as a Stoic rather than as an Epicurean. The translation and the commentary draw attention to the relations between the Pathologia and Shaftesbury's English writings, most importantly Miscellaneous Reflections and the Inquiry Concerning Virtue, or Merit, which sheds light on several features of Shaftesbury's relation to Stoicism.