Julia Driver

Peter Singer is well known as an ethicist who has contributed much to current debates in ethics and public policy. He has published on topics ranging from vegetarianism to famine relief to bioethics, always with something interesting to say, and often with something provocative as well. How Are We to Live? adds to Singer’s work in the area of applied, or practical, ethics. This book is not as deeply challenging as some of Singer’s earlier work. However, it is not intended for an audience composed exclusively of professional philosophers. It is written for people who feel that ethics doesn’t speak to the concern of living a full and fruitful life, who believe that ethics, at best, is too narrow to guide us in a wide spectrum of decisions, and, at worst, is for “suckers.” This sentiment is one that professional ethicists encounter all too frequently. Singer’s book does a splendid job of addressing these sorts of concerns. He does so with a light touch, without being too moralistic. It is easy to read, engaging, and will appeal to a wide audience. Thus, the book accomplishes its goals admirably.

This essay attempts to show that sophisticated consequentialism is able to accommodate the concerns that have traditionally been raised by feminist writers in ethics. Those concerns have primarily to do with the fact that consequentialism is seen as both too demanding of the individual and neglectful of the agent's special obligations to family and friends. Here, I argue that instrumental justification for partiality can be provided, for example, even though an attitude of partiality is not characterized itself in instrumental terms.

We seem less likely to endorse moral expertise than reasoning expertise or aesthetic expertise. This seems puzzling given that moral norms are intuitively taken to be at least more objective than aesthetic norms. One possible diagnosis of the asymmetry is that moral judgments require autonomy of judgement in away that other judgments do not. However, the author points out that aesthetic judgments that have been ‘borrowed’ by aesthetic experts generate the same autonomy worry as moral judgments which are borrowed by moral experts. The author then explores various approaches to accepting the testimony of moral experts and concludes that the asymmetry may best be explained by (1) the conditions for moral expertise being more difficult to satisfy than those of aesthetic expertise and (2) the intuitive greater seriousness of accepting the moral judgments of others, since moral norms are generally viewed as more binding than aesthetic norms.

This essay defends moral expertise against the skeptical considerations raised by Gilbert Ryle and others. The core of the essay articulates an account of moral expertise that draws on work on expertise in empirical moral psychology, and develops an analogy between moral expertise and linguistic expertise. The account holds that expertise is contrastive, so that a person is an expert relative to a particular contrast. Further, expertise is domain specific and characterized by “automatic” behavior and judgment. Some disagreements in the literature regarding moral expertise are diagnosed as being due to failures to adequately distinguish different ways in which someone can be a moral expert. For example, expertise in action does not imply expertise in judgment or analysis.

Some of our moral commitments strike us as necessary, and this feature of moral phenomenology is sometimes viewed as incompatible with sentimentalism, since sentimentalism holds that our commitments depend, in some way, on sentiment. His dependence, or contingency, is what seems incompatible with necessity. In response to this sentimentalists hold that the commitments are psychologically necessary. However, little has been done to explore this kind of necessity. In this essay I discuss psychological necessity, and how the phenomenon of imaginative resistance offers some evidence that we regard our moral commitments as necessary, but in a way compatible with viewing them as dependent on desires (in some way). A limited strategy for defending sentimentalism against a common criticism is also offered