David Cooper

It is by now something of a cliché of Green discourse that environmental degradation and devastation is grounded in a sharp opposition – the legacy, it is often charged, of Christian metaphysics – between the human and the non-human, between the realms of culture and nature. If one is to understand, let alone endorse, the very general environmentalist ambition to dissolve the dualism of the human and the non-human, it is by questioning rather more tractable and particular dichotomies, like that between art and nature appreciation, where it would seem wise to begin.

This paper discusses how to use cognitive developmental psychology to create a business ethics course that has philosophical integrity. It begins with the pedagogical problem to be overcome when students are not philosophy majors. To provide a context for the practical recommendations, Kohlberg's cognitive developmental theory is summarized and then the relationship between Kohlberg's theory, normative philosophy, and teaching is analyzed. The conclusion recommends strategies that should help overcome some of the vexing pedagogical problems mentioned in the first section. In particular, the approach is designed to teach an appreciation for the practical necessity of philosophy in a pluralistic society.

The primary purpose of the paper is the broadly exegetical one of explaining and connecting Heidegger's many remarks, made in several different contexts of enquiry, on nature. The three main contexts are those of ontology, scientific methodology, and technology. After showing how Heidegger's central theses in these contexts are related to one another, I argue, in the final section, that his observations on scientific method are pivotal. Unless these are secured, his further claims about ontology and technology lose their essential support

The week, twenty-five years ago, of the Apollo spacecraft's return visit to the moon was described by Richard Nixon as the greatest since the Creation. Across the Atlantic, a French Academician judged the same event to matter less than the discovery of a lost etching by Daumier. Attitudes to technological achievement, then, differ. And they always have. Chuang-Tzu, over 2,000 years ago, relates an exchange between a Confucian passer-by and a Taoist gardener watering vegetables with a bucket drawn from a well. ‘Don't you know that there is a machine with which 100 beds are easily watered in a day?’—‘How does it work?’—‘It's a counterbalanced ladle’—‘too clever to be good … all machines have to do with formulae, artificiality [which] destroy native ingenuity … and prevent the Tao from residing peacefully in one's heart’. ‘Engines of mischief, in the words of the Luddite song, or testaments to ‘the nobility of man [as] the conqueror of matter’, in those of Primo Levi, the products of technology continue to inspire phobia and philia.

In this extensively revised and updated edition, 168 alphabetically arranged articles provide comprehensive treatment of the main topics and writers in this area of aesthetics. Written by prominent scholars covering a wide-range of key topics in aesthetics and the philosophy of art Features revised and expanded entries from the first edition, as well as new chapters on recent developments in aesthetics and a larger number of essays on non-Western thought about art Unique to this edition are six overview essays on the history of aesthetics in the West from antiquity to modern times

Not long after the historian, Seeley, had defined ‘perfect liberty’ as ‘the absence of all government’, Oscar Wilde wrote that a man can be totally free even in that granite embodiment of governmental constraint, prison. Ten years after Mill's famous defence of civil freedoms, On Liberty, Richard Wagner declaimed:I'll put up with everything—police, soldiers, muzzling of the press, limits on parliament… Freedom of the spiriti is the only thing for men to be proud of and which raises them above animals.