John Manoussakis

In recent years, Richard Kearney has emerged as a leading figure in the field of continental philosophy, widely recognized for his work in the areas of philosophical and religious hermeneutics, theory and practice of the imagination, and political thought. This much-anticipated--and long overdue--study is the first to reflect the full range and impact of Kearney's extensive contributions to contemporary philosophy. The book opens with Kearney's own "prelude" in which he traces his intellectual itinerary as it traverses the three imaginaries explored in the volume: the dialogical, the political, and the narrative. The interviews that follow the first section allow readers to listen in on conversations between Kearney and some of the most interesting and respected thinkers of our time--Noam Chomsky, Charles Taylor, Jacques Derrida, Paul Ricouer, and Martha Nussbaum--as they reveal new and unexpected aspects of their thought on stories and mourning, ethics and narrative, terror and religion, intellectuals and ideology. The next section, on the political imaginary, looks at Kearney's distinctive contribution to the political situation in Ireland and in Europe more generally; and in the last, on narrative, writers including David Wood, Terry Eagleton, and Mark Dooley focus on Kearney's novels as instances of narrative theory put into literary practice. Concluding with Kearney's postscript, an essay on "Traversals and Epiphanies in Joyce and Proust," the volume comes full circle, encompassing the full extent of Richard Kearney's engagement and offerings as a philosopher

While philosophy believes it is impossible to have an experience of God without the senses, theology claims that such an experience is possible, though potentially idolatrous. In this engagingly creative book, John Panteleimon Manoussakis ends the impasse by proposing an aesthetic allowing for a sensuous experience of God that is not subordinated to imposed categories or concepts. Manoussakis draws upon the theological traditions of the Eastern Church, including patristic and liturgical resources, to build a theological aesthetic founded on the inverted gaze of icons, the augmented language of hymns, and the reciprocity of touch. Manoussakis explores how a relational interpretation of being develops a fuller and more meaningful view of the phenomenology of religious experience beyond metaphysics and onto-theology

This paper traces the seminal notion of khora back to its birthplace text of Plato's Timaeus. At the same time, it develops a critique of Jacques Derrida's reading of khora in the context of apophatism, or negative theology. John Caputo's reading as well as Richard Kearney's criticism of the latter are presented and discussed in this text. Finally, the article suggests that the image of khora could provide continental philosophy with an example of wliat the author calls "Hermeneutics of Hyphenation", where an attempt to overcome the binary structure of traditional metaphysics, especially in our thinking of God, is accomplished. /// O presente artigo traça a genealogia da noção seminal de khora até ao seu local de nascimento no Timeu de Platão. Para além disso, o autor apresenta uma crítica da leitura que Jacques Derrida faz da noção de khora no contexto do apofatistmo, ou teologia negativa. A leitura que desta noção faz John Caputo bem como a crítica que desta por sua vez faz Ri-chard Kearney são igualmente apresentadas e discutidas no presente texto. Por fim, o autor sugere que a imagem de khora pode dotar a filosofia continental europeia com um exemplo daquilo a que neste texto se designa por "Hermenêutica da hifenização", na qual se procede justamente a uma tentativa de superação da estrutura binária própría da metafísica tradicional, particularmente no que se refere ao nosso pensamento acerca de Deus.

Martin Heidegger’s sustained reflection on Greek thought has been increasingly recognized as a decisive feature of his own philosophical development. At the same time, this important philosophical meeting has generated considerable controversy and disagreement concerning the radical originality of Heidegger’s view of the Greeks and their place in his groundbreaking thinking. In Heidegger and the Greeks, an international group of distinguished philosophers sheds light on the issues raised by Heidegger’s encounter and engagement with the Greeks. The careful and nuanced essays brought together here shed light on how core philosophical concepts such as phenomenology, existentialism, hermeneutics, and ethics are understood today. For readers at all levels, this volume is an invitation to continue the important dialogue with Greek thinking that was started and stimulated by Heidegger. Contributors are Claudia Baracchi, Walter A. Brogan, Günter Figal, Gregory Fried, Francisco J. Gonzalez, Drew A. Hyland, John Panteleimon Manoussakis, William J. Richardson, John Sallis, Dennis J. Schmidt, and Peter Warnek

The present essay is apologetic in as much as it aims to justify as well as to explain the philosophical appropriation of Dionysian metaphysics by contemporaryFrench phenomenology, especially by the work of Jean-Luc Marion. It should be noted that Dionysius serves as the inspiration, direct or indirect, of many authors in the contemporary French school, among whom the most notable are Jacques Derrida, Jean-Louis Chretien, and Jean-Yves Lacoste. The present essaywill focus particularly on the convergence between Dionysius’s theology and Marion’s phenomenology.

This essay gives a close reading of Sophocles' Oedipus Rex in light of Schelling's discussion of theodicy as teleology. The article raises the question of the connection between ethics and time, and it argues that ethical categories are really temporal ones, so much so that it would make little sense to posit a choice between good and evil as if there were two simultaneous options. Instead, the story of Oedipus shows us how Thebes is always to precede if one is to reach Colonus, that evil precedes and enables the good