Juan Gonzalez

Expondremos el camino de interiorización a través del cual el hombre persigue su autognosis. Respetando la dualidad entre método y tema que caracteriza a la actividad intelectual, y la distinción entre esencia y acto de ser que caracteriza a las criaturas, ese camino hacia la autognosis se abre finalmente en busca de la réplica de que la persona humana carece. Se dibuja así el acceso antropológico a Dios, tal y como Polo lo ha propuesto. Desde la persona se vislumbra que la identidad originaria del ser tiene también intimidad personal.

Este artículo intenta demostrar cómo el aristotelismo hispánico del siglo XIII no puede servisto como un intento por hacer ver la religión inferior a la filosofía, sino más bien como un intento de conciliarfe y razón. Se argüirá que para Averroes, cuyo programa filosófico parece ser un precedente del aristotelismohispánico del siglo XIII, y para los así llamados “filósofos naturales”, encontrar un acuerdo entre religión yfilosofía no era simplemente un ejercicio provechoso, sino más bien un deber del filósofo. De acuerdo con ellos,las discrepancias deben ser resueltas por una lectura alegórica de las Sagradas Escrituras. Tal método permitecorregir inconsistencias y hace del discurso religioso un discurso sólido y convincente en conformidad con larazón. Los pensadores medievales ibéricos se mostrarán no simplemente como lectores pasivos, sino comoacadémicos que propusieron soluciones originales a los problemas planteados por el pensamiento de la época

Este artículo aborda el desarrollo del concepto de raíz folklórica, introducido por cantautores chilenos a mediados de los años setenta, como estrategia para legitimar corrientes divergentes del folklore de la norma imperante en tiempos del régimen militar. La institucionalización de este concepto con el retorno a la democracia y su continuo tensionamiento desde una tercera generación de cantautores nacionales y desde los nuevos grupos musicales derivados de compañías teatrales, permite reflexionar sobre el problema de las raíces en tiempos de globalización. Se proponen los conceptos de posfolklore y de raíces hidropónicas, adscritos a la permanente tendencia del músico y del auditor chileno a incorporar músicas del mundo a su práctica y consumo musical. Estos conceptos permiten discutir las mezclas en la música chilena y la consiguiente multiplicación de identidades intermedias más que hegemónicas en la cultura chilena contemporánea.

This paper analyzes the process of perceptual recalibration in light of two cases of technologically-mediated cognition: sensory substitution and perceptual modification. We hold that PR is a very useful concept — perhaps necessary — for explaining the adaptive capacity that natural perceptive systems display as they respond to functional demands from the environment. We also survey critically related issues, such as the role of learning, training, and nervous system plasticity in the recalibrating process. Attention is given to the interaction between technology and cognition, and the case of epistemic prostheses is presented as an illustration. Finally, we address the following theoretical issues: the dynamic character of spatial perception; the role of functional demands in perception; the nature and interaction of sensory modalities. We aim to show that these issues may be addressed empirically and conceptually — hence, the usefulness of sensory-substitution and perceptual-modification studies in the analysis of perception, technologically-mediated cognition, and cognition in general.

Many philosophers and scientists rightly take hallucinations to be phenomena that challenge in a most pressing way our theories of perception and cognition, and epistemology in general. However, very few challenge the received views on the hallucinatory experience and even fewer critically delve into the subject with both breadth and depth. There are all kinds of problems concerning hallucinations—including conceptual, methodological, and empirical issues—that call for a multilevel analysis and an interdisciplinary approach which in turn provide the detail and scope that the subject demands. In this paper, I present and briefly discuss four interrelated problems: (1) definitions, (2) dependence on perception, (3) two views on hallucinations, and (4) methodology. Neglect or underestimation of these problems, among other things, continue to prevent a proper understanding of the concept and the corresponding experience, giving rise to misconceptions and even plain myths on the subject. Hallucinations do occur; but in order to productively investigate them (for whatever end), we first need to get clear on the concept and develop a suitable epistemological framework for their analysis.

The initial stage for the discussion is the distinction between bona fide and fiat objects drawn by Barry Smith and collaborators in the context of formal ontology. This paper aims at both producing a rationale for introducing a hitherto unrecognized kind of object—here called ‘Interactive Fiat Objects’ (IFOs)—into the ontology of objects, and casting light on the relationship between embodied cognition and interactive ontology with the aid of the concepts of affordance and ad hoc category. I conclude that IFOs are similar to fiat objects, affordances and ad hoc categories in a number of ways, yet they differ from these in important respects. Interaction is key to understanding the existence and peculiarities of IFOs. By adopting an embodied perspective on cognition, we can enrich our ontological typologies and highlight relevant features of our physical and symbolic environment that are otherwise overlooked. This should improve our understanding of object ontology and persuade us to include IFOs in our metaphysical inventories