Daniel Dahlstrom

Abstract:Whereas research on Moses Mendelssohn’s Morning Hours has largely focused on the proofs for the existence of God and the elaboration of a purified pantheism in the Second Part of the text, scholars have paid far less attention to the First Part where Mendelssohn details his mature epistemology and conceptions of truth. In an attempt to contribute to remedying this situation, the present article critically examines his account, in the First Part, of different types of truth, different types of knowledge, and the case against idealism. The examination stresses potential but overlooked strengths of his account (e. g., a conception of immediate knowledge that is both far broader than the sensory field and distinctive for having change as its object), questions of ambiguity if not inconsistency in his concepts of existence and substance, and the potential import of these questions for the role he assigns to common sense.

Kant's philosophical achievements have long overshadowed those of his German contemporaries, often to the point of concealing his contemporaries' influence upon him. This volume of new essays draws on recent research into the rich complexity of eighteenth-century German thought, examining key figures in the development of aesthetics and art history, the philosophy of history and education, political philosophy, and the philosophy of religion. The essays range over numerous thinkers including Baumgarten, Mendelssohn, Meyer, Winckelmann, Herder, Schiller, Hamann and Fichte, showing how they variously influenced, challenged, and revised Kant's philosophy, at times moving it in novel directions unacceptable to the magister himself. The volume will be valuable for all who are interested in this distinctive period of German philosophy.

The jumble of themes contained in Feuerbach’s Gedanken über Tod und Unsterblichkeit testify to the youthfulness of a work published when its author was a mere 26. These “thoughts” contain a scathing polemic against the veiled egoism of pietism and rationalism, an off-beat blend of Jacob Boehme’s theosophical mysticism with Lucretius’ arguments against personal immortality, and unique renditions of Hegel’s conceptions of nature, history, and God. There is even a somewhat tedious attempt to disprove the possibility of extraterrestial living beings! Yet these Todesgedanken were enormously significant in Feuerbach’s own life and intellectual development and in the development of Hegel’s philosophy after the latter’s death. The easy discovery of their authorship cost Feuerbach his academic career but they also helped him crystallize an idea of human beings’ true destiny which prompted his decision to become a writer. That destiny is death or, better, the genuine courage and love and earthly immortality that death alone makes possible. “True religion, true humility, true and complete surrender to and submersion in God is possible only when the human being recognizes death as true, real, and entire”. The appeal and importance of Feuerbach’s Todesgedanken lie in its impassioned, non-theist testimony to this speculative significance of death.

Hegel’s account of conscience at the conclusion to the chapter on morality in the Philosophy of Right has had more than its share of detractors. Theunissen tries to explain why the account is “so meager,” Findlay deems it “thoroughly scandalous,” and Tugendhat goes so far as to label it the pinnacle of a “no longer merely conceptual, but rather moral perversion.” Even commentators committed to rescuing Hegel’s discussion of conscience from such extreme reproaches agree that it is “one-sided” and “problematic.” The source of this widespread conclusion about Hegel’s political incorrectness is not difficult to discern. In the wake of the nationalistic excesses and horrors of the last two centuries, there is an understandable suspicion about the motivations underlying claims that “the state cannot recognize conscience in its distinctive. form, that is, as subjective knowing”. When Hegel declares that the “formal subjectivity” of conscience, as the final achievement of morality, is “on the verge of turning into something evil”, he seems clearly out of step with the reigning liberal political traditions, traditions that regard the individual’s freedom to abide by his or her conscience as both an unassailable right and an inherent good.

Morning Hours is the first English translation of Morgenstunden by Moses Mendelssohn, the foremost Jewish thinker of the German Enlightenment. Published six months before Mendelssohn's death on January 4, 1786, Morning Hours is the most sustained presentation of his mature epistemological and metaphysical views, all elaborated in the service of presenting his son with proofs for the existence of God. But Morning Hours is much more than a theoretical treatise. It also plays a central role in the drama of the Pantheismusstreit, Mendelssohn's "dispute" with F. H. Jacobi over the nature and scope of Lessing's attitude toward Spinoza and "pantheism". In Morning Hours Mendelssohn attempts to set the record straight regarding his beloved Lessing in this connection, not least by demonstrating the absence of any practical difference between theism and a "purified pantheism".

This engaging work presents a persuasive argument for placing a morally populist and somatic pragmatism at the center, not only of aesthetics and art, but also of what the author calls "the aesthetic life." In the opening chapter the author begins by situating pragmatist aesthetics in its philosophical context, chiefly through a contrast with analytic aesthetics. Casting the contrast as a renewal of the quarrel between Kantians and Hegelians, the author elaborates the fundamental opposition of analytic aesthetics to Dewey's naturalistic, instrumental, and self-consciously evaluational view of aesthetics, his emphasis on the centrality of art and its profound continuity with science and life in all the historico-political and socio-economic richness of the latter, his refusal to countenance an undemocratic distinction between high and low art, and finally, his insistence on privileging the aesthetic experience over the material object identified as the work of art. The contrast is deepened in the second chapter as the author argues that the currently regnant and supposedly neutral definition of art as a distinct historical practice collapses into art history, naively leaving the question of value to the inner arbitration of the art world and thereby iterating the forced separation of practice and aesthetic experience. Though the author contends that pragmatist aesthetics overcomes these shortcomings, he acknowledges that the reconstructive definition of art as experience, at least as Dewey formulates it, seems "obscurely elusive" and its revisionary aims "too quixotically ambitious". The author attempts to counter these objections by stressing that the definition is meant, not to provide criteria for judgment and not to effect a sweeping reclassification of art, but to enhance and expedite experience. In this respect, however, the author emphasizes how his project "differs from its Deweyan source". Instead of trying to effect a change through a global redefinition of art, his aim is "to make a more specific case for widening art's borders to forms of popular culture and to the ethical art of fashioning one's life". The second chapter concludes with an effective rebuttal of the challenge that theory in general, including that of a nonfoundationalist pragmatist aesthetics, is impotent and impossible.

This paper addresses puzzling issues concerning the ontological status of dispositions. Following review of debates about a traditional conditional analysis as well as Lewis’s “reformed conditional analysis” of dispositions, the paper analyzes attempts to solve the problem of what makes the relevant conditional true. Reasons are presented for rejecting attempts to locate the relevant truth-maker in a causal basis that allegedly dispenses with dispositions or in properties that are universally dispositional. In this way the paper argues that neither “eliminativism” nor “pandispositionalism” provides a successful account of dispositions’ ontological status, and that ontology must find a way to countenance the reality of both dispositional and non-dispositional properties.

The "conceptual story" told by Kisiel neatly divides into three parts, reflecting the genesis of SZ respectively "as a topic, as a program, and as a text". Part 1 begins with the 1919 War Emergency Semester and Heidegger's transformation of Husserlian phenomenology into a "pretheoretical science" of pretheoretical origins, leading to the elaboration of a hermeneutics of facticity and its methodological problematic in concert with the demands of a phenomenology of religion. Part 1 is the lengthiest of the three parts, but with good reason. By securing extant transcripts of courses, Kisiel is able to provide illuminating material not found in the published editions. The paraphrase of lectures of the winter semester 1920-21 "Introduction to the Phenomenology of Religion," based upon four extant student transcripts, is particularly valuable since Heidegger's autograph of this course is missing and, hence, the lectures presumably will not find their way into the Gesamtausgabe. Kisiel relates how the course undergoes an abrupt change in focus from methodological considerations to the examination of concrete religious phenomena, a change apparently prompted by students' complaints over the lectures' "lack of religious content".

This volume of essays by internationally prominent scholars interprets the full range of Heidegger's thought and major critical interpretations of it. It explores such central themes as hermeneutics, facticity and Ereignis, conscience in Being and Time, freedom in the writings of his period of transition from fundamental ontology, and his mature criticisms of metaphysics and ontotheology. The volume also examines Heidegger's interpretations of other authors, the philosophers Aristotle, Kant and Nietzsche and the poets Rilke, Trakl and George. A final group of essays interprets the critical reception of Heidegger's thought, both in the analytic tradition and in France. This rich and wide-ranging collection will appeal to all who are interested in the themes, the development and the context of Heidegger's philosophical thought.